'Traigan las balanzas!' drawls the Don, and in answer to his summons a couple of negroes appear with a number of rocking-chairs, which they place—when the moon is at its brightest—in a shady corner of the verandah. Here we all seat ourselves, and await the arrival of any guest who may 'drop in' for a sociable chat and a cigar.

Don Francisco—the chief doctor of the town—is usually the first to appear. He is followed by Señor Esteban, the lawyer, Don Magin, the merchant, Don Felipe, the sugar-planter, and one or two young creoles whose avocations are doubtful. As each guest appears, everybody rises and salutes him elaborately. The visitors are all attired for the evening in black alpaca coats, white drill trousers, and waistcoats, patent leather thin-soled boots, and bran new 'bómbas'—a bomba being the slang term for a tall beaver hat.

For some moments the company assembled remain speechless, and no sounds are heard in the silent evening but the swaying of the rocking-chairs and the creaking of the gentlemen's stiffly-starched trousers. Presently someone produces a neat home-made cigarette case, and before selecting a cigar or a cigarette for his own consumption offers it to all the males present, who accept of his generosity. The conversation, in which those who are not already asleep join, now becomes general. The weather, and the state of the coffee and cane crops, are all duly discussed, together with the theatre and the last ball at the Philharmonic. Politics are lightly touched upon, for two of the gentlemen present are Spaniards, and for obvious reasons a Cuban usually avoids all topics which concern the government of his country. Occasionally someone who is well-read in the day's newspaper, essays a mild discussion with somebody else who has not seen the paper for a week; but as Cuban periodicals are under official control, they are not remarkable for their political veracity, and the well-read member of the company usually gets the worst of the argument.

Learning that my companion and I contemplate establishing a studio for the practice of our profession in the town, everybody offers us his advice, and recommends to our notice certain houses suitable for art purposes. Don Esteban, the lawyer, favours us with his legal opinion, reminding us of the law which prohibits a foreigner from setting up in business on his own account; but we assure him of our intention to 'go into partnership,' and that as one of us is a Cuban born, we have no uneasiness.

It is considered fatal to sit under the rays of a Cuban moon, so when that luminary is visible to any occupant of the balcony, his rocking-chair is immediately shifted into a shadier part. But, in doing so, extreme care is taken lest the occupant should reseat himself with his back inclined in the least manner towards his neighbour, as a Cuban would rather suffer any personal inconvenience than be discovered in this impolite posture.

No refreshment of any kind is offered by our host during the tertulia, but if one of the company feels thirsty he calls for a glass of iced water, which is accordingly brought to him by a slave, who, if necessary, qualifies the harmless beverage with 'panales,' which is a kind of cake prepared with white sugar.

Other tertulias are being held at neighbouring houses. Those who have no balconies to boast of, place their rocking-chairs in the passage or hall of their dwelling, while others, who have neither the one accommodation nor the other, deposit their receptacles for the weary on the pavement in the street. The black domestics form a tertulia on the door-steps or squat together in dark unoccupied parts of the corridors. Their jabber is incessant and occasionally requires a gentle reminder. Sometimes one of their company essays a wild melody, accompanying his song on a primitive instrument of his own manufacture.

Throughout the evening the streets are utterly deserted, and as, moreover, they are badly illuminated with gas, the aspect on a dark night is not cheerful. But on a bright, moonlit night, such as that to which I have referred, artificial lighting is altogether dispensed with. The moon in the tropics is, for astronomical reasons, brighter than it is elsewhere; but as regards Cuba, another reason might be derived from the fact that, metaphorically speaking, a slave country and a badly governed one into the bargain, is about the darkest spot in the habitable globe. At least, in Cuba the lamp of Heaven shines with increased brilliancy, illuminating alike Spaniard, Cuban, freedman, and bondsman!

CHAPTER III.

ART-PATRONAGE IN CUBA.