The Islets of the Channel

by Walter Cooper Dendy

There is a new prison, and a hospital, and a poorhouse.

St. Helier’s is prolific of temples of worship. Amidst French Protestant and Catholic fanes and conventicles, stands pre-eminent in the royal square the mother Church, 500 years old, and of pure Norman style,—a new aisle, in perfect harmony, being lately added. Very grotesque gargouilles and a profusion of ivy mark it as a very eccentric pile. The government stall and pulpit are ancient, and there are monuments and slabs to the memory of Carterets in 1767—Durel, Dauvergues, Gordon, and Pierson, the defender. The gallery stairs are outside the walls. The evening is devoted to the French service.

The several market-places, especially on Saturdays, are scenes of very lively interest. The produce of the Jersey gardens is most prolific, and sold at a moderate price. The grapes are pre-eminent, and the Chaumontelle pear has nearly attained the weight of one pound, and is often sold at five guineas per hundred. In the afternoon the market is a sort of fashion; but the grouping of the buyers and the loungers is not picturesque, the costume being chiefly the formal cut of England, or the sombre colours of Normandy. The colloquial language is a mingling of French and English: the children are taught both, but, whether in truth or in courtesy, several assured us that they preferred the English.

The votary of mere pleasure or the excitement of gaiety, must not sojourn in Jersey: out of the pale of select society St. Helier’s will be most monotonous; it will be indeed a complete blank, and he will quietly fly off to scenes more exciting though infinitely less healthful and happy, leaving beautiful Jersey to us, to those whom the Deity has endowed with a deeper feeling for the charms of Nature’s loveliness.

ELIZABETH CASTLE, JERSEY

The visitation of the ancient and modern works around St. Helier’s is worth a day even to the superficial gazer. The eye of the archæologist and the artist is attracted at once by the bold fortress of Elizabeth Castle, isolated at high tide, but approached at low-water on the floor of the bay. Along a causeway track from the “Black rock,” on the shore, we wend with market-women at our heels, and meet a company of soldiers marching on some duty to St. Helier’s. We must not linger in our survey, as the tide will flow in four or five hours, often to the height of forty feet.

The castle stands amidst a group of schist rocks, about a mile in circumference. One of the outermost blocks is crowned by the remnant of a real hermitage, the cell of St. Helier, who was murdered in the ninth century by a band of Norman pirates.

The access to the stronghold is intricate and well planned for safety and defence. It was built in the seventeenth century. Amidst a profusion of modern and debasing architecture, look on the very curious gate-arch, on the ascent to the keep. Above a fleur-de-lis at the point of the ogee of the arch is an escutcheon in stone—the royal shield of Britain, crested by the red and white roses. Over the left feet of the supporters are the initials, E. R., of the maiden Queen, in whose reign the first stone was laid. On one of the arches is a circular disc, displaying daggers and a fret. To this keep Charles II., when Prince of Wales, fled for refuge, with his brother James and Clarendon, the islet of Jersey having declared for him, while Guernsey sided with the Parliament; and here Charles drew a new map of the island, and Clarendon penned part of his celebrated record of the Rebellion. In gratitude for its loyalty the King presented them with a gilt mace on the Restoration, and graced it with a Latin inscription.

Across a deeper water opens the capacious harbour, with its two piers, Victoria and Albert, which, especially in storm and tempest, is often crowded with vessels. The basins were now nearly destitute of craft; but acephalæ are floating around the piers. Crowning the high greenstone ridge above it, Mont de la Ville, is Fort Regent, a fortress, erected at the cost of a million, of stone from the quarry of Medo, on the northern coast. Its area is about four acres. It is bomb-proof, and commands completely the bay and the town. The view from its height compasses the bay of St. Aubin, the government house, the college, a mansion of modern Gothic, erected in 1846, after the Queen’s visit, and the south-eastern corner around St. Clement’s and Grouville, the Banc des Violets displaying a strange group of black blocks among the surf waves. At low tide the bay is a wide stone basin, carpeted with rock and weed. As we looked on it at high water, in an autumn sunset, it was a mirror of liquid amethyst.