"Oh, yes."
He was silent again, and then hazarded a remark about Robert Louis Stevenson. He asked me if I had been up to Vailima. For some reason he was making an effort to be agreeable to me. He began to talk of Stevenson's books, and presently the conversation drifted to London.
"I suppose Covent Garden's still going strong," he said. "I think I miss the opera as much as anything here. Have you seen Tristan and Isolde?"
He asked me the question as though the answer were really important to him, and when I said, a little casually I daresay, that I had, he seemed pleased. He began to speak of Wagner, not as a musician, but as the plain man who received from him an emotional satisfaction that he could not analyse.
"I suppose Bayreuth was the place to go really," he said. "I never had the money, worse luck. But of course one might do worse than Covent Garden, all the lights and the women dressed up to the nines, and the music. The first act of the Walküre's all right, isn't it? And the end of Tristan. Golly!"
His eyes were flashing now and his face was lit up so that he hardly seemed the same man. There was a flush on his sallow, thin cheeks, and I forgot that his voice was harsh and unpleasant. There was even a certain charm about him.
"By George, I'd like to be in London to-night. Do you know the Pall Mall restaurant? I used to go there a lot. Piccadilly Circus with the shops all lit up, and the crowd. I think it's stunning to stand there and watch the buses and taxis streaming along as though they'd never stop. And I like the Strand too. What are those lines about God and Charing Cross?"
I was taken aback.
"Thompson's, d'you mean?" I asked.
I quoted them.