ILE. (See Aisle.) The passages in a church, parallel to the nave, from which they are separated by rows of columns and piers, being narrower and lower. The same term is applied to the side passages which sometimes mark the transept and the choir. The aisles of the apin are more properly called the ambulatory. The aisles were adopted from the ancient Basilicas, in which they are for the most part found. They are of comparatively rare occurrence in the Oriental churches. The word is derived from the Latin ala, which was used in an architectural sense to mean a side building, as we use wing. Thus Vitruvius, as quoted by Facciolati; “In ædificiis alæ dicuntur structura ad latria ædium, dextra, et sinistra protensæ, ut columnarum ordines, vel porticus; quas Græci quoque πτερὰ et πτέρυγας appellant.” And thus in French, the same word aile signifies a wing and a church aisle.
ILLUMINATI, or ALLUMBRADOS. Certain Spanish heretics who began to appear in the world about 1575; but the authors being severely punished, this sect was stifled, as it were, until 1623, and then awakened with more vigour in the diocese of Seville. The edict against them specifies seventy-six different errors, whereof the principal are, that with the assistance of mental prayer and union with God, (which they boasted of,) they were in such a state of perfection as not to need either good works, or the sacraments of the Church. Soon after these were suppressed, a new sect, under the same name, appeared in France. These, too, were entirely extinguished in the year 1635. Among other extravagances, they held that friar Antony Bocquet had a system of belief and practice revealed to him which exceeded all that was in Christianity; that by virtue of that method, people might improve to the same degree of perfection and glory that saints and the Virgin Mary had; that none of the doctors of the Church knew anything of devotion; that St. Peter was a good, well-meaning man only; St. Paul never heard scarce anything of devotion; that the whole Church lay in darkness and misbelief; that God regarded nothing but himself; that within ten years their notions would prevail all the world over; and then there would be no occasion for priests, monks, or any religious distinctions.
IMAGES. In the religious sense of the word, there appears to have been little or no use of images in the Christian Church for the first three or four hundred years, as is evident from the silence of all ancient authors, and of the heathens themselves, who never recriminated, or charged the use of images on the primitive Christians. There are positive proofs in the fourth century, that the use of images was not allowed; particularly, the Council of Eliberis decrees that pictures ought not to be put in churches, lest that which is worshipped be painted upon the walls. Petavius gives this general reason for the prohibition of all images whatever at that time—because the remembrance of idolatry was yet fresh in men’s minds. About the latter end of the fourth century, pictures of saints and martyrs began to creep into the churches. Paulinus, bishop of Nola, ordered his church to be painted with Scripture histories, such as those of Esther, Job, Tobit, and Judith. And St. Augustine often speaks of the pictures of Abraham offering his son Isaac, and those of St. Peter and St. Paul, but without approving the use of them; on the contrary he tells us, the Church condemned such as paid a religious veneration to pictures, and daily endeavoured to correct them, as untoward children.
It was not till after the second Council of Nice that images of God, or the Trinity, were allowed in churches. Pope Gregory II., who was otherwise a great stickler for images, in that very epistle which he wrote to the emperor Leo to defend the worship of them, denies it to be lawful to make any image of the Divine nature. Nor did the ancient Christians approve of massy images, or statues of wood, metal, or stone, but only pictures or paintings to be used in churches, and those symbolical rather than any other. Thus, a lamb was the symbol of Jesus Christ, and a dove of the Holy Ghost. But the sixth general council forbade the picturing Christ any more under the figure of a lamb, and ordered that he should be represented by the effigies of a man. By this time, it is presumed, the worship of images was begun, anno 692.
The worship of images occasioned great contests both in the Eastern and Western Churches. (See Iconoclasts.) Nicephorus, who had wrested the empire from Irene, in the year 802, maintained the worship of images. The emperor Michael, in 813, declared against the worship of images, and expelled Nicephorus, patriarch of Constantinople, Theodorus Studita, Nicetas, and others, who had asserted it. Michael II., desiring to re-establish peace in the East, proposed to assemble a council, to which both the Iconoclasts (those who broke down images) and the asserters of image worship should be admitted; but the latter refusing to sit with heretics, as they called the Iconoclasts, the emperor found out a medium. He left all men free to worship or not worship images, and published a regulation, forbidding the taking of crosses out of the churches, to put images in their place; the paying of adoration to the images themselves; the clothing of statues; the making them godfathers and godmothers to children; the lighting candles before them, and offering incense to them, &c. Michael sent ambassadors into the West to get this regulation approved. These ministers applied themselves to Louis le Debonnaire, who sent an embassy to Rome upon this subject. But the Romans, and Pope Pascal I., did not admit of the regulation; and a synod, held at Paris in 824, was of opinion, that though the use of images ought not to be prohibited, yet it was not allowable to pay them any religious worship. At length the emperor Michael settled his regulation in the East; and his son Theophilus, who succeeded him in the year 829, held a council at Constantinople, in which the Iconoclasts were condemned, and the worship of images restored. It does not appear that there was any controversy afterwards about images. The French and Germans used themselves, by degrees, to pay an outward honour to images, and conformed to the Church of Rome.
