The war ended and my young piano teacher returned, resplendent in his uniform with shining brass buttons, in which he paid his first ceremonial visit to my father and mother. My mother, wishing to put him at his ease, asked him to tell something of his experiences in the war, but he was not very articulate. Yes, he had been at the beleaguering and capitulation of Metz.
“How wonderful,” said my mother, “and what happened to you there?”
“Oh, well, they—they—shot at us.”
And that was all we could get out of him.
In the meanwhile my father had become more and more discontented with musical, social, and political conditions in Breslau. He was really a Republican at heart and the Prussian bureaucracy, which had become more and more accentuated by the war, irked and angered him. With greatest difficulty he could make a bare living for his family, and he found the population of Breslau, except a small band of devoted followers, steeped in materialism and not particularly sympathetic toward art, especially the modern German composers.
In 1871 my father received an invitation through Edward Schubert, the music publisher of New York, to come to America as conductor of the Arion Society, and while this opening was small enough, it seemed to offer him an opportunity through which better and bigger things might develop and under conditions more free than were possible in Germany at that time. He therefore determined, at forty years of age, to take the plunge and to precede his family to America in order to find out whether a living and a new career might be made possible in the New World. The Arion Society occupied an honorable position in the social and musical life of the Germans living in New York.
I can remember his farewell concert, in Breslau, at which he performed Beethoven’s Ninth Symphony. There were laurel wreaths, and chorus ladies in white, and there was a general atmosphere of enthusiasm and of many tears, but my memories are connected particularly with my astonishment at seeing my teacher of arithmetic whom I hated, suddenly stand up in the middle of the parquet during the intermission and ogle the ladies with a pair of opera-glasses. It had never entered my childish mind until then that a horrible school-teacher could be a man like other men in private life.
A very tragic happening was that one of my suspenders burst during the Ninth Symphony, and for the rest of the performance I was in mortal fear that my trousers might not “stay put.”
After my father’s departure we children, of course, played nothing but sailing off on a ship, again principally by aid of the parlor and dining-room furniture. We read “Robinson Crusoe” and enacted its chapters with great satisfaction to ourselves. It was all good fun to us, but the anguish of parting from the country in which they had grown up and lived for so many years, and the dread of the unknown in a strange land, must have been terrible for my father and mother.
Finally came an enthusiastic letter from my father bidding us to follow him to New York; we accordingly set sail, August, 1871, in a little ship of the North German Lloyd, the Hermann from Bremen, my mother, Tante Marie, Frank, myself, and two younger sisters. I was desperately seasick for several days until one Sunday morning, when, as I was lying on a bench on deck, the young captain rudely kicked me off, saying, “Look here, youngster, you have been ill long enough, now brace up,” which I did and enjoyed the rest of the trip immensely. The captain was in a very romantic mood because he was to marry a young American girl on his arrival in New York. In the evenings my mother would sing Schubert and Schumann on deck and the captain several times gave us firework displays, rockets, etc., in honor of his approaching nuptials.