He became an oracle, and, like all oracles in the matter of taste, he quickly learned to give the law. He affected to understand pictures, and talked about the “brio” of one painter, and the “three-lights” rule of another; he was very sarcastic in the matter of poetry, and would allow but two good poets in the century—himself and Mr. Alexander Pope; in the region of romance he would allow little credit to Fielding, but claimed immortality for Richardson.

“Oh, sir, pardon me,” he said to one who attributed the greater merit to the former writer. “Pardon me. The characters and the situations of Fielding are so wretchedly low and dirty that I cannot imagine any one being interested in them. There is, I admit, some strength of humour in him, but he hath over-written himself. I doubt he is a strong hulking sort of man.”

“But, sir,” said Lady Levett, “we ladies like men to be strong and hearty as becomes a man. You surely do not mean that every big man must have low tastes.”

“The mind and the body are united,” said the little poet, “they influence one another. Thus, in a weak frame we find delicacy, and in a strong frame, bluntness. Softness and tenderness of mind are often remarkable in a body possessed of the same qualities. Tom Jones could get drunk on the night of his uncle’s recovery—no doubt Mr. Fielding would manifest his joy in the same manner.”

He went on to assure us that Lady Bellaston was an intimate friend of Mr. Fielding’s; that Booth was himself; Tom Jones, again, himself; Amelia his first wife; his brawls, gaols, sponging-houses, and quarrels all drawn from his own personal experience.

“He who associates with low companions, ladies,” concluded the ex-prisoner of the Fleet, “must needs himself be low. Taste consorts only with tasteful persons.”

“Should not a lady be beautiful, Mr. Stallabras?” asked a bystander. “I always supposed so, but since a man is not to be strong, perhaps I was wrong.”

“Sir!” Mr. Stallabras drew himself up to his fall height, and his fingers closed upon the roll of proof-sheets as if it had been a sword-hilt. “Sir! all ladies—who have taste—are beautiful. I am ready to be the champion of the sex. Some are more beautiful than others,”—here he raised his eyes to me and sighed. “Some flowers are more beautiful than others. The man of taste loves to let his eyes rest on such a pleasing object,”—here two young gentlemen winked at each other—“she is a credit to her sex. When goodness is joined to such beauty, as is the case with——” Here he looked at me and hesitated.

“Oh!” cried Nancy, “say with me, Mr. Stallabras, or Miss Peggy Baker.”

“May I say Miss Pleydell?” he asked, with a comprehensive smile. “There, indeed, is all Clarissa, and the heart of sensibility, in contemplating her perfections, reverts to the scenes of our divine Richardson.”