Before they did this they went above and removed the planks and drying rods laid around the edge of the stage floor, and pushed the corn back toward the middle of the floor into a long heap again, that it might not fall over the edge, now that the planks were taken away. One of the floor planks was now removed, at R. Through the aperture thus made, corn was pushed down to left and right of R; this was continued until there was a pile of corn just under the aperture, and running the width of the booth, about eighteen or twenty inches high.
The threshers now entered the booth and tied the corner at M, closing the door. In my father’s family there were usually three threshers, women; and they sat in a row on the floor of the booth, facing the pile of corn. Each woman had a stick for a flail, with which she beat the corn.
Figure 15
Flails were of ash or cottonwood. An ash flail would be about three and a half feet long and from three quarters of an inch to an inch in diameter, and was cut green. A cottonwood flail was seldom used green; and as it was therefore lighter than the green ash, a cottonwood flail was a little greater in diameter, but of the same length. We were careful that a flail should not be too heavy, lest it break the kernels in the threshing. Kinikinik sticks were sometimes used for flails.
A diagram ([figure 15]) has been drawn to illustrate how I worked in a threshing booth when I was a young woman. As shown, I sat on the extreme left; one of my mothers and my sister sat as indicated, on my right. More than three seldom worked in a threshing booth at the same time, at least in our family; however, I have known my sister, Not-frost, to make a fourth. I have even known five to be threshing in the booth of some other family in the village, but never more than five.
To thresh the corn, I raised my flail and brought it down smartly, but not severely, upon the pile of corn. The grain as it was thus beaten off the dry cobs would fall by its own weight into the pile, and work its way to the bottom; while the lighter cobs would come to the top of the pile.
Beating the ears with the flails caused many of the kernels to leap and fly about; but the tent cover, enclosing the booth, caught all these flying kernels. It was, indeed, for this that the booth was built.
As the cobs, beaten empty of grain, accumulated on the pile, we drew them off and cast them out of the door of the booth upon a tent cover, spread to receive them, under the middle section of the stage. Many of these cobs had a few small grains clinging to them; and these must be saved, for we wasted nothing.
Having paused then to throw out the cobs, we returned to the pile and thrust our flails in under it, drawing them upward through the corn, thus working the unthreshed ears to the top. As much as we could, we tried to keep the unthreshed ears in the middle of the pile, and the threshed grain pushed to right and left, as will be seen by studying the diagram. To thresh one pile, or filling of corn in a booth, took a half day’s work.