Among the Ancients[171]
Among the more cultured Greeks and Romans—and the same can be said of most great nations of antiquity—it was an unquestioned belief that innumerable gods, placed in hierarchies, form part of an unbroken spiritual chain at the lowest end of which stands man, and at the highest the incomprehensible Supreme Deity. These gods, having their abodes throughout the Universe, act as the agents of the Unknown God, directing the operation of His cosmic laws and animating every star and planet. Inferior to these gods, and to man also, the ancients believed there to be innumerable hosts of invisible beings, called by them daemons, who, acting as the servants of the gods, control, and thus in a secondary sense create, all the minor phenomena of inanimate and animate nature, such as tempests, atmospheric disturbances generally, the failure of crops or their abundance, maladies and their cure, good and evil passions in men, wars and peace, and all the blessings and curses which affect the purely human life.
Man, being of the god-race and thus superior to these lower, servile entities, could, like the gods, control them if adept in the magical sciences; for ancient Magic, about which so much has been written and about which so little has been understood by most people in ancient, mediaeval, and modern times, is according to the wisest ancients nothing more than the controlling of daemons, shades, and all sorts of secondary spirits or elementals by men specially trained for that purpose. Sufficient records are extant to make it evident that the fundamental training of Egyptian, Indian, Assyrian, Greek, Roman, and Druid priests was in the magical or occult sciences. Pliny, in his Natural History, says:—‘And to-day Britain practises the art [of magic] with religious awe and with so many ceremonies that it might seem to have made the art known to the Persians.’[172] Herein, then, is direct evidence that the Celtic Fairy-Faith, considered in its true psychic nature, has been immediately shaped by the ancient Celtic religion; and, as our witness from the Isle of Skye so clearly set forth, that it originated among a cultured class of the Celts more than among the peasants. And, in accordance with this evidence, Professor Georges Dottin, who has made a special study of the historical records concerning Druidism, writes:—‘The Druids of Ireland appear to us above all as magicians and prophets. They foretell the future, they interpret the secret will of the fées (fairies), they cast lots.’[173] Thus, in spite of the popular and Christian reshaping which the belief in fairies has had to endure, its origin is easily enough discerned even in its modern form, covered over though this is with accretions foreign to its primal character.
Magic was the supreme science because it raised its adepts out of the ordinary levels of humanity to a close relationship with the gods and creative powers. Nor was it a science to be had for the asking, ‘for many were the wand-bearers and few the chosen.’ Roman writers tell us that neophytes for the druidic priesthood often spent twenty years in severe study and training before being deemed fit to be called Druids. We need not, however, in this study enter into an exposition of the ordeals and trials of candidates seeking magical training, or else initiation into the Mysteries. There were always two schools to which they could apply, directly opposed in their government and policy—the school of white magic and the school of black magic; the former being a school in which magical powers were used in religious rites and always for good ends, the latter a school in which all magical powers were used for wholly selfish and evil ends. In both schools the preliminary training was the same; that is to say, the first thing taught to the neophyte was self-control. When he proved himself absolutely his own master, when his teachers were certain that he could not be dominated by another will or by any outside or psychic influence, then for the first time he was permitted to exercise his own iron will in controlling daemons, ghosts, and all the elemental hosts of the air—either as a white magician or as a black magician.[174]
The magical sciences taught (an idea which still holds its ground, as one can discover in modern India) that by formulas of invocation, by chants, by magic sounds, by music, these invisible beings can be made to obey the will of the magician even as they obey the will of the gods. The calling up of the dead and talking with them is called necromancy; the foretelling through spiritual agency and otherwise of coming events or things hidden, like the outcome of a battle, is called divination; the employment of charms against children so as to prevent their growing is known as fascination; to cause any ill fortune or death to fall upon another person by magic is sorcery; to excite the sexual passions of man or woman, magical mixtures called philtres are used. Almost all these definitions apply to the practices of black magic. But the great schools known as the Mysteries were of white magic, in so far as they practised the art; and such men as Pythagoras, Plato, and Aeschylus, who are supposed to have been initiated into them, always held them in the highest reverence, though prohibited from directly communicating anything of their esoteric teachings concerning the origin and destiny of man, the nature of the gods, and the constitution of the universe and its laws.
In Plato’s Banquet the power or function of the daemonic element in nature is explained. Socrates asks of the prophetess Diotima what is the power of the daemonic element (personified as Love for the purposes of the argument), and she replies:—‘He interprets between gods and men, conveying and taking across to the gods the prayers and sacrifices of men, and to men the commands and replies of the gods; he is the mediator who spans the chasm which divides them, and therefore in him all is bound together, and through him the arts of the prophets and priests, their sacrifices and mysteries and charms, and all prophecy and incantation find their way. For God mingles not with man; but through the daemonic element (or Love) all the intercourse and converse of God with man, whether awake or asleep, is carried on. The wisdom which understands this is spiritual.’[175]
Among the Ancient Celts
If we turn now directly to Celtic magic in ancient times, we discover that the testimony of Pliny is curiously confirmed by Celtic manuscripts, chiefly Irish ones, and that then, as now, witchcraft and fairy powers over men and women are indistinguishable in their general character. Thus, in the Echtra Condla, ‘the Adventures of Connla,’ the fairy woman says of Druidism and magic:—‘Druidism is not loved, little has it progressed to honour on the Great Strand. When his law shall come it will scatter the charms of Druids from journeying on the lips of black, lying demons’—so characterized by the Christian transcribers.[176] In How Fionn Found his Missing Men, an ancient tale preserved by oral tradition until recorded by Campbell, it is said that ‘Fionn then went out with Bran (his fairy dog). There were millions of people (apparitions) out before him, called up by some sleight of hand’.[177] In the Leabhar na h-Uidre, or ‘Book of the Dun Cow’ (p. 43 a), compiled from older manuscripts about A. D. 1100, there is a clear example of Irish fetishism based on belief in the power of demons:—‘... for their swords used to turn against them (the Ulstermen) when they made a false trophy. Reasonable [was] this; for demons used to speak to them from their arms, so that hence their arms were safeguards.’[178]
Shape-shifting quite after the fairy fashion is very frequently met with in old Celtic literature. Thus, in the Rennes Dinnshenchas there is this passage showing that spirits or fairies were regarded as necessary for the employment of magic:—‘Folks were envious of them (Faifne the poet and his sister Aige): so they loosed elves at them who transformed Aige into a fawn’ (the form assumed by the fairy mother of Oisin, see p. [299 n.]), ‘and sent her on a circuit all round Ireland, and the fians of Meilge son of Cobthach, king of Ireland, killed her.’[179] A fact which ought to be noted in this connexion is that kings or great heroes, rather than ordinary men and women, are very commonly described as being able to shift their own shape, or that of other people; e. g. ‘Mongan took on himself the shape of Tibraide, and gave Mac an Daimh the shape of the cleric, with a large tonsure on his head.’[180] And when this fact is coupled with another, namely the ancient belief that such kings and great heroes were incarnations and reincarnations of the Tuatha De Danann, who form the supreme fairy hierarchy, we realize that, having such an origin, they were simply exercising in human bodies powers which their divine race exercise over men from the fairy world (see our [chapter iv]).
In Brythonic literature and mythology, magic and witchcraft with the same animistic character play as great or even a greater rôle than in Gaelic literature and mythology. This is especially true with respect to the Arthurian Legend, and to the Mabinogion, some of which tales are regarded by scholars as versions of Irish ones. Sir John Rhŷs and Professor J. Loth, who have been the chief translators of the Mabinogion, consider their chief literary machinery to be magic (see our [chapter v]).