Armorel looked into the grave. 'They found,' she whispered, 'the bones of the king lying on the stone. But when someone touched them they turned to dust. There is the dust at your feet in the grave. The wind cannot bear it away. It may blow the sand and earth into it, but the dust remains. The rain can turn it into mud, but it cannot melt it. This is the dust of a king.'
The young men stood beside her silent, awed a little, partly by the serious look in the girl's face, and partly because, though it now lay open to the wind and rain, it was really a grave. One must not laugh beside the grave of a man. The wind lifted Armorel's long locks and blew them off her white forehead: her eyes were sad and even solemn. Even the short-sighted Dick saw that his friend was right: they were soft black eyes, not of the gipsy kind; and he repented him of a hasty inference. To the artist it seemed as if here was a princess of Lyonesse mourning over the grave of her buried king and—what?—father—brother—cousin—lover? Everything, in his imagination, vanished—except that one figure: even her clothes were changed for the raiment—say the court mourning—of that vanished realm. And also, like Sir Bedivere, he heard nothing but the wild water lapping on the crag.
And here followed a thing so strange that the historian hesitates about putting it down.
Let us remember that it is thirty years, or thereabouts, since this barrow was laid open; that we may suppose those who opened it to have had eyes in their heads; that it has been lying open ever since; and that every visitor—to be sure there are not many—who lands on Samson is bound to climb this hill and visit this open barrow with its perfect kistvaen. These things borne in mind, it will seem indeed wonderful that anything in the grave should have escaped discovery.
Roland Lee, leaning over, began idly to poke about the mould and dust of the grave with his stick. He was thinking of the girl and of the romance with which his imagination had already clothed this lonely spot; he was also thinking of a picture which might be made of her; he was wondering what excuse he could make for staying another week at Tregarthen's—when he was startled by striking his stick against metal. He knelt down and felt about with his hands. Then he found something and drew it out, and arose with the triumph that belongs to an archæologist who picks up an ancient thing—say, a rose noble in a newly ploughed field. The thing which he found was a hoop or ring. It was covered and encrusted with mould; he rubbed this off with his fingers. Lo! it was of gold: a hoop of gold as thick as a lady's little finger, twisted spirally, bent into the form of a circle, the two ends not joined, but turned back. Pure gold: yellow, soft gold.
'I believe,' he said, gasping, 'that this must be—it is—a torque. I think I have seen something like it in museums. And I've read of them. It was your king's necklace: it was buried with him: it lay around the skeleton neck all these thousand years. Take it, Miss Armorel. It is yours.'
'No! no! Let me look at it. Let me have it in my hands. It is yours'—in ignorance of ancient law and the rights of the lord proprietor—'it is yours because you found it.'
'Then I will give it to you, because you are the Princess of the Island.'
She took it with a blush and placed it round her own neck, bending open the ends and closing them again. It lay there—the red, red gold—as if it belonged to her and had been made for her.
'The buried king is your ancestor,' said Roland. 'It is his legacy to his descendant. Wear the king's necklace.'