Turning now to some of the pictures themselves, there are thirteen representing scenes from the life of the Virgin in the archbishop's palace at Evora, which are said by Justi, a German critic, to be by Gerhard David. Twelve of these are in a very bad state of preservation, but one is still worthy of some admiration. In the centre sits the Virgin with the Child on her knee: four angels are in the air above her holding a wreath. On her right three angels are singing, and on her left one plays an organ while another behind blows the bellows. Below there are six other angels, three on each side with a lily between them, playing, those on the right on a violin, a flute, and a zither, those on the left on a harp, a triangle, and a guitar. Once part of the cathedral reredos, it was taken down when the new Capella Mor was built in the eighteenth century.
Another Netherlander who painted at Evora was Frey Carlos, who came to Espinheiro close by in 1507. Several of his works are in the Museum at Lisbon.[7]
When Dom Manoel was enriching the old Templar church at Thomar with gilding and with statues of saints, he also caused large paintings to be placed round the outer wall. Several still remain, but most have perished, either during the French invasion or during the eleven years after the expulsion of the monks in 1834 when the church stood open for any one to go in and do what harm he liked. Some also, including the 'Raising of Lazarus,' the 'Entry into Jerusalem,' the 'Resurrection,' and the 'Centurion,' are now in Lisbon. Four—the 'Nativity,' the 'Visit of the Magi,' the 'Annunciation,' and a 'Virgin and Child'—are known to have been given by Dom Manoel; twenty others, including the four now at Lisbon, are spoken of by Raczynski in 1843,[8] and some at least of these, as well as the angels holding the emblems of the Passion, who stand above the small arches of the inner octagon, may have been painted by Johannes Dralia of Bruges, who died and was buried at Thomar in 1504.[9]
Also at Thomar, but in the parish church of São João Baptista, are some pictures ascribed by Justi to a pupil of Quentin Matsys. Now it is known that a Portuguese called Eduard became a pupil of Matsys in 1504, and four years later a Vrejmeester of the guild. So perhaps they may be by this Eduard or by some fellow-pupil.
The Jesus Church at Setubal, built by Justa Rodrigues, Dom Manoel's nurse, has fifteen paintings in incongruous gilt frames and hung high up on the north wall of the church, which also have something of the same style.[10]
More interesting than these are two pictures in the sacristy of Santa Cruz at Coimbra, an 'Ecce Homo' and the 'Day of Pentecost.' It is the 'Pentecost' which is signed Velascus, and in it the Apostles in an inner room are seen through an arcade of three arches like a chapter-house entrance. Perhaps once part of the great reredos, this picture has suffered terribly from neglect; but it must once have been a fine work, and the way in which the Apostles in the inner room are separated by the arcade from the two spectators is particularly successful.
In Oporto there exists at least one good picture, 'The Fountain of Mercy,' now in the board-room of the Misericordia,[11] but painted to be the reredos of the chapel of São Thiago in the Sé where the brotherhood was founded by Dom Manoel in 1499. ([Fig. 3].)
In the centre above, between St. John and the Virgin, stands a crucifix from which blood flows down to fill a white marble well.
Below, on one side there kneels Dom Manoel with his six sons—João, afterwards king; Luis, duke of Beja; Fernando, duke of Guarda; Affonso, afterwards archbishop of Lisbon, with his cardinal's hat; Henrique, later cardinal archbishop of Evora, and then king; and Duarte, duke of Guimarães and ancestor of the present ruling house of Braganza.
On the other side are Queen Dona Leonor,[12] granddaughter of Ferdinand and Isabella, Dom Manoel's third wife[13] and her two stepdaughters, Dona Isabel, the wife of Charles v. and mother of Philip ii., who through her claimed and won the throne of Portugal when his uncle, the cardinal king, died in 1580, and Dona Beatriz, who married Charles iii.. of Savoy.