A church dictionary

by Walter Farquhar Hook

In the Norman capital the abacus is square, of considerable thickness, generally slightly bevelled at the lower side, and sometimes moulded. The bell, resting on a cylindrical shaft, and fitted with a square abacus, is circular at the bottom, and becomes square at the top, and the way of resolving the round into the square gives it its peculiar character. In examples, however, of any richness, the abundance of decoration often obscures its constructive character.

In the period of transition to Early English, the abacus sometimes becomes octagonal, seldom, however, a regular octagon, but a square with the corners slightly cut off. It is also sometimes circular. The upper surface continues flat, but the under part is more frequently moulded. The bell often approaches the Classic capital in design, and sometimes even in treatment, as at Canterbury; but this is a rare amount of excellence. More frequently a lotus-like flower rises from the neck, and curls beneath the abacus. The neck is still a mere round bead.

In the next, or Lancet period, the abacus more frequently becomes circular, the top is seldom flat, the mouldings usually consist of two rounds, with a deep undercut, hollow between, the upper one a little overhanging the under, and in the hollow a trail of nail-head or dog-tooth is often found. The bell, also, is deeply undercut, and in some instances, where effect is sought in moulding rather than in carving, it is repeated; but, in moderately rich examples, the bell is usually covered with foliage of which the stems spring from the neck, generally crossing one another as they rise, and breaking into leaves near the top, where they throw off a profusion of crisped foliage, which curls under the abacus; a stray leaf, in very rich and rather late examples, sometimes shooting up, over the hollow, to the upper member of the abacus. The whole treatment of this foliage in capitals and corbels, where it follows the same law, has sometimes a boldness and a grace, though it never deserts its conventional type, of which no description, and no engraving even, except on a large scale, can convey an idea. The neck of the Early English capital is generally either a rounded bowtel of rather more than half a cylinder, or a semi-hexagon, the latter with the sides sometimes slightly hollowed.

In the Geometrical period, the abacus continues round. It is no longer, except in rare instances, flat at the top: the scroll moulding begins to appear, and sometimes a hollow intervenes between it and the first member of the bell. The bell, when moulded, rather follows the routine of the last style; but, when foliated, the leaves or flowers, without losing anything of the force and boldness of the latter, have a naturalness never approached in any other style: we begin to recognise the oak, the hawthorn, or the maple, as familiar friends, and no longer need to employ conventional terms to designate their foliage, or the method of its treatment.

In the Decorated period, the scrollmoulding is almost constantly employed for the abacus and for the neck; the ball-flower sometimes occurs in the hollow of the abacus, but not so frequently as the dog-tooth in the Lancet period. The mouldings of the bell are generally the roll and fillet, or the scroll, in some of their forms; and the foliage entirely loses the nature of the Geometrical, without recovering the force of the Early English. It surrounds the bell as a chaplet, instead of creeping up it, and, instead of indicating the shape which it clothes, converts the whole between the neck and the abacus into a flowered top.

In the next and last period, the abacus is sometimes so nearly lost in the bell, or the bell in the abacus, that it is hard to separate them. The form of both becomes generally octagonal, and a great poverty of design is apparent: this is the case in ordinary instances of pillars with entire capitals. In later examples, and where there are greater pretensions, the capital does not extend to the whole pillar, but the outer order of the arches is continued to the base, without the intervention of a capital, only the inner order being supported and stopped by an attached shaft, or bowtel, with its capital, and so the capital loses all its analogy with the classic architrave, and no longer carries the eye along in a horizontal line.

CAPITULAR. A term often used in foreign countries to designate a major canon or prebendary; a capitular member of a cathedral or collegiate church.

CAPITULARIES. Ordinances of the kings of France, in which are many heads or articles which regard the government of the Church, and were done by the advice of an assembly of bishops. The original of the word comes from capitula, which were articles that the prelates made and published to serve as instructions to the clergy of their dioceses, so that at last this name of capitularies was given to all the articles which related to ecclesiastical affairs. Those of Charlemagne and Louis the Meek were collected in four books by the abbot Angesius; those of King Lothaire, Charles and Louis, sons of Louis the Meek, were collected by Bennet the Levite, or deacon, into three books, to which there have been since four or five additions; and Father Simon published those of Charles the Bald.

CAPUCHINS. Monks of the order of St. Francis. They owe their original to Matthew de Bassi, a Franciscan of the duchy of Urbino, who, having seen St. Francis represented with a sharp-pointed capuche, or cowl, began to wear the like in 1525, with the permission of Pope Clement VII. His example was soon followed by two other monks, named Louis and Raphael de Fossembrun; and the pope, by a brief, granted these three monks leave to retire to some hermitage, and retain their new habit. The retirement they chose was the hermitage of the Camaldolites near Massacio, where they were very charitably received.

This innovation in the habit of the order gave great offence to the Franciscans, whose provincial persecuted these poor monks, and obliged them to fly from place to place. At last they took refuge in the palace of the Duke de Camerino, by whose credit they were received under the obedience of the conventuals, in the quality of Hermits Minors, in the year 1527. The next year, the pope approved this union, and confirmed to them the privilege of wearing the square capuche, and admitting among them all who would take the habit. Thus the order of the Capuchins, so called from wearing the capuche, began in the year 1528.