Men were never so affected and so splendid in their dress as in the sixteenth century. They wore earrings; they wore costly brooches in their hats; the great nobles wore strings of pearls; they had thumb rings; they carried jewelled daggers; they carried a case of toothpicks with them; they carried their own napkins to the taverns; they had a favourite lock of hair, which they curled and treated tenderly, tying a rose to it or a bunch of ribbons; they wore their hair and their beards in fantastic ways, either after the French, Italian, or Spanish manner. As for the younger men, they played the usual tricks. That is to say, they tried to make the waist small; they wore “grulled calves”; they “bleached their hands at midnight, gumming and triding their beards.” Sleeves were slashed; girdles were hung with mirrors; the head was set in a ruff; high-heeled shoes raised the stature; men’s cloaks were of velvet trimmed with lace; buttons, buckles, and clasps were of gold; the hats were adorned with feathers.
WEALTHY MERCHANT OF LONDON, 1588
From Collection of Ancient and Modern Dresses, 1772.
Tavern life in the time of the Tudors was picturesque and pleasant. The taverns were frequented not only by gallants and merchants, but by ladies. Suppers, it is true, were given to bona robas; the viol de gamba played for companies not always the most respectable; but there were rooms which the City madams used as a resort for parties of their own friends; and that without any question of offence.
PAGE BOY, TIME OF EDWARD VI
From Collection of Ancient and Modern Dresses, 1772.
The City Trained Bands were gorgeous in white doublets, with the City arms before and behind; the men-servants wore gorgeous liveries. Dress to a certain extent indicated class. Law and Divinity wore black. Furred gowns and satin sleeves marked the Sheriff or the Alderman. The plain citizen wore a cloak of brown or chocolate colour; the craftsman wore a doublet of cloth, or leather, with a leather belt, and in winter an overcoat down to the knees or the ankles. The following is the description of a runaway page:—
“One doblet of yelow million fustian, th’one halfe therof buttoned with peche-colour buttons, and th’other halfe laced downewardes; one payer of peche-colour hose, laced with smale tawnye lace; a graye hat with a copper edge rounde aboute it, with a bande p’cell of the same hatt; a payer of watchet (blue) stockings. Likewise he hath twoe clokes; th’one of vessey collor, garded with twoe gards of black clothe and twisted lace of carnacion colour, and lyned with crymsone bayes; and th’other is a red shipp russet colour, striped about th’cape, and downe the fore face, twisted with two rows of twisted lace, russet and gold buttons afore and uppon the sholdier, being of the clothe itselfe, set with the said twisted lace, and the buttons of russet silke and golde.”
Sir William Russell. 1590.
From Planché’s Cyclopœdia of Costume.