On whiche was first i-writen a crowned A,
And aftir, Amor vincit omnia.
The Monk was a mighty hunter: a big burly man who kept many horses and hounds and loved to hunt the hare.
The Friar was a Limitour, one licensed to hear confessions: a wanton man who married many women 'at his own cost:' he heard confessions, sweetly imposing light penance: he knew all the taverns: he could play and sing: he knew all the rich people in his district: he carried knives and pins as gifts for the women:—a wholly worldly loose living Limitour.
The character of the Town Parson, brother of the Ploughman, is perhaps the most charming of all this wonderful group of portraits.
A good man was ther of religioun,
And was a povre Persoun of a toun;
But riche he was of holy thoght and werk.
He was also a lerned man, a clerk,
That Cristes gospel trewely wolde preche;
His parisshens devoutly wolde he teche.
Benigne he was, and wonder diligent,
And in adversitee ful pacient;
And swich he was y-preved ofte sythes.
Ful looth were him to cursen for his tythes,
But rather wolde he yeven, out of doute,
Un-to his povre parisshens aboute
Of his offring, and eek of his substaunce.
He coude in litel thing han suffisaunce.
Wyd was his parisshe, and houses fer a-sonder,
But he ne lafte nat, for reyn ne thonder,
In siknes nor in meschief, to visyte
The ferreste in his parisshe, muche and lyte,
Up-on his feet, and in his hand a staf.
This noble ensample to his sheep he yaf,
That first he wroghte, and afterward he taughte;
Out of the gospel he tho wordes caughte;
And this figure he added eek ther-to,
That if gold ruste, what shal iren do?
For if a preest be foul, on whom we truste,
No wonder is a lewed man to ruste;
And shame it is, if a preest take keep,
A dirty shepherde and a clene sheep.
Wel oghte a preest ensample for to yive,
By his clennesse, how that his sheep shold live.
He sette nat his benefice to hyre,
And leet his sheep encombred in the myre,
And ran to London, un-to seynt Poules,
To seken him a chauntrie for soules,
Or with a bretherhed to been withholde;
But dwelte at hoom, and kepte wel his folde,
So that the wolf ne made it nat miscarie;
He was a shepherde and no mercenarie.
And thouth he holy were, and vertuous,
He was to sinful man nat despitous,
Ne of his speche daunderous ne digne,
But in his teching discreet and benigne.
To drawen folk to heven by fairnesse,
By good ensample, was his bisinesse:
But it were any persone obstinat,
What-so he were, of heigh or lowe estat,
Him wolde he snibben sharply for the nones.
A bettre preest, I trowe that nowher noon is.
He wayted after no pompe and reverence,
Ne maked him a spyced conscience,
But Cristes lore, and his apostles twelve,
He taughte, and first he folwed it him-selve.
The Sompnour, i.e. Summoner of the Ecclesiastical Courts, was a scorbutic person with an inflamed face: children were afraid of him: he loved strong meat and strong drink. If he found a good fellow anywhere he bade him have no fear of the archdeacon's curse unless his soul were in his purse.
Lastly, there was the Pardoner. He, too, was as jolly as the Monk, the Friar, and the Sompnour. He carried in his wallet pardons from Rome; and relics without end: all the imagination in the nature of certain classes was lavished upon the invention of relics. Thus it required a fine power of imagination to show a bit of canvas as a piece of the sail of St. Peter's boat when Christ called him. This, however, the Pardoner did. Chaucer makes him reveal his own character.
Of avarice and of swiche cursednesse
Is al my preching, for to make hem free
To yeve hir pense and namely unto me.
It is not without meaning that the poet shows a Monk, a Limitour, and a Pardoner absolutely without the least tinge of religion: the first a man who dresses like a layman and thinks of nothing but of hunting—what, then, of the Rule? The second, and the third, are both corrupt and rotten to the very core. If any proof were wanting that the spiritual life had gone out of the regular orders, these characters of Chaucer supply the proof. The figures in this company have been described, figured, illustrated, annotated a hundred times. They form the most trustworthy presentation of the time which we possess. The Knight is full of chivalry, truth, honour, and courtesy: his son is well bred and lusty, is a lover and a bachelor. The Merchant talks eagerly and much of his profits: the Clerk, a poor scholar, would rather have books than rich robes or musical instruments: the Craftsmen were all well-to-do, in easy circumstances: the Physician was an astrologer, who understood natural magic, i.e. the influence of the stars; and made for his patients images: he knew the cause of every malady and how it was engendered—the profession are still liable to confuse this knowledge with the power of healing the malady: he was dressed in crimson and blue, lined with taffeta and silk—it would be interesting to know when physicians assumed the black dress of the last century. Lastly, his study was but little in the Bible.
The Clerk of Oxford is a portrait finished to the life.