But, then, there is that other school, whose disciples care nothing about the past. They live in the present; they work for the present, regardless of either past or future; their faces are turned ever forward; they will not look back. They use the things of the past because they are ready to hand; they would improve them if they could; they would abolish them if they got in the way of advance. They are the practical men, the administrators, the inventors, the engineers. For such men the laws of their country, their liberties, the civic peace and order which allow them to work undisturbed, all are ready made; they found them here—they do not ask how they came. If they come across any old thing and think that it is in their way, they sweep it off the earth without the least remorse; they love a new building, a new fashion, a new invention; they are the men who only see the Tower of London by accident as they go up and down the river, and they think what a noble site for warehouses is wasted by that great stone place. This is a very large school; it embraces more than the half of civilized humanity.
Let me speak in this place of the Tower to the former school—the lesser half.
Three hundred years ago Stow wrote of the Tower of London in these words: “Now to conclude in summary. The Tower is a citadel to defend or command the city, a royal palace for assemblies or treaties, a prison of state for the most dangerous offenders, the only place of coinage for all England, the armory for warlike provision, the treasury of the ornaments and jewels of the Crown, the general conserves of the most ancient records of the king’s courts of justice at Westminster.”
The history of the Tower would cover many sheets of long and gloomy pages. There is no sadder history anywhere. Fortunately, we need not tell it here. When you think of it, remember that it is still, as it always has been, a fortress; it has been in addition a palace, a court, a mint, a prison; but it has always been a fortress, and it is a fortress still; at night the gates are shut; no one after dark is admitted without the password; to the lord mayor alone, as a compliment and a voluntary act of friendliness on the part of the Crown, the password is intrusted day by day. The Tower was surrounded by a small tract of ground called the Tower Liberties. Formerly the City had no jurisdiction over this district. Even now the boundaries of the Liberties are marked out again every three years by a procession including the mayor of the Tower, the chief officials, including the gaoler with his axe of office, and the school children carrying white wands. They march from post to post; at every place where the broad arrow marks the boundary the children beat it with their wands. In former times they caught the nearest bystander and beat him on the spot, in this way impressing upon his memory, in a way not likely to be forgotten, the boundaries of the Tower Liberties. In such fashion, “by reason of thwacks,” was the barber in the “Shaving of Shagpat” made to remember the injunctions which led him to great honor. In every London parish to this day they “beat the bounds” once a year with such a procession. I know not if the custom is still preserved outside London. But I remember such a beating of the bounds, long years ago, beside Clapham Common, when the boys of the procession caught other boys, and, after bumping them against the post, slashed at them with their wands. We were the other boys, and there was a fight, which, while it lasted, was brisk and enjoyable.
There are two places belonging to the Tower which should be specially interesting to the visitor. These are the chapel, called “St. Peter ad Vincula,” and the terrace along the river. The history, my American friend, which this chapel illustrates is your property and your inheritance, as much as our own. Your ancestors, as well as ours, looked on while the people buried in the chapel were done to death. Look at those letters “A. B.” They mark the grave of the hapless Anne Boleyn, a martyr, perhaps: a child of her own bad age, perhaps—who knows? Beside her lies her sister in misfortune,—no martyr, if all is true, yet surely hapless,—Katherine Howard. Here lies the sweetest and tenderest of victims, Lady Jane Gray; you cannot read her last words without breaking down; you cannot think of her fate without tears. Here lies Sir Walter Raleigh—is there anywhere in America a monument to the memory of this illustrious man? For the rest, come here and make your own catalogue; it will recall, as Macaulay wrote, “whatever is darkest in human nature and in human destiny, with the savage triumph of implacable enemies, with all the miseries of fallen greatness and of blighted fame.”
The other place, the terrace along the river, is fit for the musing of a summer afternoon. In front you have life—the life of the day; behind you have life, but it is the life of the past. Nowhere in England can you find such a contrast. Sit down upon this terrace, among the old, useless cannon, among the children at play, and the contrast will presently seize you and hold you rapt and charmed.
It is also the best place for seeing the gray old fabric itself, with its ancient walls and towers of stone, its barbican, its ditch, its gates, its keep, and the modern additions in brick and wood that have grown up among the mediæval work—incongruities which still do not disfigure. On the east of the Tower a new road has been constructed as an approach to the Tower Bridge. From this road another and quite a new view can now be obtained of the Tower, which from this point reveals the number and the grouping of its buildings. I have not seen represented anywhere this new side of the Tower.
I have said nothing all this time of London’s new gate. Yet you have been looking at it from London Bridge and from the terrace. It is the new Water Gate, the noblest and most stately gate possessed by any city: the gate called the Tower Bridge. It is, briefly, a bascule bridge—that is, a bridge which parts in the middle, each arm being lifted up to open the way, like many smaller bridges in Holland and elsewhere, for a ship to pass through. It was begun in 1884 and finished in 1894.
It consists of two lofty towers communicating with either shore by a suspension bridge. There is a permanent upper bridge across the space between the towers, access being gained from the lower level by lifts. The lower bridge, on the level of the two suspension bridges, is the bascule, which is raised up by weights acting within the two towers, so as to leave the space clear.
The width of the central span is 200 feet clear; the height of the permanent bridge is 140 feet above high-water mark, and the lower bridge is 29 feet when closed. The two great piers on which the towers are built are 185 feet long and 70 feet wide; the side spans are 270 feet in the clear.