But nothing more.
Spirit. We have no form beyond the elements,
Of which we are the mind and principle.”
And the idolaters profanely adopted this mystic metaphor when they inscribed their Temple of Isis, at Sais —
“I am whatever has been, is, and shall be, and no one hath taken off my veil.”
Ev. The phantom is often described as destitute of form. When Johnson was asked to define the ghost which appeared to old Cave, he answered: “Why, sir, something of a shadowy being.” And there is a sublimity and a mystery in that which is indefinite. Two very deep philosophers have however differed in opinion regarding the effect of darkness and obscurity on the mind. Burke alludes to darkness as a cause of the sublime and terrific: (and he is supported by Tacitus—“Omne ignotum pro magnifico est:”) Locke, as not naturally a cause of terror, but as it is associated by nurses and old crones with ghosts and goblins.
I will not split this difference, but I believe Burke is in the right. Obscurity is doubtless deeply influential in raising phantoms; that which is indefinable becomes almost of necessity a ghost. If the ghosts of Shakspere did not appear, the illusion would be more impressive. In darkness and night, therefore, the ghosts burst their cerements, the spirits walk abroad, and the ghost seers revel in all their superstitious glory. The druids, those arch impostors, acted their mysteries in the depth of shadowy groves: and the heathen idols are half hidden both in the hut of the American Indian and the temples of Indostan. It is true children shut their eyes when frightened, but this is instinctive, and because they think it real; but, in truth, they ever dread the notion of darkness. By the fancy of a timid mind, in the deepening gloom of twilight, a withered oak has been fashioned into a living monster; and I might occupy our evening in recounting the tales of terror to which a decayed trunk once gave birth, among some village gossips in the weald of Sussex.
There are few who “revisit the glimpses of the moon,” whose romantic humour leads them abroad about nightfall, who have not sometimes been influenced by feeling somewhat like phantasy, during the indistinct vision of twilight; the dim emanations of the crescent, or the more deceptive illusion of an artificial luminous point irradiating a circumambient vapour. Through the magnifying power of this floating medium, the image may be fashioned into all the fancied forms of poetical creation.
At the midnight hour, by a blue taper light, and in a ruined castle, a simple tale will become a romance of terror.
I have spoken thus, to introduce an incident which occurred years ago, and yet my mind’s eye shows it to me as if it were of yesterday.