It is in the form of birds that certain of the Tuatha De Danann appear as war-goddesses and directors of battle,[254]—and we learn from one of our witnesses (p. [46]) that the ‘gentry’ or modern Sidhe-folk take sides even now in a great war, like that between Japan and Russia. It is in their relation to the hero Cuchulainn that one can best study the People of the Goddess Dana in their rôle as controllers of human war. In the greatest of the Irish epics, the Taín Bó Cuailnge, where Cuchulainn is under their influence, these war-goddesses are called Badb[255] (or Bodb) which here seems to be a collective term for Neman, Macha, and Morrigu (or Morrigan)[256]—each of whom exercises a particular supernatural power. Neman appears as the confounder of armies, so that friendly bands, bereft of their senses by her, slaughter one another; Macha is a fury that riots and revels among the slain; while Morrigu, the greatest of the three, by her presence infuses superhuman valour into Cuchulainn, nerves him for the cast, and guides the course of his unerring spear. And the Tuatha De Danann in infusing this valour into the great hero show themselves—as we already know them to be on Samain Eve—the rulers of all sorts of demons of the air and awful spirits:—In the Book of Leinster (fol. 57, B 2) it is recorded that ‘the satyrs, and sprites, and maniacs of the valleys, and demons of the air, shouted about him, for the Tuatha De Danann were wont to impart their valour to him, in order that he might be more feared, more dreaded, more terrible, in every battle and battle-field, in every combat and conflict, into which he went.’
The Battles of Moytura seem in most ways to be nothing more than the traditional record of a long warfare to determine the future spiritual control of Ireland, carried on between two diametrically opposed orders of invisible beings, the Tuatha De Danann representing the gods of light and good and the Fomorians representing the gods of darkness and evil. It is said that after the second of these battles ‘The Morrigu, daughter of Ernmas (the Irish war-goddess), proceeded to proclaim that battle and the mighty victory which had taken place, to the royal heights of Ireland and to its fairy host and its chief waters and its river-mouths’.[257] For good had prevailed over evil, and it was settled that all Ireland should for ever afterwards be a sacred country ruled over by the People of the Goddess Dana and the Sons of Mil jointly. So that here we see the Tuatha De Danann with their war-goddess fighting their own battles in which human beings play no part.
It is interesting to observe that this Irish war-goddess, the bodb or badb, considered of old to be one of the Tuatha De Danann, has survived to our own day in the fairy-lore of the chief Celtic countries. In Ireland the survival is best seen in the popular and still almost general belief among the peasantry that the fairies often exercise their magical powers under the form of royston-crows; and for this reason these birds are always greatly dreaded and avoided. The resting of one of them on a peasant’s cottage may signify many things, but often it means the death of one of the family or some great misfortune, the bird in such a case playing the part of a bean-sidhe (banshee). And this folk-belief finds its echo in the recorded tales of Wales, Scotland, and Brittany. In the Mabinogi, ‘Dream of Rhonabwy,’ Owain, prince of Rheged and a contemporary of Arthur, has a wonderful crow which always secures him victory in battle by the aid of three hundred other crows under its leadership. In Campbell’s Popular Tales of the West Highlands the fairies very often exercise their power in the form of the common hoody crow; and in Brittany there is a folk-tale entitled ‘Les Compagnons’[258] in which the chief actor is a fairy under the form of a magpie who lives in a royal forest just outside Rennes.[259]
W. M. Hennessy has shown that the word bodb or badb, aspirated bodhbh or badhbh (pronounced bov or bav), originally signified rage, fury, or violence, and ultimately implied a witch, fairy, or goddess; and that as the memory of this Irish goddess of war survives in folk-lore, her emblem is the well-known scald-crow, or royston-crow.[260] By referring to Peter O’Connell’s Irish Dictionary we are able to confirm this popular belief which identifies the battle-fairies with the royston-crow, and to discover that there is a definite relationship or even identification between the Badb and the Bean-sidhe or banshee, as there is in modern Irish folk-lore between the royston-crow and the fairy who announces a death. Badb-catha is made to equal ‘Fionog, a royston-crow, a squall crow’; Badb is defined as a ‘bean-sidhe, a female fairy, phantom, or spectre, supposed to be attached to certain families, and to appear sometimes in the form of squall-crows, or royston-crows’; and the Badb in the three-fold aspect is thus explained: ‘Macha, i. e. a royston-crow; Morrighain, i. e. the great fairy; Neamhan, i. e. Badb catha nó feannóg; a badb catha, or royston-crow.’ Similar explanations are given by other glossarists, and thus the evidence of etymological scholarship as well as that of folk-lore support the Psychological Theory.
