The Philosophy of Mystery

by Walter Cooper Dendy

Each stamps his image as the other flies.”

There is a happy combination of antiquity and simplicity in this land of Gwent. Almost within the shadow of the Roman Caerleon, the Monmouthshire peasants, at Easter and Whitsuntide, assemble to plant fresh flowers on the graves of their relatives. How I love these old customs! the chanting of the carol at Christmas; its very homeliness so redolent of love and friendship: and that quaint old Moresco dance which was introduced to England by the noble Katherine of Arragon. Then the pastimes of Halloween and Hogmanay in Scotland, and the Walpurgis night of Germany, and the May-day in Ireland, the festival of their patron saint, and the Midsummer night when the bealfires cast an universal lumination over the fells of the green isle, and the still more sacred fire, lighted up in November in worship of their social deity, Samhuin, whose potent influence charms the warm hearts of all the maids of Erin around the winter hearth of their homes. I listen unto these pleasures as if they were mine own: as children associate all the legends of their school histories with themselves and their own time.

In every spot of this land of Wales the very names of the olden time are before us: the romaunt of Prince Arthur and his knights is ever present to our fancy, for he hath, as on the crag that towers over Edinburgh, a seat on many a mountain rock in Wales; as the Cadair Arthur over Crickhowel, and the semicircle on Little Doward, and Maen Arthur on the moors of Cardigan.

Astr. I never look on scenes like this without the echo of that beautiful apostrophe of Johnson, among the ruins of Iona, whispering in my ear.

Inspired by such an influence, I have roamed over the Isle of Elephanta, and gazed on its gorgeous pagoda hewn from the rock, and adorned by gigantic statues and mysterious symbols of the same eternal granite: on the beauteous excavations of Salsette: on the wonders of Elora, and on the classic reliques of Persepolis: on the beautiful columns of Palmyra, the Tadmor in the wilderness, where Solomon built his “fenced city;” as well as those arabesque and gothic temples, the abbeys and cathedrals of our own island. I too have almost dared to think that superstition and idolatry might be forgiven for the splendours of its architecture, even for the elevation of those giant blocks of Stonehenge and Avebury, the mouldering altars of the druidical priesthood, in the city consecrated to their god.

So do I feel in this court-yard of Chepstow Castle, whilom the Est-brig-hoel of Doomsdaye Booke, and in later times so blended with English history. See you not the Conqueror and his knights in panoply on prancing steeds before you? See you not Fitz Osborne and Warren, its former lords, loom out upon your sight? And, lo! the portal opens, and the dungeon of Henry Martin, the regicide, yawns like a bottomless pit before us. The shade of Charles Stewart rises; and again the phantom of Cromwell, uttering his epithets of scorn, as if the wanton puritan were about to dash the ink in the face of his colleague as he signed the death-warrant of the king. And now the scene changes, and behold the doomed one is chained to those massive rings of iron, and there with groaning dies.

Ev. I am most willing that you should thus indulge in your wild rhapsody, Astrophel, for it is the happy illustration of one potent cause of spectral illusion—association. There are few whose minds are not excited in some degree when they tread the localities of interesting events. By memory and its combinations something like an inspired vision may often seem to come over us—a day-dream. Or, if we have been brooding over a subject or gazing on the relics of departed or absent love and friendship: or while we stand on a spot consecrated by genius, or when we have passed the scene of a murder, still will association fling around us its visionary shadows.

Shortly after the death of Maupertuis, the president of the Academy of Berlin, Mr. Gleditsch, the curator of natural history, was traversing the hall in solitude, when he saw the phantom of the president standing in an angle of the room with his eyes intensely fixed on him: an effect perfectly explicable by the association of intense impression of memory in the very arena of the president’s former dignity.

You will remember the story of a rich libertine, told by Sir Walter Scott. Whenever he was alone in his drawing-room, he was so haunted by a spectral corps de ballet, that the very furniture was, as it were, converted into phantoms. To release himself from this unwelcome intrusion he retired to his country house, and here, for a while, he obtained the quiet which he sought. But it chanced that the furniture of his town house was sent to him in the country, and on the instant that his eyes fell on his drawing-room chairs and tables, the illusion came afresh on his mind. By the influence of association the green figurantes came frisking and capering into his room, shouting in his unwilling ears, “Here we are! here we are!”

It is not, however, essential that there be substance at all to excite these spectres. Idea alone is sufficient.