On entering the church now, the visitor is surprised that so much remains to be admired. A semicircular arch, in the Norman style of 1824, admits us to the Round Church, where the arches are pointed. The effigies of the knights have been replaced on the floor in neat groups, and labelled, but somewhat conjecturally, with the names of certain Earls of Pembroke and others who are recorded to have been buried here. The diameter of this part of the church, which is now the nave, is 58 feet, the choir beyond being 58 feet in width and 82 feet in length. The central part of the nave is the same in width as the middle aisle of the three in the choir, namely 23½ feet, while the circular aisle and each of the side aisles are 15½ feet. The three aisles are 37 feet high and the modern roof of the nave 60 feet. The seats are of dark oak and rise in tiers on each side. Two modern doors open on the north side, and a stair, winding and very narrow, conducts the visitor to the triforium of the Round Church. Here, in a very unsuitable situation, are most of the monuments removed from the chancel.
The monuments comprise an interesting series of all periods from the Reformation down, and some fragments of sculpture removed, with the complete tombs at the time of the “restoration,” in 1830. One of the oldest represents Edward Plowden who died in 1584. The brasses were formerly very numerous but have all disappeared, together with a great many tablets, such as Pepys describes in 1666 when he says he looked “with pleasure on the monuments and epitaphs.” Plowden adhered to Romanism, but his epitaph contains a quotation from the Book of Common Prayer. There is a monument to Oliver Goldsmith erected in 1837. In the church is a bust of the “Judicious” Hooker (d. 1600); a tablet to John Selden (d. 1654); and at the south-east end, partly hidden by the pews, an effigy supposed to represent Silvester Everden, Bishop of Carlisle, killed by a fall in 1254. At the entrance to the triforium is the only one left of many small chambers which formerly adjoined the church; it is labelled by the vergers the Penitential Cell, I do not know why.
North of the chapel is the little plot of ground in which Oliver Goldsmith was buried in 1774. It is so small that, when a gravestone was laid down in 1860, there was little choice as to the exact place, which, however, is really unknown.
The arms of both Temples may be seen in many places in the church. Those of the Middle Temple consist of a red cross on a white ground, with a figure of the Pascal Lamb in the centre, being the arms of the Templars. The arms of the other society are, strictly speaking, not heraldry, being, on a blue ground, a representation of the Greek mythical Pegasus, in white. It is said to be derived from an ancient device or badge representing two knights of the Temple on one horse, and was adopted in 1503.
Though the Inner Temple must be considered older than the Middle Temple, there is less to be seen in it. The Hall is not beautiful externally. It was built in 1869 by Sidney Smirke, and the exterior gives one no idea that the interior is worth a visit. However, the fine open timber roof and a very handsome screen will be admired, as well as the heraldry in the windows. The Library is spacious within and convenient, but suffers without, like the Hall, from a want of proportion.
INNER TEMPLE GATE HOUSE
By permission of the London County Council.
The eminent inhabitants have been very numerous. A mere list would occupy many pages. In the Master’s house have lived Sherlock, Dean of St. Paul’s; his son, the Bishop of London; Vaughan, Dean of Llandaff; and Alfred Ainger. Charles Lamb was born in 1775 at No. 4 Inner Temple Lane—now rebuilt. Thackeray had chambers at 10 Crown Office Row. William Cowper lived in the Inner Temple in 1755. Dr. Johnson was living at 1 Inner Temple Lane in 1763. The house has been pulled down to make way for Johnson’s Buildings. Among the great lawyers were Lyttleton, as well as Coke, who wrote upon him; Sir Julius Cæsar; Finch, Earl of Nottingham; Thurlow; Tenterden; Daines Barrington, the correspondent of White of Selborne; Thesiger, Lord Chelmsford; but perhaps the greatest of them all was Murray, Earl of Mansfield, whose chambers were at 5 King’s Bench Walk.
The principal feature of the Middle Temple is the ancient Hall, and the greatest glory of the Hall is that a play by William Shakespeare was acted in it in February 1602. This was Twelfth Night, which had not then been printed, and is supposed to have only just been written. John Manningham, a student then in the Temple, describes it in his Diary, now in the British Museum. The Christmas and Candlemas festivities in the Hall, of which the play formed part, are described at great length by Dugdale.
The Hall was built in 1572, the screen in 1574, so that the local legend which says the wood of some ships of the Spanish Armada was used cannot be true. The heraldry is copious and interesting, both in the windows and on the panelling and roof, some of it being as old as the Hall. The whole building is of great interest architecturally. The windows are strictly Gothic, while everything else is Elizabethan or later in form. The screen has Tuscan columns and round arches, and is exquisitely carved from a bold design. The internal length is 100 feet, the width 42, and the height 47. The roof is extremely fine but simple in construction.