"Agricola assiduo primum satiatus aratro
Cantavit oerto rustica verba pede;
Et satur arenti primum est modulatus avena
Carmen, ut ornatos diceret ante decs;
Agricola et minio suffusus, Bacche, rubenti
Primus inexperta duxit ab arte choros."[454]
It would be easy to multiply examples of such merry-making from the poets of the Augustan age, nearly all of whom were born and bred in the country, and shared Virgil's tenderness for a life of honest work and play among the Italian hills and valleys. But in this chapter we are to deal with the holidays and enjoyments of the great city, and the rural festivals are only mentioned here because almost all the characteristics of the urban holiday-making are to be found in germ there. The Roman calendar of festivals has its origin in the regularly recurring rites of the earliest Latin husbandman. As the city grew, these old agricultural festivities lost of course much of their native simplicity and naïveté; some of them survived merely as religious or priestly performances, some became degraded into licentious enjoyment; but the music and dancing, the gay dresses, the racing, the mumming or acting, are all to be found in the city, developed in one form or another, from the earliest to the latest periods of Roman history.
The Latin word for a holiday was feriae, a term which belongs to the language of religious law (ius divinum). Strictly speaking, it means a day which the citizen has resigned, either wholly or in part, to the service of the gods.[455] As of old on the farm no work was to be done on such days, so in the city no public business could be transacted. Cicero, drawing up in antique language his idea of the ius divinum, writes thus of feriae: "Feriis iurgia amovento, easque in familiis, operibus patratis, habento": which he afterwards explains as meaning that the citizen must abstain from litigation, and the slave be excused from labour.[456] The idea then of a holiday was much the same as we find expressed in the Jewish Sabbath, and had its root also in religious observance. But Cicero, whether he is actually reproducing the words of an old law or inventing it for himself, was certainly not reflecting the custom of the city in his own day; no such rigid observance of a rule was possible in the capital of an Empire such as the Roman had become. Even on the farm it had long ago been found necessary to make exceptions; thus Virgil tells us:[457]
"Quippe etiam festis quaedam exercere diebus
Fas et iura sinunt: rivos deducere nulla
Religio vetuit, segeti praetendere saepem,
Insidias avibus moliri, incendere vepres,
Balantumque gregem fluvio mersare salubri."
So too in the city it was simply impossible that all work should cease on feriae, of which there were more than a hundred in the year, including the Ides of every month and some of the Kalends and Nones. As a matter of fact a double change had come about since the city and its dominion began to increase rapidly about the time of the Punic wars. First, many of the old festivals, sacred to deities whose vogue was on the wane, or who had no longer any meaning for a city population, as being deities of husbandry, were almost entirely neglected: even if the priests performed the prescribed rites, no one knew and no one cared,[458] and it may be doubted whether the State was at all scrupulous in adhering to the old sacred rules as to the hours on which business could be transacted on such days.[459] Secondly, certain festivals which retained their popularity had been extended from one day to three or more, in one or two cases, as we shall see, even to thirteen and fifteen days, in order to give time for an elaborate system of public amusement consisting of chariot-races and stage-plays, and known by the name of ludi, or, as at the winter Saturnalia, to enable all classes to enjoy themselves during the short days for seven mornings instead of one. Obviously this was a much more convenient and popular arrangement than to have your holidays scattered about over the whole year as single days; and it suited the rich and ambitious, who sought to obtain popular favour by shows and games on a grand scale, needing a succession of several days for complete exhibition. So the old religious word feriae becomes gradually supplanted, in the sense of a public holiday of amusement, by the word ludi, and came at last to mean, as it still does in Germany, the holidays of schoolboys.[460] These ludi will form the chief subject of this chapter; but we must first mention one or two of the old feriae which seem always to have remained occasions of holiday-making, at any rate for the lower classes of the population.
One of these occurred on the Ides of March, and must have been going on at the moment when Caesar was assassinated in 44 B.C. It was the festival of Anna Perenna, a mysterious old deity of "the ring of the year." The lower class of the population, Ovid tells us,[461] streamed out to the "festum geniale" of Anna, and spent the whole day in the Campus Martius, lying about in pairs of men and women, indulging in drinking and all kinds of revelry. Some lay in the open; some constructed tents, or rude huts of boughs, stretching their togas over them for shelter. As they drank they prayed for as many years of life as they could swallow cups of wine. The usual characteristics of the Italian festa were to be found there: they sang anything they had picked up in the theatre, with much gesticulation ("et iactant faciles ad sua verba manus"), and they danced, the women letting down their long hair. The result of these performances was naturally that they returned home in a state of intoxication, which roused the mirth of the bystanders. Ovid adds that he had himself met them so returning, and had seen an old woman pulling along an old man, both of them intoxicated. There may have been other popular "jollifications" of this kind, for example at the Neptunalia on July 23, where we find the same curious custom of making temporary huts or shelters;[462] but this is the only one of which we have any account by an eye-witness. Of the famous Lupercalia in February, and some other festivals which neither died out altogether nor were converted into ludi, we only know the ritual, and cannot tell whether they were still used as popular holidays.
