In the later half of the eighteenth century greater pains and finer workmanship appear to have been bestowed upon the symbolic figurement of the gravestone, and the more elaborate allegorical representations of which a few sketches have been given came into vogue and grew in popular favour until the century's end. Nor did the opening of a new century altogether abolish the fashion; perhaps it can hardly be said to have been abolished even now at the century's close, but the evidences extant combine to shew that the flourishing period of the pictorial headstone lay well within the twenty-five years preceding Anno Domini 1800. For the sake of comparison one with another, I have taken, in addition to the sketch at page 1 (Fig. 1), three examples of the device which seems most frequently to typify the resurrection of the dead. In two of these the illustration is accompanied by a quotation explanatory of its subject, but the words are not the same in both cases. The stone at Horton Kirby, near Dartford, depicted in Fig. 32, shews the inscription clearly.
FIG. 32.—AT HORTON KIRBY.
"To John Davidge. died April 22, 1775, aged
75 years."
In the second instance, at Cliffe, the inscription has been in great part obliterated by time, but the words written were evidently those of the chapter from Corinthians which is part of the Burial Service: "O death, where is thy sting? O grave, where is thy victory?" They are, however, almost illegible, and I have made no attempt to reproduce them in the picture.
FIG. 33.—AT CLIFFE.
"To Mary Jackson, died March 26, 1768."