Phillis retreated to her own room at her accustomed hour of ten. Her nerves were excited; her brain was troubled with the events of this day of emancipation. She was actually in the world, the great world of which her guardian had told her, the world where history was made, where wicked kings, as Mr. Dyson perpetually impressed upon her, made war their play and the people their playthings. She was in the world where all those things were done of which she had only heard as yet. She had seen the streets of London, or some of them—those streets along which had ridden the knights whose pictures she loved to draw, the princesses and queens whose stories Mr. Dyson had taught her; where the business of the world was carried on, and where there flowed up and down the ceaseless stream of those whom necessity spurs to action. As a matter of narrow fact, she had seen nothing but that part of London which lies between Highgate Hill and Carnarvon Square; but to her it seemed the City, the centre of all life, the heart of civilisation. She regretted only that she had not been able to discern the Tower of London. That might be, however, close to Mr. Jagenal's house, and she would look for it in the morning.

What a day! She sat before her fire and tried to picture it all over again. Horses, carriages, carts, and people rushing to and fro; shops filled with the most wonderful exhibition of precious things; eccentric people with pipes, who trundled carts piled with yellow oranges; gentlemen in blue with helmets, who lounged negligently along the streets; boys who ran and whistled; boys who ran and shouted; boys who ran and sold papers; always boys—where were all the girls? Where were they all going? and what were they all wishing to do?

In the evening the world appeared to narrow itself. It consisted of dinner with three elderly gentlemen; one of whom was thoughtful about herself, spoke kindly to her, and asked her about her past life; while the other two—and here she laughed—talked unintelligently about Art and themselves, and sometimes praised each other.

Then she opened her sketch-book and began to draw the portraits of her new friends. And first she produced a faithful effigies of the twins. This took her nearly an hour to draw, but when finished it made a pretty picture. The brethren stood with arms intertwined like two children, with eyes gazing fondly into each other's and heads thrown back, in the attitude of poetic and artistic meditation which they mostly affected. A clever sketch, and she was more than satisfied when she held it up to the light and looked at it, before placing it in her portfolio.

"Mr. Humphrey said I had the eye of an artist," she murmured. "I wonder what he will say when he sees this."

Then she drew the portrait of Joseph. This was easy. She drew him sitting a little forward, playing with his watch-chain, looking at her with deep grave eyes.

Then she closed her eyes and began to recall the endless moving panorama of the London streets. But this she could not draw. There came no image to her mind, only a series of blurred pictures running into each other.

Then she closed her sketch-book, put up her pencils, and went to bed. It was twelve o'clock. Joseph was still thinking over the terms of Mr. Dyson's will and the chapter on the Coping-stone. The twins were taking their third split soda—it was brotherly to divide a bottle, and the mixture was less likely to be unfairly diluted.

Phillis went to bed, but she could not sleep. The steps of the passers-by, the strange room, the excitement of the day kept her awake. She was like some fair yacht suddenly launched from the dock where she had grown slowly to her perfect shape, upon the waters of the harbour, which she takes for the waters of the great ocean.

She looked round her bedroom in Carnarvon Square, and because it was not Highgate, thought it must be the vast, shelterless and unpitying world of which she had so often heard, and at thought of which, brave as she was, she had so often shuddered.