[549] Cf. O. Seyffert, Dict. Class. Antiquities, trans. (London, 1895), Mithras.
[550] Brasseur, Mexique, iii. 20, &c.; Tylor, P. C.,4 ii. 45.
[551] Cf. Hutton Webster, Primitive Secret Societies (New York, 1908), p. 38, and passim.
[552] In the ancient Greek world the annual celebration of the Mysteries drew great concourses of people from all regions round the Mediterranean; to the modern Breton world the chief religious Pardons are annual events of such supreme importance that, after preparing plenty of food for the pilgrimage, the whole family of a pious peasant of Lower Brittany will desert farm and work dressed in their beautiful and best costumes for one of these Pardons, the most picturesque, the most inspiring, and the highest folk-festivals still preserved by the Roman Church; while to Roman Catholics in all countries a pilgrimage to Lough Derg is the sacred event of a lifetime.
In the Breton Pardons, as in the purgatorial rites, we seem to see the survivals of very ancient Celtic Mysteries strikingly like the Mysteries of Eleusis. The greatest of the Pardons, the Pardon of St. Anne d’Auray, will serve as a basis for comparison; and while in some respects it has had a recent and definitely historical origin (or revival), this origin seems on the evidence of archaeology to have been a restoration, an expansion, and chiefly a Christianization of prehistoric rites then already partly fallen into decay. Such rites remained latent in the folk-memory, and were originally celebrated in honour of the sacred fountain, and probably also of Isis and the child, whose terra-cotta image was ploughed up in a neighbouring field by the famous peasant Nicolas, and naturally regarded by him and all who saw it as of St. Anne and the Holy Child. Thus, in the Pardon of St. Anne d’Auray, which extends over three days, there is a torch-light procession at night under ecclesiastical sanction; as in the Ceres Mysteries, wherein the neophytes with torches kindled sought all night long for Proserpine. There are purification rites, not especially under ecclesiastical sanction, at the holy fountain now dedicated to St. Anne, like the purification rites of the Eleusinian worshippers at the sea-shore and their visit to a holy well. There are mystery plays, recently instituted, as in Greek initiation ceremonies; sacred processions, led by priests, bearing the image of St. Anne and other images, comparable to Greek sacred processions in which the god Iacchos was borne on the way to Eleusis. The all-night services in the dimly-lighted church of St. Anne, with the special masses in honour of the Christian saints and for the dead, are parallel to the midnight ceremonies of the Greeks in their caves of initiation and to the libations to the gods and to the spirits of the departed at Greek initiations. Finally, in the Greek mysteries there seems to have been some sort of expository sermon or exhortation to the assembled neophytes quite comparable to the special appeal made to the faithful Catholics assembled in the magnificent church of St. Anne d’Auray by the bishops and high ecclesiastics of Brittany. (For these Classical parallels compare Farnell, Cults of the Greek States, iii, passim.)
[553] Cf. Rhŷs, Hib. Lect., p. 411, &c.
[554] O’Curry, Lectures, pp. 586-7.
[555] There is this very significant legend on record about the Cave of Cruachan:—‘Magh Mucrime, now, pigs of magic came out of the cave of Cruachain, and that is Ireland’s gate of Hell.’ And ‘Out of it, also, came the Red Birds that withered up everything in Erin that their breath would touch, till the Ulstermen slew them with their slings.’ (B. of Leinster, p. 288a; Stokes’s trans., in Rev. Celt., xiii. 449; cf. Silva Gadelica, ii. 353.)
[556] Forbes, Lives of S. Ninian and S. Kentigern (Edinburgh, 1874), pp. 285, 345.
[557] Cf. Wright, St. Patrick’s Purgatory, pp. 81-2.