Gunpowder Treason.
From a contemporary print. E. Gardner’s collection.
When the Common Council established a Court of Conscience in the City, it was with the design of saving poor debtors from the costs of being sued in the superior courts. But this Court was confined to debtors who were Citizens and Freemen of London and the Liberties. Some persons, intending to subvert the good and charitable intent of the Court, took hold of certain ambiguous words and endeavoured by means of these to render the intentions of the Court useless. A new and amending Act was passed which cleared up these difficulties and put the Court of Conscience on a sounder footing. The Act was well meant, but for more than two hundred years after it the miserable annals of the Debtors’ Prisons are filled with stories of the exorbitant and extortionate costs charged by attornies, and with the sufferings of the debtors in consequence.
The honour in which the City was held was illustrated when the King joined the Clothworkers’ Company, and when the Merchant Taylors, in jealousy, showed him their roll of members containing seven kings, one queen, seventeen princes and dukes, two duchesses, one archbishop, thirty earls, five countesses, one viscount, fourteen bishops, sixty-six barons, two ladies, seven abbots, seven priors, and an immense number of knights and esquires. The King gave them his son Henry as a member.
The New River was completed after eight years of work. The length of the canal was 60 miles; it was crossed by 800 bridges, and five years were spent in the construction; the people were slow in taking their water from the new supply, probably because they detested changing their ways. The City was at first supplied with water from the Walbrook and the Fleet; there were also wells and springs on the rising ground of the Strand; in Moorfields, at Shoreditch, and elsewhere there were wells sunk within the City walls; and there were “bosses” or taps of fresh water brought in from Tyburn. All this, however, was not enough; the principal sources of supply, the Fleet and Walbrook, had long since ceased to be of any use. Powers therefore were sought to bring more water into the City, and were granted to bring water from Hampstead and from the river Lea; these powers were not, however, used. Improved works were set up at Tyburn; water mills were placed in the Thames, by which water was forced up and conveyed as far as Leadenhall. Finally, after a great deal of hesitation the City made use of these powers to construct a canal from springs at Chadwell and Amwell in Herts, and accepted the office of Hugh Middleton, a goldsmith, to execute the work. Middleton would have failed, however, but for the help of James, who agreed to pay half the cost of the work if Middleton gave him half the property. This was done in an assignment of thirty-six “King’s shares.” Charles parted with them for an annuity of £500. A few years ago an undivided share sold for £94,900. Yet Middleton died in reduced circumstances, unable to pay a loan which the City had advanced him on the progress of his work.
The flight of the Earls of Tyrone and Tyrconnel in 1607 left without an owner a large tract of land in the north of Ireland which was confiscated to the Crown. It was proposed to colonise the district, and a scheme was drawn up for the “Plantation of Ulster.” The King proposed that the City should take part in this work; the citizens were assured that their own City was dangerously overcrowded with workmen and traders of all kinds, that the plantation would be an outlet much wanted, that the country was well watered and fertile, good for breeding cattle, well stocked with game and with fisheries; they were even told to consider how great a work had been done by the people of Bristol in settling Dublin. A fuller account of the Irish Estates will be found later on (p. 206).
The conduct of a State Banquet at the Court of King James is minutely related in the following account of the Banquet presented to the Spanish Ambassador by the King.
KING JAMES I. ENTERTAINING THE SPANISH AMBASSADOR AT WHITEHALL, 1623
From a contemporary print. E. Gardner’s Collection.