Here is a large blank house. The court is high, and all about ring little doors of oak. Below is a hall. Its walls are muffled in rugs, its floor is far under carpets. Before the divans are tables, and the tea is spiced. Men in white squat and play upon pipes, and their black eyes gleam. The music’s shrillness shrieks. Now come women. They are four. Unminding loveliness moves within thick brocades and clashing gems. The faces are exquisitely painted. Verdant and nervelessly, they dance. The body is quiet as a tree, the hands are pliant and susurrous like leaves. The male music works.... A stomach wrench, violent as childbirth, shatters upon the mellifluous woman’s body. Above the music comes a cry from her mouth; it is a piercing call made pulsant with the hand clapped periodically to the open lips. It dies; the elemental bodies stir again within the dress and a sleep. But the male music works. The women pause. The musicians turn about, so that they cannot see. With unfeeling hands, the dancers loose the bonds of their thick robes. They step from the splendor fallen to their feet; they are naked. Only the jewels flash and bite upon their musing flesh. They dance. The muscles of their thighs flow upward toward their breasts; the arms twine sleepy. The male music works. The stomach, sudden, as if in unseen violation, wrenches, cascades, in passional response. The shrilling pipes are visited whole upon the naked women. They shriek: their cry, overtoned, fluted, pulsant, marries flesh and iron: blots out the music, and the music falls.
The town is asleep. Swarming reeking streets of the town are gray and are shells. The walls stand white under the sky, and over the depths of brooding human darkness. The crescent moon, with the dark sphere visible within its horns, sends scimitar rays into the sleep of Islam.
b. Moghreb
A semi-desert land holds well the squalors and the splendors of its past. This edge of Africa is the western end of the world whence the sun slides down to the sea. The bleak steppes, studded with sage and cactus, rise to sudden mountains; snow fields balance palm groves. It was a harsh place for a great world to grow in. But glories long since dust in Bagdad and Damascus have still their form in the cities of Morocco.
The prehistoric source lives in the prehistoric mountains. The Moor here is Berber. No one knows who is the Berber save that his speech is kin to the speech of Abyssinia and Egypt. His villages are perched on the slopes of the Atlas and in the stony fastness of the Rif, much as the Roman found them—and the Phœnician. Squat rectangular houses with thatch roof form a semicircle on the crest of a divide. Below is a thousand feet of air and a torrent; above are the clouds. The houses are of mud and grapple like goats to the earth. In the low, flat lands between the tiers of mountain, the houses are round. Closer to them than the houses of Europe are the huts of the Congo. They form a full circle within which dwell the cattle at night and sleeps safety.
The archaic world lies whole in the stratified history that is the Moghreb. Ages before Christ the Semite scattered markets on the coast and Carthage grew great. Rome became a mere machine for periodic taxes. Roman order and Vandal havoc left the Berber untouched. He is a hard, dark, leathery man. His head is close-cropped. He is prone to silence. Despite the myth of the Moroccan Sultanate—that feeble creature of the French and Spaniard—he is still unconquered.
Between the coast and the valley of Meknes and Fez he has lived, sullen and declining. The spark in his eye, the curl of his black lip tells that as he has outlived a long parade of empires, he will outlive this French one. In such mood, he dons his woolen tunic broidered red or blue, loads his olives on his donkey’s back and goes down to effete Fez or Marrakech for barter. Yesterday he bartered with the Arab, with the Vandal, with the Roman. Earlier, he knew the men of Carthage, the silver lords of Tartessos. He is a Berber.
Islam alone has won him. But not until Islam had passed him many times, conquering half the Mediterranean world. The first Arabs converted some Berbers and took them along, not loitering in these mountains. Berber horsemen were soldiers and captains in Spain. But the Berber at home did not stir from his stone somnolence. Córdoba and Toledo kindled fires that warmed the monastic cells of Italy and England. Egypt awoke once more. Mecca and Bagdad grew great. Morocco, halfway between the east and the west, was invaded by new waves of Arabs. Hillalians and Idrissides built fine towns in Algeria and Tunis. Morocco was surrounded by splendors. The mountains remained mountains.
Three hundred years the streams of culture flowed through this frustrate land, from Spain to the east and from the east to Europe. Now came a Berber tribe from the southern desert: the Almoravides with their great chieftain Yusuf. Twenty-two hundred years since the Phœnician had builded in the Moghreb, and now the Moghreb in its own name grew great. Fez, Marrakech, Rbat bloomed and their power spread to Tunis and to Spain. Many ages did this stubborn world take to blossom; many ages has it taken to die. The greatness of the Almoravides, of the Almohades, of the Merinides lives still in Morocco.
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