The old woman led Armorel by the hand to the door of the room where there was to be found the Great Surprise. She opened it, placed a bunch of keys in her hand, pushed her in and closed it behind her, whispering, 'Lock it, and keep it locked.'
The girl turned the key obediently, wondering what would happen next.
The room was on the ground floor, looking out upon the orchard, with a northern aspect, so that the sun could only shine in for a small portion of the year, during the summer months. The apple-trees were now in blossom, the white pink and flowers bright in the sunshine contrasting with the grey lichen which wrapped every branch and hung down like ribbons. The room was the oldest part of the house, the only remaining portion of an earlier house: it was low and small: the fireplace had never been modernised: it stood wide open, with its dogs and its broad chimney: the window was of three narrow lights, one of which could be opened: all were still provided with the old diamond panes in their leaden setting. Armorel observed the muslin blind put up by Dorcas to keep out prying eyes. In dull and cloudy days the room would be gloomy. As it was, even with the bright sunshine out of doors, the air seemed cold and oppressive—perhaps from the fresh association of Death. Armorel shivered as she looked about her.
The greater part of the room was taken up by a large bed. In the old lady's time it had curtains and a head, and things at the four corners like the plumes of a hearse, but in faded crimson. Then it looked splendid. Now, the bed had been stripped: curtains and plumes and all were gone, and only the skeleton bed left, with its four great solid posts and its upper beams, and its feather bed lying exposed, with the bare pillow-cases upon the mattress. But the bedstead was magnificent without its trappings, because it was made of mahogany black with age: they no longer make such bedsteads. There was also a table—an old black table—with massive legs; but there was nothing on it.
Between door and wall there was a row of pegs, with a chair beneath them. Now, by some freak of chance, when Dorcas and Chessun hung up the ancient dame's things for the last time—her great bonnet, and the cap of many ribbons within it, and her silk dress—they arranged them so as to present a most extraordinary presentment of the venerable lady herself—much elongated and without any face: she seemed to be sitting in the chair below the pegs, dressed as usual, and nodding her great bonnet, but pulled out to eight or ten feet in length. Armorel caught the ghostly similitude and started, trembling. It seemed as if in a moment the wrinkled old face, with the hawk-like nose and the keen eyes, would come back to the bonnet and the cap. She was so much startled that she turned the bonnet round. And then the figure seemed watching with the shoulders. This was uncanny, but it was not so terrible as the faceless form.
Beside the fireplace was a cupboard—one of those huge cupboards which one only finds in the old houses. Armorel tried the door, but it was locked. Against the wall stood a chest of drawers, brass-bound, massive. She tried the handles, but every lock was fast. Under the window stood an old sea-chest. It was a very big sea-chest. One would judge, from its rich carvings and its ornamental ironwork, that it was probably the sea-chest of an admiral at least—perhaps that of Admiral Hernando Mureno, Armorel's ancestor, if such was his rank in the navy of his Catholic Majesty. The sight of this sea-chest caused the girl to shiver with the fear of expectation. Nobody contemplates the absolutely unknown without a certain fear. It contained, she was certain, the things that Dorcas had seen, of which she would not speak. The chest seemed to drag her: it cried, 'Open me. Look inside me—see what I have got to show you.'
Then she remembered, as one in a dream, hearing people talk. Words long forgotten came back to her. 'Twas in Hugh Town, whither she went across to school when she was as yet a little girl. 'What have the Roseveans'—thus and thus said the voice—'done with all their money? They've never spent anything: they've gone on saving and saving. Some day we shall find out what became of it.' Was she going to find out what had become of it?
The old lady, in her most lucid moments, had never dropped the least hint of any inheritance, except that disagreeable necessity of getting drowned on account of the unfortunate Robert Fletcher. And that was not an inheritance to gladden the heart. Yet there was an inheritance. It was here, in this room. And she was locked in alone, in order that she, herself unseen by any, might discover what it was.
Baron Bluebeard's last wife—she who afterwards, as a beautiful, rich, and lively young widow, set so many hearts aflame—was not more curious than Armorel. Nor was she, in the course of her investigations, more afraid than Armorel. The girl looked nervously about the room, so ghostly and so full of shadow. All old rooms have their ghosts, but some of them have so many that one is not afraid of them. There is a sense of companionship in a crowd of ghosts. This room had only one—that of the woman who had grown old in it—who had spent nearly eighty years in it. All the old ghosts had grown tired of this monotonous room, gone away and left the place to her. Armorel not only 'believed in ghosts'—many of us accord to these shadows a shadowy, theoretical belief—she actually knew that ghosts do sometimes appear. Dorcas had seen many—Chessun herself, while not going actually that length, threw out hints. She herself had often, too, gone to look for them. Now she glanced nervously where the 'things' were hanging, expecting to see the ancestral figure reappear, shoulders move, the bonnet and cap turn round, the old, old face within them, ready to warn, to admonish, and to guide. If this had happened, it would have seemed to Armorel nothing but what was natural and in the regular course of things looked for. But, outside, the sun shone on the white apple-blossom. No one is very much afraid of ghosts in the sunshine.
She encouraged herself with this reflection, and began with unlocking the chest of drawers. The lower drawers, when they were opened, contained nothing but the 'things' of her great-great-grandmother. Among them was a box roughly made—a boy's box made with a jack-knife: it contained a gold watch with a French name upon it—a very old watch, with a representation of the Annunciation in low relief on the gold face. There were also in the box two or three gold chains and sundry rings and trinkets. Armorel took them out and laid them on the table. They were, she said to herself, part of her inheritance. Was this the Great Surprise spoken of by Dorcas? She tried the two upper drawers. They were locked, but she easily found the right key, and opened them. She found that they were filled with lace; they were crammed with lace. There were packets of lace tied up tight, rolls of lace, cardboards with lace wound round and round—an immense quantity of lace was lying in these drawers. As for its value, Armorel knew nothing. Nor did she even ask herself what the value might be. She only unrolled one or two packets, and wondered vaguely what in the world she should do with so much lace. And she wished it was not so yellow. Yet the packets she unrolled contained Valenciennes—some of it half a yard wide, precious almost beyond price. Armorel knew, however, very well how it had got there, and what it meant. The descendant of so many brave runners was not ignorant that lace, velvet, silk and satin, brandy and claret, all came from the French coast with which her gallant forefathers were so familiar before the Preventive Service interfered. This, then, was left from the smuggling times. They had not sold all. They had kept enough, in fact, to stock half a dozen West-End shops, to adorn the trousseau of fifty Princesses. And here the stuff had lain undisturbed since—well, perhaps, since the unfortunate visit of Mr. Robert Fletcher.