The Painted Veil

by W. Somerset Maugham

"Master bring it, missy, after tiffin," he answered.

Then it had been Walter. She rang up the Colonial Secretary's Office at once and asked for Charlie. She told him what she had just learned. There was a pause before he answered.

"What shall I do?" she asked.

"I'm in the middle of an important consultation. I'm afraid I can't talk to you now. My advice to you is to sit tight."

She put down the receiver. She understood that he was not alone and she was impatient with his business.

She sat down again, at a desk, and resting her face in her hands sought to think out the situation. Of course Walter might merely have thought she was sleeping: there was no reason why she should not lock herself in. She tried to remember if they had been talking. Certainly they had not been talking loud. And there was the hat. It was maddening of Charlie to have left it downstairs. But it was no use blaming him for that, it was natural enough, and there was nothing to tell that Walter had noticed it. He was probably in a hurry and had just left the book and the note on his way to some appointment connected with his work. The strange thing was that he should have tried the door and then the two windows. If he thought she was asleep it was unlike him to disturb her. What a fool she had been!

She shook herself a little and again she felt that sweet pain in her heart which she always felt when she thought of Charlie. It had been worth it. He had said that he would stand by her, and if the worse came to the worst, well. . . . Let Walter kick up a row if he chose. She had Charlie; what did she care? Perhaps it would be the best thing for him to know. She had never cared for Walter and since she had loved Charlie Townsend it had irked and bored her to submit to her husband's caresses. She wanted to have nothing more to do with him. She didn't see how he could prove anything. If he accused her she would deny, and if it came to pass that she could deny no longer, well, she would fling the truth in his teeth, and he could do what he chose.

[vi]

Within three months of her marriage she knew that she had made a mistake; but it had been her mother's fault even more than hers.

There was a photograph of her mother in the room and Kitty's harassed eyes fell on it. She did not know why she kept it there, for she was not very fond of her mother; there was one of her father too, but that was downstairs on the grand piano. It had been done when he took silk and it represented him in wig and gown. Even they could not make him imposing; he was a little, wizened man, with tired eyes, a long upper lip, and a thin mouth: a facetious photographer had told him to look pleasant, but he had succeeded only in looking severe. It was on this account, for as a rule the downturned corners of his mouth and the dejection of his eyes gave him an air of mild depression, that Mrs. Garstin, thinking it made him look judicial, had chosen it from among the proofs. But her own photograph showed her in the dress in which she had gone to Court when her husband was made a King's Counsel. She was very grand in the velvet gown, the long train so disposed as to show to advantage, with feathers in her hair and flowers in her hand. She held herself erect. She was a woman of fifty, thin and flat-chested, with prominent cheek-bones and a large, well-shaped nose. She had a great quantity of very smooth black hair and Kitty had always suspected that, if not dyed, it was at least touched up. Her fine black eyes were never still and this was the most noticeable thing about her; for when she was talking to you it was disconcerting to see those restless eyes in that impassive, unlined and yellow face. They moved from one part of you to another, to other persons in the room, and then back to you; you felt that she was criticising you, summing you up, watchful meanwhile of all that went on around her, and that the words she spoke had no connection with her thoughts.