The Sidhe in the Battle of Clontarf, a. d. 1014
The People of the Goddess Dana played an important part in human warfare even so late as the Battle of Clontarf, fought near Dublin, April 23, 1014; and at that time fairy women and phantom-hosts were to the Irish unquestionable existences, as real as ordinary men and women. It is recorded in the manuscript story of the battle, of which numerous copies exist, that the fairy woman Aoibheall[261] came to Dunlang O’Hartigan before the battle and begged him not to fight, promising him life and happiness for two hundred years if he would put off fighting for a single day; but the patriotic Irishman expressed his decision to fight for Ireland, and then the fairy woman foretold how he and his friend Murrough, and Brian and Conaing and all the nobles of Erin and even his own son Turlough, were fated to fall in the conflict.
On the eve of the battle, Dunlang comes to his friend Murrough directly from the fairy woman; and Murrough upon seeing him reproaches him for his absence in these words:—‘Great must be the love and attachment of some woman for thee which has induced thee to abandon me.’ ‘Alas O King,’ answered Dunlang, ‘the delight which I have abandoned for thee is greater, if thou didst but know it, namely, life without death, without cold, without thirst, without hunger, without decay, beyond any delight of the delights of the earth to me, until the judgement, and heaven after the judgement; and if I had not pledged my word to thee I would not have come here; and, moreover, it is fated for me to die on the day that thou shalt die.’ When Murrough has heard this terrible message, the prophecy of his own death in the battle, despondency seizes him; and then it is that he declares that he for Ireland like Dunlang for honour has also sacrificed the opportunity of entering and living in that wonderful Land of Eternal Youth:—‘Often was I offered in hills, and in fairy mansions, this world (the fairy world) and these gifts, but I never abandoned for one night my country nor mine inheritance for them.’[262]
And thus is described the meeting of the two armies at Clontarf, and the demons of the air and the phantoms, and all the hosts of the invisible world who were assembled to scatter confusion and to revel in the bloodshed, and how above them in supremacy rose the Badb:—‘It will be one of the wonders of the day of judgement to relate the description of this tremendous onset. There arose a wild, impetuous, precipitate, mad, inexorable, furious, dark, lacerating, merciless, combative, contentious badb, which was shrieking and fluttering over their heads. And there arose also the satyrs, and sprites, and the maniacs of the valleys, and the witches, and goblins, and owls, and destroying demons of the air and firmament, and the demoniac phantom host; and they were inciting and sustaining valour and battle with them.’[263] It is said of Murrough (Murchadh) as he entered the thick of the fight and prepared to assail the foreign invaders, the Danes, when they had repulsed the Dal-Cais, that ‘he was seized with a boiling terrible anger, an excessive elevation and greatness of spirit and mind. A bird of valour and championship rose in him, and fluttered over his head and on his breath’.[264]
Conclusion
The recorded or manuscript Fairy-Faith of the Gaels corresponds in all essentials with the living Gaelic Fairy-Faith: the Tuatha De Danann or Sidhe, the ‘Gentry’, the ‘Good People’, and the ‘People of Peace’ are described as a race of invisible divine beings eternally young and unfading. They inhabit fairy palaces, enjoy rare feasts and love-making, and have their own music and minstrelsy. They are essentially majestic in their nature; they wage war in their own invisible realm against other of its inhabitants like the ancient Fomorians; they frequently direct human warfare or nerve the arm of a great hero like Cuchulainn; and demons of the air, spirit hosts, and awful unseen creatures obey them. Mythologically they are gods of light and good, able to control natural phenomena so as to make harvests come forth abundantly or not at all. But they are not such mythological beings as we read about in scholarly dissertations on mythology, dissertations so learned in their curious and unreasonable and often unintelligible hypotheses about the workings of the mind among primitive men. The way in which social psychology has deeply affected all such animistic beliefs was pointed out above in [chapter iii]. In [chapter xi], entitled Science and Fairies, our position with respect to the essential nature of the fairy races will be made clear.