CHAPTER XXX
Strongest 'Impressions' from the Waverley Novels—Special Charm of Death of the old Lawyer in Chrystal Croftangry's Recollections—Death of Walter Scott the Elder—The 'very scene' described—Scott appointed Sheriff—Independence from Court Work.
A boy of ten in a quiet country parish forty years ago took a pride in being able to say—'I have read all Shakespeare, all Byron, all the Waverley Novels,' and so on. The pursuit of this hobby was not entirely fortunate. It tended to omnivorous rather than critical reading—to the pursuit of enjoyment in reading rather than anything else. It had, however, its obvious advantages, and gained him at the University some first prizes, and a certain kindly consideration among his fellows as one whose literary opinions were founded on first-hand knowledge. His experience confirms a well-known opinion of Sir Walter Scott's that children prefer, and on the whole understand quite sufficiently, if they are encouraged to read it, the same literature which fascinates their fathers. 'I am persuaded both children and the lower class of readers hate books which are written down to their capacity, and love those that are composed more for their elders and betters. The grand and interesting consists in ideas not in words.'[1] At all events our 'impressionist' testifies that, having read all the Waverley Novels in the summer of his tenth year, he now recalls forty years after, from that first reading, chiefly one general impression and three special souvenirs which lived with him and have haunted his imagination ever since. The general impression is an intense interest in History (chiefly, of course, Scottish History) and Antiquities, imbibed from the charming Introductions and Notes to the Novels. These were read again and again, and always laid aside with a vivid sense of regret that the Notes were so short. The special recollections are of Henry Bertram returning to Ellangowan and recalling the old ballad of 'the bonnie woods o' Warroch Head': of Count Robert of Paris in the dungeon: and, above all, of the death of Chrystal Croftangry's friend in the 'Chronicles of the Canongate.' He still considers Bertram's return the finest touch of romance since Homer pictured the old hound recognising his long-lost master, Ulysses, in the beggar man. Count Robert scarcely affects the man so strongly as he did the boy. But Chrystal Croftangry has still the old charm—a charm trebled by the associations which a knowledge of Scott's life attaches to these inimitable chapters. Lockhart has revealed that 'in the portraiture of Mrs. Murray Keith, under the name of Mrs. Bethune Baliol, he has mixed up various features of his own beloved mother, and in the latter a good deal was taken from nobody but himself.' The pathetic picture of the death of Chrystal's old friend and legal counsellor, drawn with such vigour and intense realism, is without doubt the death-scene of the old 'writer,' Walter Scott, the original of that 'one true friend, who knew the laws of his country well, and, tracing them up to the spirit of equity and justice in which they originate, had repeatedly prevented, by his benevolent and manly exertions, the triumphs of selfish cunning over simplicity and folly.'
[1] Diary, June 5, 1827.
The worthy and good old man died in 1799. He had suffered a succession of paralytic attacks, under which mind as well as body had been laid quite prostrate. From the lips of a near relation of the family Lockhart gives the following touching statement made to himself on the publication of the first 'Chronicles of the Canongate'—'I had been out of Scotland for some time, and did not know of my good friend's illness, until I reached Edinburgh, a few months before his death. I saw the very scene that is here painted[2] of the elder Croftangry's sickroom—not a feature different—poor Anne Scott, the gentlest of creatures, was treated by the fretful patient exactly like this niece.' And the biographer adds—'I have lived to see the curtain rise and fall once more on a like scene.'
[2] 'Chronicles of the Canongate,' chap. I. Note that the house is in Brown's Square, where old Fairford dwelt.
The old man's business was continued by his son Thomas, and the property he left, though less than had been expected, was sufficient to make ample provision for his widow, and a not inconsiderable addition to the resources of those among whom the remainder was divided.
On the 16th December 1799, Walter Scott was made Sheriff-Depute of Selkirkshire, with a salary of £300. Probably, had Scott been an avowed Whig, he would never have been offered the post, but beyond the mere fact that he was not a Whig, politics had no part in the appointment. Personal friendship no doubt aided his other claims. The strongest efforts were made on his behalf by both Robert and William Dundas, nephews of Henry Dundas (Lord Melville), in whose hands was the general control of all Crown patronage. The same was done by his (Henry Dundas's) son Robert, and Lord Dalkeith and Lord Montague, sons of the Duke of Buccleuch—all ardent volunteers. The result was that the Duke and Dundas, both of whom knew and liked Scott, though neither was at all 'addicted to literature,' had no choice. Neither imagined that in appointing the young advocate to be a sheriff-depute, he was making his best bid for immortality. This very innocent 'job' was most happily timed. It crowned the modest fortune of the young poet's little household. The duties were light, and though the income was small, it was sufficient to make him independent of the precarious prospects of a profession for which he had never acquired any real liking. He spoke of it himself in the words of Slender about Anne Page—'There was no great love between us at the beginning; and it pleased Heaven to decrease it on further acquaintance.' The end of the century, therefore, saw Scott placed by fortune in the position which was his own ideal—free to devote his best energies to literature, without depending on its results for his own and his family's daily bread.
CHAPTER XXXI
Scott settled in Edinburgh—Defacement of City—Wrytte's House—Gillespie the Snuff-seller—Erskine's Joke—The Woods of Bellevue—Scott's ideal rus in urbe.