HENRY VII. (1457–1509)
From the painting in the National Portrait Gallery, London.
On stepping out of the fifteenth into the sixteenth century one becomes conscious of a change; no such change was felt in passing from the twelfth to the thirteenth century, or from the fourteenth to the fifteenth. The world of Henry the Sixth was the same world as that of Edward the First; it was also the same as that of Henry the Second. For four hundred years no sudden, perceptible, or radical change took place either in manners and customs, language, arts, or ideas. There had, of course, been outbreaks; there had been passionate longings for change; men before their time, like Wyclyf, had advanced new ideas which sprang up like grass and presently withered away; there had been changes in religious thought, but there was no change, so far, in religious institutions. At the beginning of the sixteenth century, however, we who know the coming events can see the change impending, change already begun. Whether the Bishops and Clergy, the Monks and Friars, were also conscious of impending change, I know not. It seems as if they must have been uneasy, as in France men were uneasy long before the Revolution. On the other hand, Rome still loomed large in the imagination of the world: the Rock on which the Church was established; the Throne from which there was no appeal; the hand that held the Keys. We have now, however, to chronicle the part, the large part, played by London in this great century of Revolution.
After forty years of Civil War,—with murders, exactions, executions, treacheries, and perjuries innumerable, with the ruin of trade, with the extinction of ancient families, with the loss of all the French conquests,—the City, no less than the country at large, welcomed the accession of a Prince who promised order and tranquillity at least. Of all the numerous descendants of Edward the Third who might once have called themselves heirs to the Crown before the Duke of Richmond, there remained but two or three. Of the Lancastrians Henry alone was left, and his title was derived from a branch legitimised. The two brothers of Henry V. had no children; the only son of Henry VI. was dead. On the Yorkist side Edward’s two sons were dead; Richard’s only son was dead; there remained the young Earl of Warwick, son of Clarence. He was the one dangerous person at the time of Henry’s accession. Edward Plantagenet, Earl of Warwick, was not the heir to the Yorkist claims—this was certainly the eldest daughter of Edward the Fourth; but he was the son of George, Duke of Clarence, and the last male descendant of the York line. He was now fifteen years of age, and had been kept in some kind of confinement at a place called Sheriff Hutton Castle, in the County of York. Considering the practice of the time, and the reputation of Richard III., one wonders at his forbearance in not murdering the boy. Henry sent him—it was his first act after his victory—to the Tower for better safety. Grafton[1] calls this unfortunate Prince “the yongling borne to perpetual captivitie.” He is said to have been a simple youth, wholly ignorant of the world. Though, as we shall see later on, Henry found it expedient to treat this young Prince after the manner of his time. A dead Prince can never become a Pretender.
And no other fate was possible in the long-run for one whom conspirators might put up at any moment as the rightful claimant of the Crown. The unfortunate youth was only one of a long chain of possible claimants, all of whom paid the penalty of their inheritance by death. Among them were Edward’s infant Princes; his own father; Henry’s son, Edward, Prince of Wales; and later on Lady Jane Grey, and Mary Queen of Scots.
In the same castle of Sheriff Hutton, in similar confinement, was the Lady Elizabeth, Edward the Fourth’s elder daughter, whom Richard proposed to marry with the sanction of the Pope, his own wife, Anne, having strangely and mysteriously come to her death. Bosworth Field put a stop to that monstrous design. According to Grafton, the purpose of Richard was well known to the world, and was everywhere detested and condemned.
Henry rode to London immediately after his victory. At Shoreditch he was received by the Mayor, Sheriffs, and Aldermen, clothed in violet and bearing a gift of a thousand marks. He then went on to St. Paul’s and there deposited three standards—on one was the image of St. George, on another a “red fierie dragon beaten upon white and greene sarcenet,” and on the third was painted “a dun cow upon yellow tarterne.” He also heard a Te Deum.
Four weeks after Henry’s entrance into the City there broke out, quite suddenly, with no previous warning, a most deadly pestilence known as the sweating sickness. This dreadful epidemic began with a “burning sweat that invaded the body and vexed the blood, and with a most ardent heat infested the stomach and the head grievously.” If any person could bear the heat and pain for twenty-four hours, he recovered, but might have a relapse; not one in a hundred, however, of those that took the infection survived. Within a few days it killed two Mayors, namely, Sir Thomas Hill and Sir William Stocker; and six Aldermen. The sickness seems to have been swifter, and more deadly while it lasted, than even the Plague or the Epidemic of 1349. But it went away after a time as quickly as it had appeared.
Henry’s coronation was celebrated on the 13th of October. His predecessor had disguised the weakness of his title by the splendour of his coronation. Henry, on the other hand, made but a mean display—perhaps to show that he was not dependent on show or magnificence. Stanley perceives in this absence of ostentation a kind of acknowledgment that his title to the Crown rested more upon his victory than his descent. This opinion seems to me wholly fanciful; Henry would never at any moment acknowledge that his title was weak. On the other hand, he stoutly claimed, through his mother, to be the nearest heir in the Lancastrian line. His known dislike to ostentation is quite a sufficient reason to account for the comparative poverty of the Coronation show—at which, however, one new feature was introduced, namely, the bodyguard of the King’s person, known as the Yeomen of the Guard. The King’s belief in the strength of his own title was shown in his treatment of the Lady Elizabeth. He had solemnly promised to marry her; he did so in January 1486, five months after his victory; but he was extremely loth to crown her, lest some should say that the Queen was Queen by right, and not merely the Queen consort. The coronation of the Queen was postponed for two years. The celebration, however, when it did take place, was accompanied by a great deal of splendour.
The business of Lambert Simnel shows the real peril of the King’s position. The experience of the last forty years had taught the people a most dangerous habit. They were ready to fly to arms on the smallest provocation. Who was Henry, “the unknown Welshman,” as Richard called him, that he should be allowed to sit in peace upon a throne from which three occupants had been dragged down, two by murder and one by battle? But the occasion of the rising was ridiculous. The young Earl of Warwick was in the Tower; it was possible to see him—Henry, in fact, made him ride through the City for all the world to see. Yet the followers of Lambert Simnel proclaimed that he was Edward Plantagenet, Earl of Warwick. Lambert’s father was a joiner of Oxford; Sir Richard Symon, a priest, was his tutor. The boy, who in 1486 was about eleven years of age, was of handsome appearance and of naturally good manners.
After the defeat of his cause, Lambert and the priest who had done the mischief were taken. The priest was consigned to an ecclesiastical prison for the rest of his natural life; the boy was pardoned—they could not execute a child—and contemptuously thrust into the King’s kitchen as a little scullion. He afterwards rose to be one of the King’s falconers—the only example in history of a Pretender turning out an honest man in the end. Can we not see the people about the Court gazing curiously upon the handsome scullion in his white jacket, white cap, and white shoes, going to and fro upon his duties, washing pans with zeal and scraping trenchers? The boy had a lovely face, and manners very far beyond his station. Can we not hear them whispering that this young man had once been as good as King, and knew what it was to exercise royal authority?