In the early days of winter, the walls of the palace being now already well above the hoarding, Angela made another important convert. This was no other than Dick Coppin, the cousin of whom mention has been already made.
"I will bring him to your drawing-room," said Harry. "That is, if he will come. He does not know much about drawing-rooms, but he is a great man at the Stepney Advanced Club. He is a reddest of red-hot Rads, and the most advanced of Republicans. I do not think he would himself go a-murdering of kings and priests, but I fancy he regards these things as accidents naturally rising out of a pardonable enthusiasm. His manners are better than you will generally find, because he belongs to my own gentle craft. You shall tame him, Miss Kennedy."
Angela said she would try.
"He shall learn to waltz," Harry went on. "This will convert him from a fierce Republican to a merely enthusiastic Radical. Then he shall learn to sing in parts; this will drop him down into advanced Liberalism. And if you can persuade him to attend your evenings, talk with the girls, or engage in some art, say painting, he will become, quite naturally, a mere Conservative."
With some difficulty Harry persuaded his cousin to come with him. Dick Coppin was not, he said of himself, a dangler after girls' apron-strings, having something else to think of; nor was he attracted by the promise, held out by his cousin, of music and singing. But he came under protest, because music seemed to him an idle thing while the House of Lords remained undestroyed, and because this cousin of his could somehow make him do pretty nearly what he pleased.
He was a man of Harry's own age; a short man, with somewhat rough and rugged features—strong, and not without the beauty of strength. His forehead was broad; he had thick eyebrows, the thick lips of one who speaks much in public, and a straight chin—the chin of obstinacy. His eyes were bright and full; his hair was black; his face was oval; his expression was masterful; it was altogether the face of a man who interested one. Angela thought of his brother, the captain in the Salvation Army; this man, she felt, had all the courage of the other, with more common-sense; yet one who, too, might become a fanatic—who might be dangerous if he took the wrong side. She shook hands with him and welcomed him. Then she said that she wanted dancing men for her evenings, and hoped that he could dance. It was the first time in his life that Mr. Coppin had been asked that question, and also the first time that he had thought it possible that any man in his senses, except a sailor, should be expected to dance. Of course he could not, and said so bluntly, sticking his thumbs in his waistcoat pockets, which is a gesture peculiar to the trade, if you care to notice so small a fact.
"Your cousin," said Angela, "will teach you. Mr. Goslett, please give Mr. Coppin a lesson in a quadrille. Nelly, you will be his partner. Now, if you will make up the set, I will play."
An elderly bishop of Calvinistic principles could not have been more astonished than was this young workman. He had not the presence of mind to refuse. Before he realized his position, he was standing beside his partner: in front of him stood his cousin, also with a partner; four girls made up the set. Then the music began, and he was dragged, pushed, hustled, and pulled this way and that. He would have resented this treatment but that the girls took such pains to set him right, and evidently regarded the lesson as one of the greatest importance. Nor did they cease until he had discerned what the mathematician called the Law of the Quadrille, and could tread the measure with some approach to accuracy.
"We shall not be satisfied, Mr. Coppin," said Angela, when the quadrille was finished, "until we have taught everybody to dance."