Is about one mile from the village of Chirk, and is the ancient seat of the noble family of the Trevors, as I find in an authentic genealogical table, of which the following is a short extract:—“In the reign of King Richard II. there was a noble peer, by name Geofry Lord Trevor, and also John Trevor, Bishop of St. Asaph, and Chancellor of Chester. He continued in the bishoprick to the sixth year of King Henry IV. And in the reign of King Henry VI. (1421) lived two brothers descended of this honourable family, namely, John and Richard. John, the eldest brother, was seated at Brynkinallt. He married Agnes, daughter and heiress of Peter Chambre, of Pool, Esq. by whom he had issue five sons, who laid the foundation of many noble branches. Robert, the eldest, succeeded his father at Brynkinallt. He married Catherine, daughter and heiress of Llewellen Ap Howel De Mould, and had issue. From Edward, the second son, by Amy, daughter of James Ryffin, Esq. descended Mark Trevor, from whom descended the Viscount Dungannon in Ireland.” From him the nobleman who at present inherits the title, and the residence of Brynkinallt, is a lineal descendant; and under his auspices, aided by the exquisite taste of his Countess, this superb edifice has attained the acme of beauty.

To rush at once into this charming labyrinth of delight would fill the mind with confusion; and the beholder would be at a loss in what direction to commence his observations, where every part claims his admiration. I therefore beg my readers will accompany me about two miles on the Oswestry road, to Bryn y Gwyla Lodge, a beautiful triumphal arch-like entrance into Bryn y Gwyla Park, through which a new road is now forming to Brynkinallt. This part of the domain is in Shropshire; the interesting stream of the Ceiriog dividing Shropshire from Denbighshire at this place.

As you proceed towards the river, whose sides are charmingly clothed with forest trees, and whose banks are fringed with shrubs to the water edge, the eye is caught by some of the pinnacles of Brynkinallt, and by the blue smoke arising from the mansion, which seems playfully to linger among the lofty summits of the luxuriant trees that adorn it. Proceeding on the highest road, called the Green Drive, which runs along the top of the Hanging Wood, whose majestic and venerable timber seems to continue the luxuriant line of wavy branches to the very mansion, through one of the natural vistas which here and there present themselves, Brynkinallt bursts upon the sight in all its beauty, embosomed in the softened and variously tinted foliage of the plantations which surround it. From this spot the most interesting and picturesque view of the place is obtained; and I believe it is the point from whence an artist of some celebrity has designed a picture of the mansion.

At the termination of this drive the murmuring Ceiriog is crossed by an ornamental stone bridge, at the foot of which, on the bank of the river, stands a simple rustic cottage, richly clothed with ivy, and formed of unhewn pebble stones. At this lodge is kept a key of the bridge gate; and a bell attached to the gate procures attendance. Crossing the bridge into Denbighshire, the elegant taste of the inheritor of the place begins to display itself. New beauties appear at every step, as you approach the house; pheasants feed in numbers on the smooth verdant lawn before the windows, and seem to give an earnest of the quiet and security of the domain.

This beautiful place is thus mentioned by Mr. Pennant:—“From Chirk (he says) I made an excursion to Brynkinallt about a mile below the village: this had been the seat of the Trevors. The house is of brick, built in 1619.” [20] Nor can I find more attention bestowed on this charming place by any of the numerous tourists who have given an account of their excursions to the public; and I am at a loss to account why this, the most unique and beautiful spot in the neighbourhood, should thus long have escaped attention.

The house is undoubtedly the work of Inigo Jones, and was built on the site of a former mansion of brick, either in the latter part of the reign of Queen Elizabeth, or early in the reign of James I. The additions made by the present worthy possessor are ornamental and useful, and are formed so judiciously, and so strictly in character with the old part, as not to be distinguished from the original design. I should call the style demi-gothic; it is now cased over with mastic or Roman cement, and has all the appearance of well hewn stone; and some think it will have equal durability.

The house is formed with a noble mansion-like centre, decorated with minarets and pinnacles, and flanked by two low retiring wings, making altogether a very beautiful and ornamental front. The grand entrance is through a conservatory and viranda, elegantly decorated with choice flowers and exotic plants. Over the inner entrance door are the arms of the Marquis of Wellesley, Viceroy of Ireland, emblazoned upon glass, occupying the whole width of the doorway, and bearing an inscription, likewise painted on the glass, signifying that the Marquis presented this painted glass as a mark of his esteem to his dear friend and relation, Lord Viscount Dungannon. The execution is good, and does great credit to the Irish artist.

Advancing a few steps into the interior, the eye is arrested by the brilliancy of the scene which breaks upon the sight. Immediately in front, through the spacious hall, is a grand flight of stairs, terminated by a richly stained glass window, and leading to a gallery that surrounds the hall, and which is decorated with the busts of much distinguished and eminent persons, as the King, the Duke of York, the Duke of Wellington, &c. Up the passage to the left hand, the view is bounded by the superb dining room; and on the right it terminates in a charming conservatory, through which is a way to the pleasure grounds and gardens. From the dining room on the extreme left, to the conservatory on the right, it is about one hundred and sixty feet.

To particularize or to give an adequate idea of the superb and very tasteful decorations of every room in this elegant mansion is far beyond my power of description; and therefore I dare not make the attempt. Suffice it to say, that every nook seems decorated by the hand of taste, guided by the most correct judgment; all is elegantly superb, and chastely grand. In some of the windows is much old painted glass, particularly in the library, where there are some very excellent specimens.

Here is also a valuable collection of china; and in one of the rooms are some beautiful vases of that fragile material.