The Religious Experience of the Roman People / From the Earliest Times to the Age of Augustus

by W. Warde Fowler

May we not take the constant occurrence in literature of such phrases as dis faventibus, dis iuvantibus or volentibus, as evidence of an idea deeply rooted at one time in the Roman mind, that nothing should be undertaken until the will of the deities concerned had been ascertained and that early form of conscience satisfied? Let us remember that the whole story of the Aeneid is one of the bending of the will of the hero, as a type of the ideal Roman, to the ascertainable will of the powers in the universe.

And we have abundant evidence that as a matter of fact the good-will of the divine inhabitants of house and city was asked for whenever any kind of work was undertaken,—even the ordinary routine work of the farm or of government. In the household every morning some offering with prayer was made to the Lar familiaris in historical times, and again before the cena, the chief meal of the day.[518] On Kalends, Nones, Ides, and on all dies festi a corona was placed on the hearth, and prayer was made to the Lar; we know that this was so in the old Roman home, because in the second century B.C. Cato instructs the vilicus to discharge these duties on behalf of the absent or non-resident owner.[519] Before the flocks were taken out to summer pasture, and doubtless when they returned, some religious service (so we should call it) was held,[520] just as in the Catholic cantons of Switzerland the blessing of God is asked when the cows first ascend to the alpine pastures, and again when they leave them for the valleys. Before a journey the later Romans prayed for good fortune;[521] in the old times travelling was of course unusual, and when it did occur the traveller was surrounded by so many spiritual as well as material dangers that special religious measures must have been taken, as by fetials or armies on entering foreign territory. The survival of the same kind of belief and practice is also seen in private life in the religious commendations of some authors at the outset of their literary work; Varro, for example, at the beginning of his work on agriculture, calls on all the agrarian deities (iis deis ad venerationem advocatis) before he goes on to mention even the bibliography of his subject.[522] Livy in the last sentence of his preface would fain imitate the poets in calling on the gods to bless and favour his undertaking. And in all time of their tribulation, even if not in all time of their wealth, the pious Romans sought help from the deities from whom help might be expected; if, at least, the many instances occurring in Roman poetry may point to a practice of the ordinary individual and family.[523] So too, if we may judge by many passages in the plays of Plautus and Terence,[524]—if here we have genuine Roman usage, as is probable,—the feeling of dependence on a Power manifesting itself in the affairs of daily life is shown also in the expression of thankfulness which followed success or escape from peril. Gratitude was not a prominent characteristic of the Roman, but I have already remarked on the presence of it in the practice of the votum, and there is at least some evidence that it was recognised as due to benignant deities as well as human beings.[525]

In public life, throughout Roman history, the forms of religious rites were maintained on all important occasions. When Varro wrote a little manual of Senatorial procedure for the benefit of the inexperienced Pompeius when consul in 70 B.C., he was careful to mention the preliminary sacrifice and auspicatio, performed by the presiding magistrate, who also had to see that the business de rebus divinis came first on the paper of agenda.[526] At one time every speaker invoked the gods at the beginning of his oration, as well indeed he might in a situation so unusual and trying for a Roman before the days of Greek education; and the earliest speeches preserved in the literary age, e.g. those of Cato and the Gracchi, retained the religious exordium.[527] We have a trace of the Gracchan practice in a famous passage at the end of the work called Rhetorica ad Herennium of circ. 82 B.C., where the death of Ti. Gracchus is graphically described.[528] But there is no need to multiply examples of public religious formalism on occasions of all kinds, on entering on an office, founding a colony, leaving Rome for a provincia, and so on; some of them I have already mentioned, others are familiar to all classical students.

So let us not hesitate for a moment to give this people credit for their religiousness. True, their neighbours, Greeks like Polybius, approved of it only with an ironical smile on their lips, as we may smile at the devoted formalism of extreme Catholic or Protestant, while we secretly—if we have some sympathy with strangely varying human nature—admire the confidence and regularity that we cannot ourselves claim. At the moment where I have thus paused before beginning my second story, at the end, that is, of the regal period, I believe that this religious system, though perhaps beginning to harden, still meant a profound belief in the Power thus manifested in many forms, and an ardent and effective desire to be in right relation to it. I believe that it contained the germ of a living and fruitful growth; but that growth was at this very moment arrested by the beginning of a process of which I shall have much to say in the next two or three lectures.

But it is hard to realise this better side of the religion of a hard and practical people, and all the more so since it is the worse side that is almost always presented to us in modern books. It is hard to realise that it was not merely a system of insurance, so to speak, against all kinds of material evils,—and here again all the more so because there is a tendency just now to reduce both religion and law to an origin in magic, leaving the religious instinct, the feeling of dependence, the progenitor of conscience, quite out of account. One must indeed be thoroughly familiar with Roman literature and antiquities to overcome these difficulties, to discover the spiritual residuum in the Roman character beneath all its hardness and utilitarianism. Before we pass on to the task before us, let me make two suggestions for the help of those who would endeavour to find this spiritual residuum. The first is that they should consider the history and true meaning of three great words which Latin language has bequeathed to modern speech,—religio, the feeling of awe, taking practical shape in the performance of authorised ceremonies; sacrum, that which by authoritative usage is made over without reserve to the divine inhabitants of the city; and last but not least, pietas, the sense of duty to god and man alike, to all divine and human beings having an authorised claim upon you. And this word pietas shall introduce my second suggestion—that there is no better way of getting to understand the spirit of the Roman religion than by continual study of the Aeneid, where the hero is the ideal Roman, pius in the best and widest sense. What makes the Aeneid so helpful in this way is the poet's intimate and sympathetic knowledge of the religious ideas of the Italians, in which we may see reflected those of the Roman of the age we are now dealing with: his love too of antiquity and of all ancient rites and legends; and his conviction that the great work of Rome in the world had been achieved not only by virtus but by pietas. What has been won by virtus must be preserved by pietas, by the sense of duty in family and State,—that is the moral of the Aeneid. In no other work of Roman genius is this idea found in anything like the same degree of prominence and consistency; and when a student has steeped his mind well in the details of the Roman worship, and begins to weary of what must seem its soulless Pharisaism, let him take up the Aeneid and read it right through for the story and the characters. I will venture to say that he will think better both of the Romans and their poet than he ever did before. But of the Aeneid I shall have more to say later on; at present let us turn to the less inspiring topics which must occupy us for the next few lectures.