One famous festival of the old religious calendar did, however, always remain a favourite holiday, viz. the Saturnalia on December 17, which was by common usage extended to seven days in all.[463] It was probably the survival of a mid-winter festivity in the life of the farm, at a time when all the farm work of the autumn was over, and when both bond and free might indulge themselves in unlimited enjoyment. Such ancient customs die hard, or, as was the case with the Saturnalia, never die at all; for the same features are still to be found in the Christmas rejoicings of the Italian peasant. Every one knows something of the character of this holiday, and especially of the entertainment of slaves by their masters,[464] which has many parallels in Greek custom, and has been recently supposed to have been borrowed from the Greeks. Various games were played, and among them that of "King," at which we have seen the young Cato playing with his boy companions.[465] Seneca tells us that in his day all Rome seemed to go mad on this holiday.
But we must now turn to the real ludi, organised by the State on a large and ever increasing scale. The oldest and most imposing of these were the Ludi Romani or Magni, lasting from September 5 to September 19 in Cicero's time. These had their origin in the return of a victorious army at the end of the season of war, when king or consul had to carry out the vows he had made when entering on his campaign. The usual form of the vow was to entertain the people on his return, in honour of Jupiter, and thus they were originally called ludi votivi, before they were incorporated as a regularly recurring festival. After they became regular and annual, any entertainment vowed by a general had to take place on other days; thus in the year 70 B.C. Pompey's triumphal ludi votivi immediately preceded the Ludi Romani of that year,[466] giving the people in all some thirty days of holiday. The centre-point, and original day, of the Ludi Romani was the Ides (13th) of September, which was also the day of the epulum Jovis,[467] and the dies natalis (dedication day) of the Capitoline temple of Jupiter; and the whole ceremonial was closely connected with that temple and its great deity. The triumphal procession passed along the Sacra via to the Capitol, and thence again to the Circus Maximus, where the ludi were held. The show must have been most imposing; first marched the boys and youths, on foot and on horseback, then the chariots and charioteers about to take part in the racing, with crowds of dancers and flute-players,[468] and lastly the images of the Capitoline deities themselves, carried on fercula (biers). All such shows and processions were dear to the Roman people, and this seems to have become a permanent feature of the Ludi Romani, whether or no an actual triumph was to be celebrated, and also of some other ludi, e.g. the Apollinares and the Megalenses.[469] Thus the idea was kept up that the greatness and prosperity of Rome were especially due to Jupiter Optimus Maximus, who, since the days of the Tarquinii, had looked down on his people from his temple on the Capitol.[470]
The Ludi Plebeii in November seem to have been a kind of plebeian duplicate of the Ludi Romani. As fully developed at the end of the Republic, they lasted from the 4th to the 17th; their centre-point and original day was the Ides (13th), on which, as on September 13, there was an epulum Jovis in the Capitol.[471] They are connected with the name of that Flaminius who built the circus Flaminius in the Campus Martius in 220 B.C., the champion of popular rights, killed soon afterwards at Trasimene; and it is probable that his object in erecting this new place of entertainment was to provide a convenient building free of aristocratic associations. But unfortunately we know very little of the history of these ludi.
If we may suppose that the Ludi Plebeii were instituted just before the second Punic war, it is interesting to note that three other great ludi were organised in the course of that war, no doubt with the object of keeping up the drooping spirits of the urban population. The Ludi Apollinares were vowed by a praetor urbanus in 212, when the fate of Rome was hanging in the balance, and celebrated in the Circus Maximus: in 208 they were fixed to a particular day, July 13, and eventually extended to eight, viz. July 6-13.[472] In 204 were instituted the Ludi Megalenses, to celebrate the arrival in Rome of the Magna Mater from Pessinus in Phrygia, i.e. on April 4; but the ludi were eventually extended to April 10.[473] Lastly, in 202 the Ludi Ceriales, which probably existed in some form already, were made permanent and fixed for April 19: they eventually lasted from the 12th to the 19th.[474] After the war was over we only find one more set of ludi permanently established, viz. the Florales, which date from 173. The original day was April 28, which had long been one of coarse enjoyment for the plebs; like the other ludi, these too were extended, and eventually reached to May 3.[475] April, we may note, was a month chiefly consisting of holidays: the Ludi Megalenses, Ceriales, and Florales occupied no less than seventeen of its twenty-nine days.