"When men were in love, Christine, the woman that each man loved became in his mind such as this. He worshipped in his mistress the highest form of life that he could conceive. Some men were gross, their ideals were low; some were noble, then their ideals were high. Always there were among mankind some men who were continually trying to raise the ideal; always the mass of men were keeping the ideal low."
"Were the women ashamed to receive such worship? Because they must have known what they were in cold reality."
"Perhaps to the nobler sort," said the young man, "to be thought so good lifted up their hearts and kept them at that high level. But indeed I know not. Remember that when men wrote the words that you think extravagant, they were filled and wholly possessed with the image of the Perfect Woman. Nay, the nobler and stronger their nature, the more they were filled with that Vision. The deeper their love for any woman, the higher they placed her on the Altar of their worship."
"And if another man should try to take that woman from them—"
"They would kill that other man," said Jack, with a fierce gleam in his eye, which made the girl shudder. Yet she respected him for it.
"If another man should come between us now, Christine, I would—Nay, dear, forgive my rude words. What has jealousy to do with you?"
She dropped her eyes and blushed, and in all her limbs she trembled. This young man made her afraid. And yet—she knew not why—it made her happy, only to be afraid of him.
"Let us see some of the pictures," said Jack.
There were many hundreds of them. They represented I know not what; scenes of the old life in the old time. I dare say everything was there, with all the exaggerations which pleased the painters and cheated the senses of those who looked on. Fair women were painted fairer than women could ever be; their eyes were larger, softer, fuller of thought; their cheeks more tender, their limbs more comely.
There were battle scenes; the young man led the girl past them. There were scenes from history—kings laying down crowns, traitors receiving sentence, and so forth; he passed them by. There were groups of nymphs, portraits of fair women, groups of girls dancing, girls at play, girls laughing, girls bathing; he passed them by. Presently he stopped before three panels side by side, representing a simple allegory of the old time. In the first picture, two, a young man and a girl, walked hand-in-hand beside a stream. The water danced and rippled in the sunlight; behind them was an orchard full of blossom; flowers sprang up at their feet—the flowers of spring. And they walked hand-in-hand, gazing in each other's eyes. The second picture showed a man in middle-age returning home from work; beside him walked his boys; in the porch the mother sat with her daughters spinning at the wheel. The stream was now a full majestic river; the trees were loaded with fruit not yet ripe; the fields were covered with corn, green still, but waving with light and shade under the summer sky; in the distance, passing away, was a heavy thunder-cloud. In the third panel an old pair stood beside a great river, looking out upon the ocean. Again they were hand-in-hand. The sun was setting in great splendor across the sea; the reapers were carrying their harvest home with songs and dances. And the old people still gazed in each other's face, just as they had done fifty years ago.