A church dictionary

by Walter Farquhar Hook

It is true the bishops in those days favoured the monks so much, that they connived at their setting out a portion of small tithes for the vicar, and permitted them to reserve the great tithes to themselves. This was a fault intended to be remedied by the statute 15 Rich. II. cap. 6; by which it was enacted, that in every licence made of an appropriation this clause should be contained, viz. that the diocesan should ordain that the vicar shall be well and sufficiently endowed. But this statute was eluded; for the abbots appointed one of their own monks to officiate; and therefore the parliament, in the 4th year of Henry IV. cap. 12, provided that the vicar should be a secular clergyman, canonically instituted and inducted into the church, and sufficiently endowed; and that no regular should be made vicar of a church appropriate. But long before the making of these statutes the kings of England made appropriation of the churches of Feversham and Milton in Kent, and other churches, to the abbey of St. Augustine in Canterbury, by these words: “Concessimus, &c., pro nobis, &c., abbati et conventui, &c., quod ipsi ecclesias predictas appropriare ac eas sic appropriatas in proprios usus tenere possint sibi et successoribus in perpetuum.” The like was done by several of the Norman nobility, who came over with the king, upon whom he bestowed large manors and lands; and out of which they found tithes were then paid, and so had continued to be paid even from the time they were possessed by the Saxons: but they did not regard their law of tithing, and therefore they held it reasonable to appropriate all, or at least some part of, those tithes to those monasteries which they had founded, or to others as they thought fit; and in such cases they reserved a power to provide for him who served the cure; and this was usually paid to stipendiary curates. But sometimes the vicarages were endowed, and the very endowment was expressed in the grant of the appropriation, viz. that the church should be appropriated upon condition that a vicarage should be endowed; and this was left to the care of the bishop. But whenever the vicar had a competent subsistence by endowment, the monks took all opportunities to lessen it; and this occasioned several decretals prohibiting such usage without the bishop’s consent, and that no custom should be pleaded for it, where he that served the cure had not a competent subsistence. And it has been a question whether an appropriation is good when there is no endowment of a vicarage, because the statute of Henry IV. positively provides that vicarages shall be endowed. But it is now settled, that if it is a vicarage in reputation, and vicars have been instituted and inducted to the church, it shall be presumed that the vicarage was originally endowed. Thus much for the tithes: but the abbot and convent had not only the tithes of the appropriate churches, but the right of patronage too; for that was extinct, as to the former patron, by the appropriation, unless he had reserved the presentation to himself; and that made the advowson disappropriate, and the church presentable as before, but not by the old patron, but by the abbot and convent, who were then bound, upon a vacancy, to present a person to the bishop. Sometimes the bishop would refuse the person presented unless they consented to such an allowance for his maintenance as he thought fit, and therefore they would present none. This occasioned the making another decretal, which gave the bishop power to present; but this did not often happen, because the monks were favoured by the bishops; that is, the poorer sort, for the rich would not accept his kindness. They always got their appropriations confirmed by the pope, and their churches exempted from the jurisdiction of the bishop. But now all those exemptions are taken away by the statute 31 Henry VIII. cap. 13, and the ordinary is restored to his ancient right. Before giving an account of that statute, it will not be improper to mention the forms of appropriations both before and since that time. A licence being obtained of the king as supreme ordinary, and the consent from the diocesan, patron, and incumbent, thereupon the bishop made the grant.

By the aforesaid statute, those appropriations which were made formerly by bishops, and enjoyed only by religious houses, are now become the inheritance of laymen; and though the bishop’s power in such cases is not mentioned in the statute, yet the law leaves all matters of right just as they were before; for when those religious houses were surrendered, the king was to have the tithes in the same manner as the abbots had them in right of their monasteries; and there is a saving of the rights and interests of all persons; so that, if before the dissolution the vicar had an antecedent right to a competent maintenance, and the bishop had power to allow it, it is not taken away now.

