“Will you mock at an ancient tradition?”—Henry V.
When one speaks of the Bourgeois, one means the class which Matthew Arnold was never tired of ridiculing as without culture, ideals, or standards. For my own part, I think it would be more useful to recognise, first, that there are certain occupations in life which can be carried on very well without ideals; that the advent or genesis of ideas among certain people would inevitably spoil them for their humble work; and that it is sufficient for the State if they remain on the side of order, with due respect to law and justice. Now, whatever the short-comings of these people with respect to culture, no one can complain of them with respect to their love of order.
A craftsman—a man who makes anything—may cultivate himself to the highest, and remain a craftsman; he may be an artist; he may be a poet; he may nourish himself upon the noblest thoughts, and yet remain a craftsman. Out of the trade of shoemakers have sprung poets, artists, and actors. Cobblers have been fierce politicians. But a man who sells the shoes which another man makes cannot, in the nature of things, cultivate lofty standards or æsthetic ideals. His occupation, which has in it something servile, forbids it. And I have here to speak of the English tradesman, and to show the transformation which has fallen upon him too.
Let us consider the daily life of a London shopkeeper early in the present century. He had a shop in Cheapside. The shop occupied the front part of the ground-floor: at the back was the “parlour,” the family living-room, which looked out upon a small churchyard, in which funerals were conducted almost daily; the ground was covered with bones and bits of coffins; once a month or so the sexton made a bonfire of the wood. Upstairs were the bedrooms—the best bedroom in front, which nobody ever occupied because there were no guests. Here the tenant of the house lived, he and his family; they had no change, and desired none, from day to day. An apprentice lived with them, slept under the counter, and made himself useful in the house as well as in the shop—washing plates and dishes after meals and running errands for his mistress. One servant was kept; she and the daughters and the mistress of the house were all occupied perpetually in making things; they made puddings, cakes, jam, preserves, pickles, cordials, perfumes, washes, and home-made wines—thin and pallid fluids named after cowslip, primrose, raspberry, and currant. When they were not making or cooking they were sewing; all the women of the house sewed perpetually—they were slaves to the needle: they sat round the table in the parlour, with a single candle, and sewed in silence all through a winter evening. The girls had been to school; they went to a private school in the suburbs, where they learned various small feminine accomplishments; they learned from their mother certain maxims which should regulate the conduct of every maiden. And on Sunday they turned out for church in toilettes whose splendour highly gratified the pride of their father, because they seemed to challenge all Cheapside to spend more money upon the daughters’ dress. Yet he knew, and all the neighbours knew, that this finery was all contrived at home—hats trimmed, ribbons and streamers put in place, and the lovely sleeve designed by the girls themselves. At church they enjoyed a service which we should call lugubrious. The psalms were read, two hymns were sung but slowly, and the sermon, an hour long, was an argument on doctrine; but there was the pleasure of sitting in the Sunday best, which made one forget the doctrine and enjoy the hymns.
QUEEN IN ROYAL CLOSET, ST. GEORGE’S CHAPEL, WINDSOR
Painting by Landseer
THE QUEEN, THE PRINCE OF WALES, AND PRINCESS ROYAL