Perhaps this deprivation of the society of her own sex was a greater loss to Phillis than her ignorance of reading. Consider what it entailed. She grew up without the most rudimentary notions of the great art of flirtation; she had never even heard of looking out for an establishment; she had no idea of considering every young man as a possible husband; she had, indeed, no glimmerings, not the faintest streak of dawning twilight in the matter of love; while as for angling, hooking a big fish and landing him, she was no better than a heathen Hottentot. This was the most important loss, but there were others; she knew how to dress, partly by instinct, partly by looking at pictures; but she knew nothing about Making-up. Nature, which gave her the figure of Hebe, made this loss insignificant to her, though it is perhaps the opinion of Mr. Worth that there is no figure so good but Art can improve it. But not to know about Making-up is, for a woman, to lose a large part of useful sympathy for other women.
Again, she knew nothing of the way in which girls pour little confidences, all about trifles, into each other's ears; she had not cultivated that intelligence which girls can only learn from each other, and which enables them to communicate volumes with a half-lifted eyelid; she had a man's way of saying out what she thought, and even, so far as her dogmatic training permitted, of thinking for herself. She did not understand the mystery with which women enwrap themselves, partly working on the imagination of youth, and partly through their love of secluded talk—a remnant of barbaric times, and a proof of the subjection of the sex, the frou-frou of life was lost to her. And being without mystery, with the art of flirtation, with nothing to hide and no object to gain, Phillis was entirely free from the great vice into which women of the weaker nature are apt to fall—she was perfectly and wholly truthful.
And now she was about to make acquaintance for the first time with a lady—one of her own sex and of her own station.
I suppose Phillis must have preserved the characteristic instincts of her womanhood, despite her extraordinary training, because the first thing she observed was that her visitor was dressed in a style quite beyond her power of conception and imperfect taste. So she generalised from an individual case, and jumped at the notion that here was a very superior woman indeed.
The superiority was in the "young person" at Melton and Mowbray's, who designed the dress; but that Phillis did not know.
A more remarkable point with Mrs. Cassilis, Phillis's visitor, than her dress was her face. It was so regular as to be faultless. It might have been modelled, and so have served for a statue. It was also as cold as a face of marble. Men have prayed—men who have fallen into feminine traps—to be delivered from every species of woman except the cold woman; even King Solomon, who had great opportunities, including long life, of studying the sex, mentions her not; and yet I think that she is the worst of all. Lord, give us tender-hearted wives! When we carve our ideal woman in marble, we do not generally choose the wise Minerva nor the chaste Diana, but Venus, soft-eyed, lissom, tender—and generally true.
Mrs. Cassilis called. As she entered the room she saw a tall and beautiful girl, with eyes of a deep brown, who rose to greet her with a little timidity. She was taken by surprise. She expected to find a rough and rather vulgar young woman, of no style and unformed manners. She saw before her a girl whose attitude spoke unmistakably of delicacy and culture. Whatever else Miss Fleming might be, she was clearly a lady. That was immediately apparent, and Mrs. Cassilis was not likely to make a mistake on a point of such vital importance. A young lady of graceful figure, most attractive face, and, which was all the more astonishing, considering her education, perfectly dressed. Phillis, in fact, was attired in the same simple morning costume in which she had taken her early morning walk. On the table before her were her sketch-book and her pencils.
Mrs. Cassilis was dressed, for her part, in robes which it had taken the highest talent of Regent Street to produce. Her age was about thirty. Her cold face shone for a moment with the wintery light of a forced smile, but her eyes did not soften, as she took Phillis's hand.
Phillis's pulse beat a little faster, in spite of her courage.
Art face to face with Nature. The girl just as she left her nunnery, ignorant of mankind, before the perfect woman of the world. They looked curiously in each other's eyes. Now the first lesson taught by the world is the way to dissemble. Mrs. Cassilis said to herself, "Here is a splendid girl. She is not what I expected to see. This is a girl to cultivate and bring out—a girl to do one credit." But she said aloud—