At first he couldn't see the bed. He saw only the projections of his fancy, stimulated by Silas Blackburn's story, against the black screen of the night. He understood at last what the old man had meant. The darkness did appear to possess a physical resistance, and as the minutes lengthened it seemed to encase all the suffering the room had ever harboured. But he wouldn't close his eyes as his grandfather had done. It was a defence to keep them on the spot where the bed stood while his mind, in spite of his will, pictured, lying there, still forms with bandaged heads. He wouldn't close his eyes even when those fancied shapes commenced to struggle in grotesque and impotent motion, like ants whose hill has been demolished. Nor could he drive from his ears the echoes of delirium that seemed to have lingered in the old room. He continued to watch the darkness until the outlines of the room and of its furniture dimly detached themselves from the black pall. The snow apparently caught what feeble light the moon forced through, reflecting it with a disconsolate inefficiency. He could see after a time the pallid frames of the windows, the pillow on the bed, and the wall above it. He fancied the dark stain, the depression in the mattress where the two bodies had rested. Those physical objects forced on him the probability of his guilt. Then he recalled that both men, dead for many hours, had moved apparently of their own volition; and his grandfather had come back from the grave and then had disappeared, leaving no trace; and he comforted himself with the thought that the explanation, if it came at all, must arise from a force outside himself, whether of the living or the dead.

Because of that very assurance his fear of the room was incited. Could any subtle change overcome him here as it evidently had the others? Could there be repeated in his case a return and a disappearance like his grandfather's? There was, as Rawlins had said, no way in or out for an attack. Therefore the danger must emerge from the dead, and he was helpless before their incomprehensible campaign.

The whole illogical, abominable course of events warned him to bring his vigil to an end before it should be too late; urged him to escape from the restless revolt of the dead who had dwelt in this room. And he wanted to respond. He wanted to go to the corridor and confess to Rawlins and Robinson that he was beaten. Yet he had begged so hard for this chance! That course, moreover, meant the arrest of Katherine and himself in the morning. For a few hours he could suffer here for her sake. Daylight, if he could persist until then, would bring release, and surely it couldn't be long now.

He shrank back. Steadily it had grown colder in the old room. He shivered. He drew his coat closer about him. What temerity to invade the domain of death, as Paredes had called it, to seek the secrets of unquiet souls!

He ceased shivering. He waited, tensely quiet. Without calculation he realized that the moment for which he had hoped was at hand. The old room was about to disclose its secret, but would it permit him to depart with his knowledge? He forgot to call. He waited, helpless and terrified, against the wall. He heard a moaning cry, faint and distant—the voice they had heard in the forest and at the grave. But it was more than that that held him. He knew now what Katherine had heard across the court, heralding each tragedy and mystery. He caught a formless stirring. Yet on the bed there was no one. Fortunately he had not gone there.

He tried to call out, realizing that the danger could find him if it chose, but his throat was tight and it permitted no response.

His glance hadn't wavered from the wall above the stained pillow. There was movement there. Then he saw. A hand protruded from the blackness of the panelling where they had sounded and measured without success. In the ashen, unnatural light from the snow the long fingers of the hand were like the feelers of a gigantic reptile. They wavered feebly, and he became convinced that the hand was immaterial, that it was unattached to any body. If that was so it couldn't be the hand of Katherine. At least he had proved that Robinson and Rawlins had been wrong about her. That sense of victory stripped him of his paralyzing fear. It loosed the tight band about his throat. He called. He could prove the immaterial nature of the repulsive hand wavering from the wall.

Crying out, he sprang to his feet. He flung himself across the bed. With both of his own hands he grasped the slender, inquisitive fingers which wavered above the stained pillow, and once more his throat tightened. He couldn't cry out again.

CHAPTER X

THE CEDARS IS LEFT TO ITS SHADOWS