Fairies and Fairy Hosts (‘Sluagh’).[39]—‘O yes,’ Marian said, as she heard Michael and myself talking over our hot milk, ‘there are fairies there, for I was told that the Pass was a notable fairy haunt.’ Then I said through Michael, ‘Can you tell us something about what these fairies are?’ And from that time, save for a few interruptions natural in conversation, we listened and Marian talked, and told stories as follows:—

‘Generally, the fairies are to be seen after or about sunset, and walk on the ground as we do, whereas the hosts travel in the air above places inhabited by people. The hosts used to go after the fall of night, and more particularly about midnight. You’d hear them going in fine weather against a wind like a covey of birds. And they were in the habit of lifting men in South Uist, for the hosts need men to help in shooting their javelins from their bows against women in the action of milking cows, or against any person working at night in a house over which they pass. And I have heard of good sensible men whom the hosts took, shooting a horse or cow in place of the person ordered to be shot.

‘There was a man who had only one cow and one daughter. The daughter was milking the cow at night when the hosts were passing, and that human being whom the hosts had lifted with them was her father’s neighbour. And this neighbour was ordered by the hosts to shoot the daughter as she was milking, but, knowing the father and daughter, he shot the cow instead. The next morning he went where the father was and said to him, “You are missing the cow.” “Yes,” said the father, “I am.” And the man who had shot the cow said, “Are you not glad your cow and not your daughter was taken? For I was ordered to shoot your daughter and I shot your cow, in order to show blood on my arrow.” “I am very glad of what you have done if that was the case,” the father replied. “It was the case,” the neighbour said.

‘My father and grandfather knew a man who was carried by the hosts from South Uist here to Barra. I understand when the hosts take away earthly men they require another man to help them. But the hosts must be spirits. My opinion is that they are both spirits of the dead and other spirits not the dead. A child was taken by the hosts and returned after one night and one day, and found at the back of the house with the palms of its hands in the holes in the wall, and with no life in its body. It was dead in the spirit. It is believed that when people are dropped from a great height by the hosts they are killed by the fall. As to fairies, my firm opinion is that they are spirits who appear in the shape of human beings.’

The question was now asked whether the fairies were anything like the dead, and Marian hesitated about answering. She thought they were like the dead, but not to be identified with them. The fallen-angel idea concerning fairies was an obstacle she could not pass, for she said, ‘When the fallen angels were cast out of Heaven God commanded them thus:—“You will go to take up your abodes in crevices, under the earth, in mounds, or soil, or rocks.” And according to this command they have been condemned to inhabit the places named for a certain period of time, and when it is expired before the consummation of the world, they will be seen as numerous as ever.’

Now we heard two good stories, the first about fairy women spinning for a mortal, the second about a wonderful changeling who was a magic musician:—

Fairy-Women Spinners.—‘I have heard my father, Alexander MacNeil, who was well known to Mr. [Alexander] Carmichael and to Mr. J. F. Campbell of Islay, say that his father knew a woman in the neighbourhood who was in a hurry to have her stock of wool spun and made into cloth, and one night this woman secretly wished to have some women to help her. So the following morning there appeared at her house six or seven fairy women in long green robes, all alike chanting, “A wool-card, and a spinning-wheel.” And when they were supplied with the instruments they were so very desirous to get, they all set to work, and by midday of that morning the cloth was going through the process of the hand-loom. But they were not satisfied with finishing the work the woman had set before them, but asked for new employment. The woman had no more spinning or weaving to be done, and began to wonder how she was to get the women out of the house. So she went into her neighbour’s house and informed him of her position in regard to the fairy women. The old man asked what they were saying. “They are earnestly petitioning for some work to do, and I have no more to give them,” the woman replied. “Go you in,” he said to her, “and tell them to spin the sand, and if then they do not move from your house, go out again and yell in at the door that Dun Borve is in fire!” The first plan had no effect, but immediately on hearing the cry, “Dun Borve is in fire!” the fairy women disappeared invisibly. And as they went, the woman heard the melancholy wail, “Dun Borve is in fire! Dun Borve is in fire! And what will become of our hammers and anvil?”—for there was a smithy in the fairy-dwelling.’

The Tailor and the Changeling.—‘There was a young wife of a young man who lived in the township of Allasdale, and the pair had just had their first child. One day the mother left her baby in its cradle to go out and do some shearing, and when she returned the child was crying in a most unusual fashion. She fed him as usual on porridge and milk, but he wasn’t satisfied with what seemed to her enough for any one of his age, yet every suspicion escaped her attention. As it happened, at the time there was a web of home-made cloth in the house waiting for the tailor. The tailor came and began to work up the cloth. As the woman was going out to her customary shearing operation, she warned the tailor if he heard the child continually crying not to pay much attention to it, adding she would attend to it when she came home, for she feared the child would delay him in his work.

‘All went well till about noon, when the tailor observed the child rising up on its elbow and stretching its hand to a sort of shelf above the cradle and taking down from it a yellow chanter [of a bagpipe]. And then the child began to play. Immediately after the child began to play the chanter, the house filled with young fairy women all clad in long green robes, who began to dance, and the tailor had to dance with them. About two o’clock that same afternoon the women disappeared unknown to the tailor, and the chanter disappeared from the hands of the child also unknown to the tailor; and the child was in the cradle crying as usual.

‘The wife came home to make the dinner, and observed that the tailor was not so far advanced with his work as he ought to be in that space of time. However, when the fairy women disappeared, the child had enjoined upon the tailor never to tell what he had seen. The tailor promised to be faithful to the child’s injunctions, and so he said nothing to the mother.