[6] Loftie calls attention to the name of our Church St. Mary Staining, i.e., built of stone, as if that was an exceptional thing.
[7] Morley's English Writers, vol. i., p. 760.
III
PLANTAGENET
I. ECCLESIASTICAL
Prince Pantagruel and his companions, pursuing their incomparable voyage, sailed three days and three nights without discovering anything, and on the fourth day made land. The Pilot told them that it was the Ringing Island; and, indeed, they heard afar off a kind of a confused and oft-repeated noise, that seemed at a distance not unlike the sound of great, middle-sized, and little bells rung all at once.
Commentators have been much exercised as to the city which the great Master of Allegory had in view when he described l'Ile Sonnante. Foolish commentators! As if even a small master of allegory, much less the great and illustrious Alcofribas Nasier, could, or would, mean any one town in particular! One might as well search for the man whose portrait he painted and called Panurge. He described all towns. For, in truth, every mediæval city was an Ile Sonnante, and the greater, the richer, the more populous, the more powerful was the city, the louder and the more frequent were the jinglings and the janglings, the sonorous clang and the melodious peal, the chimings and the strikings, the music and the jarring of the thousand Bells. They rang all day long; they rang from the great Cathedral and from the little Parish Church; from the stately monastery, the nunnery, the College of Priests, the Spital, the Chantry, the Chapel, and the Hermitage. They rang for Festivals, for Fasts, for Pageants, for Processions, for Births, Marriages, and Funerals; for the election of city officers, for Coronations, for Victories, and for daily service; they rang to mark the day and the hour; they rang in the baby; they rang out the passing soul; they rang for the bride; they rang in memory of the dead; they rang for work to begin and for work to cease; they rang to exhort, to admonish, to console.
With their ringing the City was never quiet. Four miles out of London, the sound of the Bells rang in the ears of the downcast 'prentice boy who sat upon the green slopes of Highgate: the chimes of Bow struck merrily upon his ear above the tinkling of the sheep bell, the carol of the lark, and the song of the thrush. To him they brought a promise and a hope. What they brought to the busy folk in the streets I know not; but since they were a folk of robust nerves, the musical, rolling, melodious, clashing, joyous ringing of bells certainly brought for the most part a sense of elation, hope, and companionship. So, in this our later day, the multitudinous tripper or the Hallelujah lad is not happy unless he can make, as he goes, music—loud music—in the train and on the sands. So, again, those who march in procession do not feel complete without a braying band with drums great and small, banging and beating and roaring an accompaniment to the mottoes on their banners, and uplifting the souls of the champions who are about to harangue the multitude.
The Ile Sonnante of Rabelais may have been Paris—of course it was Paris; it may have been Avignon—there is not the least doubt that it was Avignon; it may also have been London—there can be no manner of question on that point. Rabelais never saw London; but so loud was the jingle-jangle of the City bells that they smote upon his ear while he was beginning that unfinished book of his and inspired the first chapters. London, without a doubt, London, and no other, is the true Ile Sonnante.