Image worship is one great article of modern Popery. “No sooner is a man advanced a little forward into their churches, (says a modern author, speaking of the Roman Catholics,) and begins to look about him, but he will find his eyes and attention attracted by the number of lamps and wax candles, which are constantly burning before the shrines and images of their saints; a sight which will not only surprise a stranger by the novelty of it, but will furnish him with one proof and example of the conformity of the Romish with the Pagan worship, by recalling to his memory many passages of the heathen authors, where their perpetual lamps and candles are described as continually burning before the altars and statues of their deities.” The Romanists believe that the saint to whom the image is dedicated presides in a particular manner about its shrine, and works miracles by the intervention of its image; insomuch that, if the image were destroyed or taken away, the saint would no longer perform any miracle in that place. This is exactly the notion of Paganism, that the gods resided in their statues or images. “Minucius Felix, rallying the gods of the heathens, (they are M. Jurieu’s words,) says: Ecce funditur, fabricatur; nondum Deus est. Ecce plumbatur, construitur, erigitur: nec adhuc Deus. Ecce ornatur, consecratur, oratur; tum postremo Deus est. I am mistaken if the same thing may not be said of the Romish saints. They cast an image, they work it with a hammer; it is not yet a saint. They set it upright, and fasten it with lead; neither is it yet a saint. They adorn, consecrate, and dedicate it; behold, at last, a complete saint!”
By a decree of the Council of Trent, it is forbidden to set up any extraordinary and unusual image in the churches, without the bishop’s approbation first obtained. As to the consecration of images, they proceed in the same manner as at the benediction of a new cross. At saying the prayer, the saint, whom the image represents, is named: after which the priest sprinkles the image with holy water. But when an image of the Virgin Mary is to be blessed, it is thrice incensed, besides sprinkling: to which are added the Ave Mary, psalms, and anthems, and a double sign of the cross.
The Roman Catholics talk much of the miraculous effects of the images of their saints, forgetting that lying wonders are a sign of Antichrist. The image of Jesus Christ, which, feeling itself wounded with a dagger by an impious wretch, laid its hand upon the wound, is famous at Naples. The image of St. Catharine of Siena has often driven out devils, and wrought other miracles. Our Lady of Lucca, insolently attacked by a soldier, (who threw stones at her, and had nearly broken the holy child’s head, which she held on her right arm,) immediately set it on her left; and the child liked sitting on that arm so well, that, since that accident, he has never changed his situation.—Broughton.
IMAGE WORSHIP. All the points of doctrine or practice in which the Church of Rome differs from the Church of England are novelties, introduced gradually in the middle ages: of these the worship of images is the earliest practice, which received the sanction of what the Papists call a general council, though the second Council of Nice, A. D. 787, was in fact no general council. As this is the earliest authority for any of the Roman peculiarities, and as the Church of England at that early period was remarkably concerned in resisting the novelty, it may not be out of place to mention the circumstances as they are concisely stated by Perceval. The emperor Charlemagne, who was very much offended at the decrees of this council in favour of images, sent a copy of them into England. Alcuin, a most learned member of the Church of England, attacked them, and having produced Scriptural authority against them, transmitted the same to Charlemagne in the name of the bishops of the Church of England. Roger Hoveden, Simon of Durham, and Matthew of Westminster, mention the fact, and speak of the worship of images as being execrated by the whole Church. Charlemagne, pursuing his hostility to the Nicene Council, drew up four books against it, and transmitted them to Pope Adrian; who replied to them in an epistle “concerning images, against those who impugn the Nicene Synod,” as the title is given, together with the epistle itself, in the seventh volume of Labbe and Cossart’s Councils. The genuineness of these books is admitted by all the chief Roman writers. For the purpose of considering the subject more fully, Charlemagne assembled a great council of British, Gallican, German, and Italian bishops at Frankfort, at which two legates from the bishop of Rome were present; where, after mature deliberation, the decrees of the soi-disant general Council of Nice, notwithstanding Pope Adrian’s countenance, were “rejected,” “despised,” and “condemned.” The synod at Frankfort remains a monument of a noble stand in defence of the ancient religion, in which the Church of England had an honourable share, occupying, a thousand years ago, the self-same ground we now maintain, of protesting against Roman corruptions of the Catholic faith.
IMMACULATE CONCEPTION. (See Conception, Immaculate.)