'Oh!' cried Alice. 'She is an angel, sure. How fortunate was the exchange of letters! And how lucky that he was made, without knowing it, to grant his consent. I hope that her lover will treat her well. She will be a fond wife, Will, do you not think?'
And so she went on as if the play was real and the Country Girl came really from the country and the thing really happened. The name of the actress, I saw on the Play Bill, was Miss Jenny Wilmot. I am not surprised looking back on that evening. The wit and sparkle of her words seemed, by the way she spoke them, invented by herself on the spot. She held the House in a spell: when she left the stage the place became instantly dull and stupid: when she returned the stage became once more bright.
We went back by water: it was a fine evening: a thousand stars were gleaming in the sky and in the water: we were all silent, as happens when people have passed a day of emotions. At my brother-in-law's cottage we made a supper out of the remains of the dinner, and after supper Alice and I went away to the house we had taken at Lambeth, beside the church. And so our wedded life began.
There was another incident connected with my wedding which turned out to be the innocent cause of a great deal that happened afterwards.
Among my former friends in the City was a certain Mr. David Camlet who had a shop in Bucklersbury for the sale of musical instruments. He allowed me the run of the place and to try different instruments; it was he who first taught me to play the harpsicord and suffered me to practise in his back parlour overlooking the little churchyard of St. Pancras. The good old man would also converse with me—say, rather, instruct me in the history of composers and their works. Of the latter he had a fine collection. In brief he was a musician born and, as we say, to the finger tips; a bachelor who wanted no wife or mistress; one who lived a simple happy life among his instruments and with his music. Whether he was rich or not, I do not know.
He knew the difficulties which surrounded me: I used to tell him all: my father's prejudice against music: my own dislike of figures and accounts: my refuge in the highest garret when I wished to practice—only at such times when my father was out of the house: my beloved teacher in the King's Bench Rules: he encouraged me and warned me: he took the most kindly interest in my position, counselling always obedience and submission even if by so doing I was forbidden to practise at all for a time: offering his own parlour as a place of retreat where I could without fear of discovery practise as much as I pleased.
When I was turned out of the house, I made haste to inform him what had happened. He lifted up his hands in consternation. 'What?' he cried. 'You, the only son of Sir Peter Halliday, Knight, Alderman, ex-Lord Mayor, the greatest merchant in the City: the heir to a plum—what do I say? Three or four plums at the least: the future partner of so great a business: the future owner of a fleet, and the finest and best appointed fleet on the seas—and you throw all this away——'
'But,' I said, 'I will be nothing but a musician.'
'Thou shalt be a musician, lad. Wait—thou shalt have music for a hobby. It is good and useful to be a patron of music: to encourage musicians.'
'But I would be a musician by profession.'