I am afraid I did not help my mothers much. Like any young girl, I liked better to watch the birds than to work. Sometimes I chased away the crows. Our corn indeed had many enemies, and we had to watch that they did not get our crop. Magpies and crows destroyed much of the young corn. Crows were fond of pulling up the plants when they were a half inch or an inch high. Spotted gophers dug up the roots of the young corn, to nibble the soft seed.

When our field was all planted, Red Blossom used to go back and replant any hills that the birds had destroyed. Where she found a plant missing, she dug a little hole with her hand and dropped in a seed, or I dropped it in for her.

It was hard work, stooping to plant in the hot sun, and Red Blossom never liked having to go over the field a second time. “Those bad crows,” she would groan, “they make us much trouble.”

My grandmother Turtle made scarecrows to frighten away the birds. In the middle of the field she drove two sticks for legs, and bound two other sticks to them for arms; on the top, she fastened a ball of cast-away skins for a head. She belted an old robe about the figure to make it look like a man. Such a scarecrow looked wicked! Indeed I was almost afraid of it myself. But the bad crows, seeing the scarecrow never moved from its place, soon lost their fear, and came back.

In the months of midsummer, the crows did not give us much trouble; but, as the moon of Cherries drew near, they became worse than ever. The corn had now begun to ear, and crows and blackbirds came in flocks to peck open the green ears for the soft kernels. Many families now built stages in their fields, where the girls and young women of the household came to sit and sing as they watched that crows and other thieves did not steal the ripening grain.

We cared for our corn in those days, as we would care for a child; for we Indian people loved our fields as mothers love their children. We thought that the corn plants had souls, as children have souls, and that the growing corn liked to hear us sing, as children like to hear their mothers sing to them. Nor did we want the birds to come and steal our corn, after the hard work of planting and hoeing. Horses, too, might break into the field, or boys might steal the green ears and go off and roast them.

A watchers’ stage was not hard to build. Four posts, forked at the tops, upheld beams, on which was laid a floor of puncheons, or split small logs, at the height of the full grown corn. The floor was about four feet long by three wide, roomy enough for two girls to sit together comfortably. Often a soft robe was spread on the floor. A ladder made of the trunk of a tree rested against the stage. The ladder had three steps.

A tree was often left standing in the field, to shade the watchers’ stage. If the tree was small and more shade was wanted, a robe was stretched over three poles leaned against the stage. These poles could be shifted with the sun.

Girls began to go on the watchers’ stage when about ten or twelve years of age, and many kept up the custom after they were grown up and married. Older women, working in the field and stopping to rest, often went on the stage and sang.