This is the law of England, and it is founded on good reason: for tithes were originally given for the service of the Church, and not for the private use of monasteries; and it may be a question, whether a monastery was capable of taking an appropriation, because it is not an ecclesiastical body; for by the canons they could not preach, baptize, or visit the sick, and they had no cure of souls. This matter was disputed between St. Bernard, a Cistercian monk, and Peter the Venerable: the first was dissatisfied that monks should take tithe from the secular clergy, which was given to support them in attending the cure of souls; the other answered him, that monks prayed for souls, but tithes were not only given for prayers, but for preaching, and to support hospitality. Upon the whole matter, appropriations may be made by the joint consent of the queen, the ordinary, and the patron who hath the inheritance of the advowson; and he must have the queen’s licence, because she hath an interest in it as supreme ordinary: for it might happen that the presentation may be devolved on her by lapse, and such licence was usually granted when the church was void; but if it is granted when the church is full, it does not make the appropriation void, though such grant should be in general words, because, where it may be taken in two intents, the one good, the other not, it shall be expounded in that sense which may make the grant good. It is true, the best way is to give a licence in particular words, importing that the appropriation shall take effect after the death of the incumbent: however, if it is a license per verba de præsenti, yet it is good for the reason already mentioned. The bishop must likewise concur, for he has an interest in the presentation, which may come to him by lapse before it can be vested in the queen. Besides, an appropriation deprives him of institution, for it not only carries the glebe and tithes, but gives to the corporation a spiritual function, and supplies the institution of the ordinary: for in the very instrument of appropriation it is united and given to the body corporate in proprios usus, that is, that they shall be perpetual parsons there: this must be intended where there are no vicarages endowed, and yet they cannot have the cure of souls because they are a body politic; but the vicar who is endowed and comes in by their appointment, has the cure.

APSE, or APSIS. A semicircular or polygonal termination of the choir, or other portion of a church. The word signifies in Greek a spherical arch. It was called in Latin testudo, or concha, from the same reason that a hemispherical recess in the school-room at Westminster was called the shell. The ancient Basilicas, as may still be seen at Rome, had universally a semicircular apse, round which the superior clergy had their seats; at the upper end was the bishop’s throne; the altar was placed on the chord of the arc; the transept, or gallery, intervened between the apse or the choir. There the inferior clergy, singers, &c., were stationed, and there the lessons were read from the ambos. (See Choir and Chaunt.) This form was generally observed, at least in large churches, for many ages, of which Germany affords frequent specimens. And as Mr. Neale has shown in his very valuable remarks on the Eastern churches, (Hist. of the Holy Greek Church,) the apse is the almost invariable form even in parish churches in the East. Of this arrangement there are traces in England. Then large Saxon churches, as we collect from history, generally had an eastern apse at least, and often several others. In Norman churches of large size, the apse was very frequent, and it was repeated in several parts of the church. These inferior apses represented the oriental exedræ, which usually terminate their sacristies. Norwich and Peterborough cathedrals convey a good impression of the general character of Norman churches in this respect. Traces of the apse are found also at Winchester, Rochester, Ely, Lincoln, Ripon, Gloucester, and Worcester cathedrals, besides St. Alban’s, Tewkesbury, and other conventual churches. So also at Canterbury, where the apse seems to have been disturbed by subsequent arrangements. But it is remarkable that the ancient archiepiscopal chair stood behind the altar in a sort of apse till late in the last century. Traces of the ancient apse at Chester have been discovered of late years. In small churches, as Steetley, Derbyshire, and Birkin, Yorkshire, the eastern apse alone is found, nor is this at all a universal feature. See Mr. Hussey’s Notice of recent discoveries in Chester Cathedral. There are three very interesting English specimens in Herefordshire, viz. as at Kilpech, Moccas, and Peter Church; all small parish churches, and of Norman date; and with regular chancel below the apse. In the early British and Irish churches there is no trace of an apse, even in those which the learned Dr. Petrie, in his essay on round towers, attributes to the 5th and 6th centuries. With the Norman style the apse was almost wholly discontinued, though an early English apse occurs at Tidmarsh, Berkshire, and a decorated apse at Little Maplestead; the latter is, however, altogether an exceptional case. There seems to have been some tendency to reproduce the apse in the fifteenth century, as at Trinity church, Coventry, and Henry VII.’s chapel, Westminster; but the latter examples entirely miss the breadth and grandeur of the Norman apse. Yet the later styles might have had one great advantage in the treatment of this feature in their flying buttresses spanning the outer aisle of the apse, which is often so striking a feature in foreign churches, and to which the perpendicular clerestory to the Norman apse of Norwich makes some approach. Some writers have confounded the apse with the choir or chancel; and think that, according to primitive usage, the holy table ought to stand between the latter and the nave: whereas in fact it always stood above the choir; so that in churches where there is no apse (and none was required when there were no collegiate or capitular clergy) its proper place is close to the eastern wall of the church. See Cathedral.