The last fact of Roman religious history which I mentioned last year was the building of the great Capitoline temple of Jupiter, Juno, and Minerva, and I then explained why this constituted a religious revolution. The next temple of which tradition tells us was destined for another trias, Ceres, Liber, and Libera; the traditional date was 493 B.C., the cause a famine, and the site was at the foot of the Aventine, the plebeian quarter outside the pomoerium, close to the river where corn-ships might be moored.[529] Ceres, Liber, and Libera are plainly neither more nor less than the three Greek corn deities, Demeter, Dionysus, and Persephone, in a Latin form,[530] whose worship was prominent in South Italy and Sicily; and unless we throw tradition overboard entirely, as indeed has often been done, the inference is obvious that this trias came from the Greeks of the south with an importation of corn to relieve a famine which pressed especially on the plebs. It is a fact that the temple and its cult remained always closely connected with the plebs; they were under the charge of the plebeian aediles, who also in historical times had the care of the corn-supply necessary for the city population.[531] Thus, though we need not accept in full Livy's statement that the very next year corn was imported from Etruria, Cumae, and Sicily, it cannot be denied that there is a strong consensus in the various traditions about the temple, which taken together suggest a Greek, non-patrician, and early origin. That the cult had at all times a Greek character is undisputed fact.

But I am not so much concerned with the temple itself as with the date and the manner of its foundation. It was said to have been founded in the year 496, and dedicated in 493, in obedience to directions found in "the Sibylline books," which books, according to the well-known tradition, had been acquired by the last Tarquin, after some haggling, from an old woman, and placed in the charge of duoviri sacris faciundis. The story itself is worthless in detail; but the question for us is whether it can be taken as showing that the Sibylline influence then pervading the Greek world gained a footing at Rome in any form so early as this. Was the temple really founded in 496, or at some time thereabout? And was it founded in obedience to some Sibylline direction? These questions are of real importance, for upon our answer to them depends the date of the beginning of a gradual metamorphosis of the Roman religious practice. The so-called Sibylline books and their keepers were responsible, as we shall see directly, for the introduction at Rome of what was known as the Graecus ritus,—for the foundation of temples to deities of Greek origin, and for other rites which initiated an entirely new type of religious feeling. We need to be sure when all this began.

In the first place, so far as I can judge, it is almost impossible to dissociate the origin of the temple from Sibylline influence. As we have seen, the cult was Greek, and all such Greek cults of later times were introduced by the keepers of the Sibylline books; and further, the records of temple foundations were among the most carefully preserved facts in Roman annals.[532] I think it is hardly possible to suppose that a cult which came, not from Latium or southern Etruria, like those of Diana, Minerva, and the Capitoline deities, but from some Greek region to the south, and probably from Sicily, could have been introduced by Roman authorities unaided by Greek influence. If that be so, and if we can show that the temple really belongs to this early age, then we have a strong probability that the Sibylline influence gained a footing at Rome at the very beginning of the republican period.[533]

There is one curious fact in connection with the temple that in my opinion goes far to prove that the traditional date is not far out. Pliny tells us explicitly that the two Greek artists who decorated the temple, Damophilus and Gorgasus, inscribed their names on the walls, and he added that the work of the former would be found on the right and that of the latter on the left.[534] Nothing more is known about them; but I am assured that the fact that they signed their names and added these statements suits the character of Greek art in the archaic age 580 to 450 B.C. No signatures of artists are known earlier than about 580; then comes a period when signatures are found, sometimes with statements such as these. And lastly, about 450, we begin to find simple signatures without any other words.[535] Thus the presumption is a strong one that the temple belongs to a time earlier than 450; and if that be so, then I think the inference holds good that the Sibyl first gained a footing at Rome about the same time. There are indeed some reasons why we should not put this event in the period of the kings;[536] but if we accept the traditional date of the temple we may put it any time between 509 and 496.

I have purposely used vague terms, such as Sibylline influence, instead of speaking in the old manner of Sibylline books or oracles, because it is almost incredible that at so early a date it could have been possible to divulge any contents of a store of writings such as must have been most carefully treasured and concealed. This has been shown conclusively to be out of the question in Diels' now famous little book "Sibylline Leaves." But we may also follow Diels in assuming that about the end of the sixth century some kind of Greek oracle or oracular saying did actually arrive at Rome, purporting to be an utterance of the famous Sibyl of Cumae.[537]