In old-world nursery vacant now of children,
With posied walls, familiar, fair, demure,
And facing southward o'er romantic streets,
Sits yet and gossips winter's dark away
One gloomy, vast, glossy, and wise, and sly:
And at her side a cherried country cousin.
Her tongue claps ever like a ram's sweet bell;
There's not a name but calls a tale to mind—
Some marrowy patty of farce or melodram;
There's not a soldier but hath babes in view;
There's not on earth what minds not of the midwife:
"O, widowhood that left me still espoused!"
Beauty she sighs o'er, and she sighs o'er gold;
Gold will buy all things, even a sweet husband,
Else only Heaven is left and—farewell youth!
Yet, strangely, in that money-haunted head,
The sad, gemmed crucifix and incense blue
Is childhood once again. Her memory
Is like an ant-hill which a twig disturbs,
But twig stilled never. And to see her face,
Broad with sleek homely beams; her babied hands,
Ever like 'lighting doves, and her small eyes—
Blue wells a-twinkle, arch and lewd and pious—
To darken all sudden into Stygian gloom,
And paint disaster with uplifted whites,
Is life's epitome. She prates and prates—
A waterbrook of words o'er twelve small pebbles.
And when she dies—some grey, long, summer evening,
When the bird shouts of childhood through the dusk,
'Neath night's faint tapers—then her body shall
Lie stiff with silks of sixty thrifty years.
IAGO
A dark lean face, a narrow, slanting eye,
Whose deeps of blackness one pale taper's beam
Haunts with a fitting madness of desire;
A heart whose cinder at the breath of passion
Glows to a momentary core of heat
Almost beyond indifference to endure:
So parched Iago frets his life away.
His scorn works ever in a brain whose wit
This world hath fools too many and gross to seek.
Ever to live incredibly alone,
Masked, shivering, deadly, with a simple Moor
Of idiot gravity, and one pale flower
Whose chill would quench in everlasting peace
His soul's unmeasured flame—O paradox!
Might he but learn the trick!—to wear her heart
One fragile hour of heedless innocence,
And then, farewell, and the incessant grave.
"O fool! O villain!"—'tis the shuttlecock
Wit never leaves at rest. It is his fate
To be a needle in a world of hay,
Where honour is the flattery of the fool;
Sin, a tame bauble; lies, a tiresome jest;
Virtue, a silly, whitewashed block of wood
For words to fell. Ah! but the secret lacking,
The secret of the child, the bird, the night,
Faded, flouted, bespattered, in days so far
Hate cannot bitter them, nor wrath deny;
Else were this Desdemona…. Why!
Woman a harlot is, and life a nest
Fouled by long ages of forked fools. And God—
Iago deals not with a tale so dull:
To have made the world! Fie on thee, Artisan!
IMOGEN
Even she too dead! all languor on her brow,
All mute humanity's last simpleness,—
And yet the roses in her cheeks unfallen!
Can death haunt silence with a silver sound?
Can death, that hushes all music to a close,
Pluck one sweet wire scarce-audible that trembles,
As if a little child, called Purity,
Sang heedlessly on of his dear Imogen?
Surely if some young flowers of Spring were put
Into the tender hollow of her heart,
'Twould faintly answer, trembling in their petals.
Poise but a wild bird's feather, it will stir
On lips that even in silence wear the badge
Only of truth. Let but a cricket wake,
And sing of home, and bid her lids unseal
The unspeakable hospitality of her eyes.
O childless soul—call once her husband's name!
And even if indeed from these green hills
Of England, far, her spirit flits forlorn,
Back to its youthful mansion it will turn,
Back to the floods of sorrow these sweet locks
Yet heavy bear in drops; and Night shall see
Unwearying as her stars still Imogen,
Pausing 'twixt death and life on one hushed word.
POLONIUS
There haunts in Time's bare house an active ghost,
Enamoured of his name, Polonius.
He moves small fingers much, and all his speech
Is like a sampler of precisest words,
Set in the pattern of a simpleton.
His mirth floats eerily down chill corridors;
His sigh—it is a sound that loves a keyhole;
His tenderness a faint court-tarnished thing;
His wisdom prates as from a wicker cage;
His very belly is a pompous nought;
His eye a page that hath forgot his errand.
Yet in his brain—his spiritual brain—
Lies hid a child's demure, small, silver whistle
Which, to his horror, God blows, unawares,
And sets men staring. It is sad to think,
Might he but don indeed thin flesh and blood,
And pace important to Law's inmost room,
He would see, much marvelling, one immensely wise,
Named Bacon, who, at sound of his youth's step,
Would turn and call him Cousin—for the likeness.
OPHELIA
There runs a crisscross pattern of small leaves
Espalier, in a fading summer air,
And there Ophelia walks, an azure flower,
Whom wind, and snowflakes, and the sudden rain
Of love's wild skies have purified to heaven.
There is a beauty past all weeping now
In that sweet, crooked mouth, that vacant smile;
Only a lonely grey in those mad eyes,
Which never on earth shall learn their loneliness.
And when amid startled birds she sings lament,
Mocking in hope the long voice of the stream,
It seems her heart's lute hath a broken string.
Ivy she hath, that to old ruin clings;
And rosemary, that sees remembrance fade;
And pansies, deeper than the gloom of dreams;
But ah! if utterable, would this earth
Remain the base, unreal thing it is?
Better be out of sight of peering eyes;
Out—out of hearing of all-useless words,
Spoken of tedious tongues in heedless ears.
And lest, at last, the world should learn heart-secrets;
Lest that sweet wolf from some dim thicket steal;
Better the glassy horror of the stream.