AQUARII. A sect of heretics who consecrated their pretended eucharist with water only, instead of wine, or wine mingled with water. This they did under the delusion that it was universally unlawful to drink wine; although, as St. Chrysostom says, our blessed Lord instituted the holy eucharist in wine, and himself drank wine at his communion table, and after his resurrection, as if by anticipation to condemn this pernicious heresy. It is lamentable to see so bold an impiety revived in the present day, when certain men, under the cloak of temperance, pretend a eucharist without wine, or any fermented liquor. These heretics are not to be confounded with those against whom St. Cyprian discourses at large in his letter to Cæcilian, who, from fear of being discovered, from the smell of wine, by the heathen in times of persecution, omitted the wine in the eucharist cup. It was indeed very wrong and unworthy of the Christian name, but far less culpable than the pretence of a temperance above that of Christ and the Church, in the Aquarii. Origen engaged in a disputation with them.—Epiph. Hæres. xlvi.; August. de Hæres. c. 46.; Theodoret, de Fab. Hæret. lib. i. cap. 20.; Cyprian, Ep. lxiii. ad Cæcilium.; Conc. Carth. iii. can. xxiv.; Bingham.

ARABICS, or ARABIANS. Heretics who appeared in Arabia in the third century. According to Eusebius and St. Augustine, they taught that the soul died, and was corrupted with the body, and that they were to be raised together at the last day.

ARCADE. In church architecture, a series of arches supported by pillars or shafts, whether belonging to the construction, or used in relieving large surfaces of masonry: the present observations will be confined to the latter, that is, to ornamental arcades.

These were introduced early in the Norman style, and were used very largely to its close, the whole base story of exterior and interior alike, and the upper portions of towers and of high walls being often quite covered with them. They were either of simple or of intersecting arches: it is needless to say that the latter are the most elaborate in work, and the most ornamental; they are accordingly reserved in general for the richer portions of the fabric. There is, moreover, another, and perhaps even more effective, way of complicating the arcade, by placing an arcade within and behind another, so that the wall is doubly recessed, and the play of light and shadow greatly increased. The decorations of the transitional, until very late in the style, are so nearly those of the Norman, that we need not particularize the semi-Norman arcade. In the next style the simple arcade is, of course, most frequent. This, like the Norman, often covers very large surfaces. Foil arches are often introduced at this period, and greatly vary the effect. The reduplication of arcades is now managed differently from the former style. Two arcades, perfect in all their parts, are set the one behind the other, but the shaft of the outer is opposite to the arch of the inner series, the outer series is also more lofty in its proportions, and the two are often of differently constructed arches, as at Lincoln, where the outer series is of trefoil, the inner of simple arches, or vice versâ, the two always being different. The effect of this is extremely beautiful.

Norman Arcade from Canterbury.