"Never saw such acting," said Jack, "even—certainly never at the Howard."

"The hero was a magnificent young man," Burleigh went on. "You ought to see him throw down the villain in the last act. I'm going again as soon as I can."

"Why haven't we heard of it before?" queried Stoughton, suspiciously.

"It was a first night," explained Burleigh, promptly. "Jack and I were pioneers. You fellows ought to go see it. You'll hear enough of it before it is over; but go in now while it is fresh."

"I have nothing to do to-night," said Hudson. "I believe I'll go. Who is with me?"

Stoughton and Gray both agreed to join him. Holworthy and Randolph were going to drive over to a ball in Brookline.

"I'd give anything to go with you chaps," said Burleigh, "but I have got to work into the wee sma' hours on my forensic. It is due to-morrow morning, and I haven't done a thing on it."

"I'd like to see that show again, too," said Jack, "but I don't feel very well to-night. I'm going to turn in early."

The three theatre-goers started for town immediately after dinner. They stopped at one of the clubs first, and picked up three or four other men on the strength of Burleigh's eulogy of the play.

Whoever has been through Harvard College and never been to the Howard Athenæum has neglected his advantages; fortunately such deplorable instances are rare. Who, that has improved his opportunities, does not remember the old stamping-ground, where the commingled perfumes of orange-peel, humanity, and peanuts would smell to high heaven, were they not stopped in a concentrated mass by the grimy roof. There things are real, things are earnest, unweakened by affectation and refinement. The villains are real bad villians, and carry knives, not cigarettes. They know how to gloat. The heroes have red undershirts and true nobility, and don't mind showing either. The heroines are not ashamed of sentimentality. Neither is the audience. There, too, is music that you can remember and whistle, that you can sing afterwards on the way back to Cambridge; not music that you must contemplate with rapt gaze on the ceiling. There you will find humor of the broad, plain, unmistakable variety, humor at which you can laugh for its own sake, not for the maker's wit or your own in detecting it. Nor, in that shrine of the Muses, does pleasure always end with the fall of the curtain. Frequently you may see two or three excellent fights on the way out, and perhaps be granted a share in one yourself. Oh, you get your money's worth at the classic Athenæum, for it is all for fifty cents (thirty-five in the gallery).