Note E.
The best information I have as to the date of William Parker’s revisit to Christiana is that it was during the presidential campaign of 1872. Peter Woods says he took back with him to Canada the widow of Henry Sims—one of the defendants in the treason case; presumably he was then a widower and Mrs. Sims became his second wife.
Note F.
On pages [6] and [12] I have recalled the indisputable fact that Abraham Lincoln and his party distinctly recognized the legal obligation of the Fugitive Slave Law even after the war had begun. Striking confirmation of what heedless readers may be disposed to doubt is found in General William T. Sherman’s “Causes of the War,” cited in the Atlantic Monthly, for September, 1911, where Sherman says: “Mr. Lincoln after election and installation, asserted repeatedly that slavery was safe in his hands, that he was sworn to enforce even the Fugitive Slave Law and soon Congress declared it had no intention to interfere with slavery in the States.”
Note G.
A second and revised edition of this History, substantially bound and more copiously illustrated, will be put to press shortly. The author will appreciate the correction of any errors observed in this edition—hurriedly put to press—as well as any additions to its statements of facts. Communications to this effect or orders for copies of the revised edition may be sent to Box 34, Lancaster, Pa.
IN PRISON FOR TREASON.
[One of the finest stanzas in American poetry was inspired by the imprisonment of Hanway and others for treason. While they were in Moyamensing, John G. Whittier wrote and published his “Lines” to them. Horace E. Scudder, in his excellent and complete “Cambridge edition” of Whittier, classes the following with three other poems, “called out by the popular movement of Free State men to occupy the territory of Kansas.” In this he is mistaken. This poem, now entitled “For Righteousness’ Sake,” was originally “inscribed to Friends under arrest for treason against the slave power,” and was directed especially to Hanway, Lewis and Scarlet. The concluding stanza is deeply imbedded in popular appreciation of the best in our national literature.]