Mr. Ramage, or Ramage, as he was called in the Counting-house, where no title is allowed to any below the rank of partner or partner's son, kept me acquainted with events in College Street and on the wharf. My father, it was understood, never mentioned my name: the business of the Firm was never more flourishing: Mr. Matthew was constantly called in for consultations. 'And oh! Master Will,' my old friend always concluded, 'be reconciled. What is it—to give up playing the organ at Church? Why—it is nothing. Someone else will play while you sit in state in your red velvet pew below. Give way to your father. He is a hard man, but he is just.'
It also appeared from Mr. Ramage's information that it was perfectly well known by the clerks and by Mr. Matthew, who doubtless told my father, the ways by which I had been making a living: I had been seen by one marching ahead of a sailor's wedding-party: by another fiddling in the Bermondsey Tavern: by a third in the Gallery of a City Company Hall. The Counting-house down to the messengers was humiliated: there was but one feeling among the clerks: I had brought disgrace upon the House.
'They are sorry, Master Will, for your father's sake. It is hard for him: so proud a man—with so much to be proud of—a quarter of a million, some say. Think how hard it is for him.'
'It is harder for me Ramage,' I replied, 'to be driven to fiddle for sailors, when all I ask is to be allowed to follow music in peace. However, tell the clerks that I am sorry to have disgraced them.'
Disgraced the clerks! What did I say? Why, theirs is the lowest kind of work that the world can find for men. They were disgraced because their Master's son played the fiddle for a living. But I could not afford to consider their opinions.
Ramage knew nothing about my other place, or his entreaties would have been more fervent. I had but one answer, however. I could not give up the only work that I cared for, even to be reconciled to my father. Why, I was born for music. Shall a man fly in the face of Providence, and scorn the gifts with which he is endowed?
My other place was none other than second fiddle, Tom Shirley being the first fiddle, of the Dog and Duck.
I have mentioned the Pleasure Gardens south of the River. There are, as Londoners know very well, a great many such gardens, all alike in most respects. That is to say, there is in every one of them an avenue or walk, lined by trees which at night are festooned by thousands of lights in coloured glass lamps hanging from tree to tree. There is also in most a piece of water with swans or ducks upon it, and all round it arbours where the company take tea or punch or wine. There is a tavern where drink may be had: suppers are served in the evening: there is a floor for dancing in the open air with a place for the band; and there is a Long Room with an organ at one end where the company promenade and listen, and where on hot nights the band and the singers perform. In many gardens there is also a bowling-green: there is sometimes a swimming bath, and in most there is a chalybeate spring the water of which is warranted to cure anything, but especially rheumatism, gout, and the King's evil.
Every one of these gardens employs an orchestra, and engages the services of singers. The number of musicians employed is therefore considerable. There are certainly in the south of London alone more than a dozen Gardens large enough to have a band. Beside the Dog and Duck, there are the Temple of Flora: the Lambeth Wells: the Cumberland Gardens: Vauxhall Gardens: Bermondsey Spa: St. Helena Gardens: Finch's Grotto: Cupid's Gardens: Restoration Spring Gardens—is not that twelve? And there are more. So that it is not difficult for a young man who can play any instrument tolerably to get a place in the orchestra of some Garden.
One would not choose such a position if Fortune gave one a choice. At the Dog and Duck there are visitors to whose pleasure we should be ashamed of ministering: people whose proper place is the House of Correction or Bridewell: they are allowed to attend these gardens with friends who should also be denied entrance: they make the company noisy and disorderly. We gave them music that was a great deal better than they deserved: it was thrown away upon the majority: we gave them songs that were innocent and tender—Tom Shirley wrote and composed them himself: we also had to give them other songs more suited to their gross and grovelling tastes.