There was the old man—young again—staggering under the weight of a double bereavement—wife and best friend in the same day. There was his own grandfather killing himself. Why? The young sailor going out to be drowned; his own father dying young; the returned colonial—the prosperous gentleman who, before going out, had forged his brother’s name. Forged! forged! The word rang in his brain. There was the daughter of the House—deserted by the House, married into such a family as Mr. Galley represented. Were not these ghosts enough to bring into a quiet gentleman’s flat?
Yes, he had been brought up in ignorance of these things. He knew nothing of the cause of the old man’s seclusion; not the reason of his grandfather’s early death; not any of those other misfortunes. He had been kept in ignorance of all. And now these things were roughly exploded upon his unsuspecting head.
He sat down before the fire; he worked at the “Subject” no more that night. And in his brain there rang still the strange warnings of Constance—that he wanted something of misfortune, such as harassed the rest of the world, in order to bring him down to a level with the men and women around him.
“I have got that something,” he said. “Poor relations, family scandals, and humiliations and all. But so far I feel no better.”
CHAPTER V
A LEARNED PROFESSION
IN one of the streets lying east of Chancery Lane is a block of buildings, comparatively new, let out as offices. They generally consist of three rooms, but sometimes there are four, five, or even six. The geographical position of the block indicates the character of the occupants: does not every stone in Chancery Lane and her daughters belong to the Law? Sometimes, however, there are exceptions. A few trading companies are established here, for instance; and occasionally one finds written across the door such an announcement as “Mr. George Crediton, Agent.” The clerks and people who passed up and down the stairs every day sometimes asked each other what kind of agency was undertaken in this office. But the clerks had their own affairs to think about. Such a mystery as a business conducted in a quiet office to which no clients ever come is a matter of speculation for a while, but soon ceases to excite any attention. Some twenty years and more had passed since that name had first appeared on the door and since the clerks began to wonder.
“Mr. George Crediton, Agent.” There are many kinds of agents. Land, houses, property of all kinds, may be managed by an agent; there are agents for taking out patents—several of these run offices near the Patent Office; there are literary agents—but Chancery Lane is not Parnassus; there are agents for the creation and the dissolution of partnership; there are theatrical agents—but what has law land to do with sock and buskin? And what kind of Agent was Mr. George Crediton?
Mr. George Crediton, Agent, sat in his inner office. The room was furnished solidly with a view to work. The large and ponderous table, covered with papers so dear to the solicitor, was not to be seen here; in its place was an ordinary study table. This was turned at an angle to the wall and window. There was a warm and handsome carpet, a sheepskin under the table, a wooden chair for the Agent, and two others for his visitors. A typewriter stood on the table. The walls were covered with books—not law books, but a miscellaneous collection. The Agent was apparently a man who revelled in light reading; for, in fact, all the modern humorists were there—those from America as well as those of our own production. There was also a collection of the English poets, and some, but not many, of France and Germany. On a table before him stood half a dozen bound folios with the titles on the back—“Reference A—E,” and so on. In one corner, stood an open safe, to which apparently belonged another folio, entitled “Ledger.”
The Agent, engaged upon his work, evidently endeavoured to present an appearance of the gravest responsibility. His face was decorated by a pair of small whiskers cut straight over and set back; the chin and lips were smooth-shaven. The model set before himself was the conventional face of the barrister. Unfortunately, the attempt was not successful, for the face was not in the least like that conventional type. It had no severity, it had no keenness; it was not set or grave or dignified. It might have been the face of a light comedian. In figure the man was over six feet high and curiously thin, with a slightly aquiline nose and mobile, sensitive lips.
He began his morning’s work by opening his letters; there were only two or three. He referred to his ledger and consulted certain entries; he made a few pencil notes. Then he took down from one shelf Sam Slick, Artemus Ward, and Mark Twain, and from another a collection of Burnand’s works and one or two of Frederick Anstey’s. He turned over the pages, and began to make brief extracts and more notes. Perhaps, then, a bystander might have thought he was about to write a paper on the comparative characteristics of English and American humour.