We were to depart on Friday, the evening being chosen so that Master Will should not be able to see us go. Lord Chudleigh and Sir Miles promised to ride with our coach all the way to London for protection. I have often remembered since that Friday is ever an unlucky day to begin upon. Had we made the day Thursday, for instance, we should have gotten safely away without the thing which happened.
On Thursday afternoon we repaired to the Terrace as usual, I rather sad at thinking that my reign as Queen of the Wells would soon be over, and wondering whether the future could have any days in store for me so happy as those which a kind Providence had already bestowed upon me. There was to be a dance at six, and a tea at five. About four o’clock, Nancy and I, accompanied only by Mr. Stallabras, sauntered away from the Terrace and took the road leading to the Downs. Nancy afterwards told me that she had noticed a carriage with four horses waiting under the trees between the Terrace and the King’s Head, which, on our leaving the crowd, slowly followed us along the road; but she thought nothing of this at the time.
Mr. Stallabras, with gallant and consequential air, ambled beside us, his hat under his arm, his snuff box in his left hand, and his cane dangling from his right wrist. He was, as usual, occupied with his own poetry, which, indeed, through the interest of the brewers widow (whom he subsequently married), seemed about to become the fashion. I thought, then, that it was splendid poetry, but I fear, now, that it must have been what Dr. Johnson once called a certain man’s writing, “terrible skimble skamble stuff;” in other words, poor Solomon Stallabras had the power of imitation, and would run you off rhymes as glibly as monkey can peel cocoa-nuts (according to the reports of travellers), quite in the style of Pope. Yet the curious might look in vain for any thought above the common, or any image which had not been used again and again. Such poets, though they hand down the lamp, do not, I suppose, greatly increase the poetic reputation of their country.
“It seems a pity, Mr. Stallabras,” I was saying, “that you, who are so fond of singing about the purling stream and the turtles cooing in the grove, do not know more about the familiar objects of the country. Here is this little flower”—only a humble crane’s-bill, yet a beautiful flower—“you do not, I engage, know its name?”
He did not.
“Observe, again, the spreading leaves of yonder great tree. You do not, I suppose, know its name?”
He did not. A common beech it was, yet as stately as any of those which may be seen near Farnham Royal, or in Windsor Forest.
“And listen! there is a bird whose note, I dare swear, you do not know?”
He did not. Would you believe that it was actually the voice of the very turtle-dove of which he was so fond?
“The Poet,” he explained, not at all abashed by the display of so much ignorance—“the Poet should not fetter his mind with the little details of nature: he dwells in his thought remote from their consideration: a flower is to him a flower, which is associated with the grove and the purling stream: a shepherd gathers a posy of flowers for his nymph: a tree is a tree which stands beside the stream to shelter the swain and his goddess: the song of one bird is as good as the song of another, provided it melodiously echoes the sighs of the shepherd. As for——”