In some way, while I read, this poet, whose imagination, as became his profession, was strong, mixed up Clarissa with myself, and imagined that my ending might be in some way similar to that of the heroine. Now, with Solomon Stallabras, to think was to believe. Nothing was wanting but a Lovelace. I believe that he waited about the market in hopes of finding him lurking in some corner. Perhaps he even suspected poor Sir Miles. Had he found him, he assured Mrs. Esther, he fully intended to pierce him to the heart with a spit or skewer from one of the butcher’s stalls; adding that it would be sweet for him to die, even from the cart at Tyburn, for my sake. But no Lovelace was trying to make me leave my shelter with Mrs. Esther.
Sometimes Sir Miles Lackington came to join in the reading, but we found him wanting in sensibility. Without that quality, Richardson’s novels cannot be enjoyed. He inclined rather to the low humour which makes men enjoy Fielding’s “Tom Jones,” or Smollett’s “Peregrine Pickle”—works full, no doubt, of a coarse vitality which some men like, but quite wanting in the delicate shades of feeling that commend an author to the delicacy of gentlewomen. And to think that old Samuel Richardson was nothing but a printer by trade! Heaven, which denied this most precious gift of creation to such tender and poetic souls as that of Solomon Stallabras, vouchsafed to bestow it upon a printer—a mechanical printer, who, if he was not paid for setting up type himself, yet employed common workmen, superintended their labours, paid them their wages, and put profits into his purse. It seems incredible, but then Shakespeare was only an actor.
“The sunshine of genius,” said Solomon, “falls upon the children of the lowly as well as those of the rich. I am myself a scion of Fetter Lane.”
Sometimes, indeed, Sir Miles Lackington was so wanting in delicacy and so rude as to laugh at us for our tears.
“You cry over Richardson,” he said; “but if I were to bring you ‘Tom Jones’ I warrant you would laugh.”
“’Tom Jones,’” said Mrs. Esther, “is clearly a work of coarseness. Ladies do not wish to laugh. The laws of decorum forbid unrestrained mirth to females of good breeding. Fielding may suit the pewter pots of the tavern; Richardson goes best with the silver service of the mansion.”
We looked about us as if our room was the mansion and our cupboard was lined with silver dishes.
Sir Miles laughed again.
“Give me a pewter mug well filled and often filled,” he said, “with ‘Tom Jones’ to bear it company, and I ask no more. ‘Clarissa,’ and the silver service may remain with you, ladies. Strange, however, that folk should prefer a printer to a gentleman. Why, Fielding comes of an honourable house.”
“Gentle blood,” replied Mrs. Esther, “does not, unfortunately, always bring the gifts of poetry and sensibility. You are yourself of gentle birth, Sir Miles, yet you own that you love not Richardson. Many great authors have been of lowly extraction, and Mr. Stallabras was saying finely but yesterday, that the sunshine of genius falls upon the children of the poor as often as upon those of the rich.”