A church dictionary

by Walter Farquhar Hook

COPTS. The Monophysite, or Jacobite, Christians of Egypt, who have been for eleven centuries in possession of the patriarchal chair of Alexandria, and the dominant sect among the Christians of that region, are called Copts. They were placed in possession of the Egyptian churches on the irruption of the Saracens in the seventh century. Their numbers are now perhaps about 100,000. They have three liturgies, one ascribed to St. Basil, which they use on fast days; that of St. Cyril, which they use in Lent; and that of St. Gregory, which they use on festivals. Their service is very much crowded with ceremonies. The Coptic tongue, in which their worship is conducted, is to them a dead language, and not even understood by many of their priests. Their habits of life are ascetic, and they have many monasteries. They have a patriarch, who resides at Cairo, but takes his title from Alexandria.

CORBEL. A bracket. A projection supporting a weight; and so corbel-table, a table or horizontal projection supported by corbels. Corbel-tables are almost confined to the Norman, Transition, and Early English periods. Corbels in other places are of course continued; they are often of extreme beauty.

CORDELIERS. (Monks of the Order of St. Francis.) They wear coarse grey cloth with a little cowl, and a rope girdle with three knots; from this girdle they are called Cordeliers. They are the same with the Minorites; but had the name of Cordeliers given them upon this occasion, they having repulsed the infidels in a war which St. Louis made against them, the king asked their name, and was answered, they were des Gens des Cordelies—people with cords about them. (See Franciscans.)

CORONATION. The solemn religious rite by which a sovereign prince is consecrated to his high office, in which also the queen consort in Christian countries is usually associated with her husband, not for office’ sake, but honoris gratia.

By ancient custom the coronation of the sovereign of England belongs to the archbishop of Canterbury, and that of the queen consort to the archbishop of York. The place is Westminster Abbey. The kings of Scotland were crowned at Scone.

According to Mr. Palmer, (Supplement,) the coronation of sovereigns may be traced to A. D. 457, when Leo was crowned emperor by Anatolius, patriarch of Constantinople. Pepin was the first French monarch who was crowned. The first coronation in England was that of Egferth king of Mercia; and we have still the forms used in the time of the Heptarchy, from which our coronation service (slightly modified from time to time) is substantially derived.—See Dr. Silver’s Coronation Service, or Consecration of the Anglo-Saxon Kings.

It is a form of immemorial prescription, substantially the same as that used at the inauguration of our Christian monarchs in Saxon times, and sanctioned by the solemn approval of all the estates of the realm, the nobility, the clergy, and the people, assembled at its celebration. The prayers are framed in the best spirit of antiquity, with the rhythm so characteristic of primitive forms, and with an elevation and majesty of sentiment unsurpassed in any part of our liturgy. The service is, however, peculiarly valuable, as recording certain high religious and political principles, which of course must be considered as receiving the full sanction of the Church and nation. Thus, there is an acknowledgment of the sovereignty of Christ over the whole world, and the derivation of all kingly power from Him. “When you see this orb set under the cross, remember that the whole world is subject to the power and empire of Christ our Redeemer. For He is the Prince of the kings of the earth, King of kings, and Lord of lords; so that no man can reign happily, who derives not his authority from Him, and directs not all his actions according to His laws.” It is declared that Christian sovereigns, like the Jewish kings of old, are consecrated to the fulness of their office by the religious rite of unction, and that their function is not merely secular. “Bless and sanctify thy chosen servant Victoria, who by our office and ministry is now to be anointed with this oil, and consecrated Queen of this realm.” There is a strict recognition of the prerogative of the clergy, empowered as the ministers of Christ, to assert the dominion of our Lord, who exalts her to her holy dignity: “Stand firm and hold fast from henceforth the seat and the state of royal and imperial dignity, which is this day delivered to you in the name and by the authority of Almighty God, and by the hands of us the bishops and servants of God, though unworthy: and as you see us to approach nearer to God’s altar, so vouchsafe the more graciously to continue to us your royal favour and protection. And the Lord God Almighty, whose ministers we are, and the stewards of his mysteries, establish you therein in righteousness, that it may stand fast for evermore.”—Palmer.

CORNET. A species of horn or trumpet formerly much used in the Church service; in the king’s chapel especially. Dr. Rimbault, in his Notes on Roger North’s Memoirs of Music, states, that in the Statutes of Canterbury cathedral, provision is made for players on sackbuts and cornets, on high festivals. After the Restoration, as appears from North’s Life of Guildford, the cornet was used at Durham and York cathedrals; and Matthew Lock says, that for about a year after the opening of the Royal Chapel, the cornet was used to supply the want of treble voices.

Evelyn, in his Memoirs, (21 Dec. 1663,) complains of violins being substituted in the Royal Chapel, “instead of the ancient, grave, and solemn wind-music, accompanying the organ:” and that “we no more heard the cornet, which gave life to the organ, that instrument quite left off, in which the English were so skilful.”—Jebb.

CORPORAL. This is the name given to the linen cloth which is spread over the body, (corpus,) or consecrated bread, after the communion. It was of common use in the Church in the fifth century, as is evident from the testimony of Isidore of Pelusium, who observes that the design of using it was to represent the body of our Saviour being wrapped in fine linen by Joseph of Arimathea.