- Olive branch, study of from nature, [f020];
- decorative treatment of, [f021].
- Ornament, typical forms of, [92]-[94].
- Ornamental purpose, the, in drawing, [29], [31]-[33], [210], et seq.
- Ornamental units, [94];
- use of intervals in repeating, [f065].
- Outline, origin and function of, [1].
- Parthenon, the frieze of the, [46];
- sketch of, [f067].
- Pattern and picture, difference between, [265];
- pattern-pictures, [272].
- Pen, the, compared with brush and pencil, [71].
- Pencil drawing, [70], [71].
- Persian carpets, principle of design in, [242];
- Persian ornament, typical, [212], [f116].
- Persian rugs, value of different quantities in, [98]-[101].
- Perugino, National Gallery triptych, [f140].
- Photograph, influence of the, [55], [56];
- Picture writing, [27], [f019].
- Pinturicchio, frescoes in the Sistine Chapel, [226];
- Pisano, Vittore, medals of, [198], [f110].
- Poppy, horned study of, [f022];
- Prints, principles of design for, [246]-[251].
- Procession, lines of movement in a, [160], [162]-[163].
- Pyramid, the, [73];
- Radiating principle of line, the, [46]-[50].
- Raphael, study of drapery by, [f102].
- Ravenna, S. Vitale, sketch of apse, [f070].
- Recurring line and form, [f031], [f032];
- Relief, methods of expressing, [165];
- use of contrast, [166];
- decorative relief, [171];
- on diapered ground, [174]-[175];
- by simple linear contrasts, [174], [176]-[178];
- by linear shading, [176], [178];
- by diagonal shading, [176], [178]-[180];
- value of emphasis in, [180];
- by light and shade alone, [187]-[190];
- principle of in architectural mouldings, [190];
- modelled, [192];
- in sculpture, [192]-[199], [f109];
- Florentine fifteenth-century work, [202];
- natural principle of, [204], [f111b];
- by colour, [256], [258].
- Repeating patterns, [36], [f026], [f077b], [f078];
- Rhythm of design, the, [32].
- Roofs, German, [146]-[148].
- Rothenburg, roof-lines in, [f085].
- St. David's Cathedral, carvings in, [122]-[124];
- Scale, importance of in mural decoration, [230], [232].
- Sculpture, relief in, [192];
- Selection, the test of artistic treatment, [214].
- Shields, F. J., mural decoration, [228].
- Silhouette, [2], [f010a].
- Skirting, the, [234].
- Spaces, decorative, in design, [113];
- Spacing, mural, [230], [f121], [f123].
- Sphere, the, [73];
- Stained glass, principles of design for, [252], [255].
- Surfaces, linear expression of, [18].
- Tapestry, [237];
- Technical influence, the, [58]-[62].
- Textile designing, [62];
- Textures, linear expression of, [18].
- Thebes, sculptured relief at, [f106].
- Titian, "Bacchus and Ariadne," [278]-[280];
- "Sacred and Profane Love," [280].
- Tivoli, Temple of the Sibyls at, [133].
- Trees, effect of wind upon, [f011];
- Typical treatment, [31];
- Valence, Aymer de, tomb of, [f094a].
- Van Eyck, "Jan Arnolfini and his Wife," [267], [f134], [270], [271].
- Variation of allied forms, [103].
- Variety in design, [40].
- Ver Meer, "Lady at Spinet," [f135], [270], [272].
- Veronese, Paul, [280].
- Visch, Martin de, brass of, [f094b], [f095].
- Walberswick Church, [f072].
- Walker, Frederick, [190].
- Wall, decorative spacing of the, [234], [f123].
- Wall-paper, principles of design for, [36], [f026], [246];
- Water, lines of movement in, [f118b].
- Watercourse, lines left by a, [f091b].
- Wave lines, [f011], [f012].
- Westminster, vaulting of chapter house, [f035].
- Winchelsea, tomb of Gervaise-Alard, [f071].
CHISWICK PRESS: PRINTED BY CHARLES WHITTINGHAM AND CO.
TOOKS COURT, CHANCERY LANE, LONDON.