Bone next undertook, in addition to enamel portraits and copies from the ancient masters, a series of historical portraits, mostly of the time of Elizabeth. They were of great merit, but unsuccessful financially. These were exhibited at his house, 15 Berners Street, near that of his friend Opie, No. 8, who painted Bone's portrait.[70] There were also portraits of the Cavaliers distinguished in the Civil War, painted for J. P. Old; as well as portraits of the Russell family, from the reign of Henry VII., for the Duke of Bedford. A catalogue of the last-named was privately printed in 1825, and there is a copy of it in the South Kensington Museum.
In 1831 failing eyesight compelled him to retire to Somers Town, and reluctantly to receive the Academy pension; but owing to the expensive professions adopted by his sons, there was no alternative. Here he died of paralysis on December 17th, 1834. Some time before his death Bone offered his works, which were valued at £10,000, to the nation for £4,000. This offer was declined, and some time afterwards, viz., 22nd April, 1836, they were sold by auction at Christie and Manson's, realizing about 2,000 guineas, and so were scattered far and wide. Other important sales of Bone's enamels took place on the following dates, viz.: 1st May, 1846; 25th April, 1850; 10th May, 1854; and 13th and 14th March, 1856.
Bone had a large family—twelve, it is believed; of whom ten survived. His eldest son, Henry Pierce Bone, born November 6th, 1779, first exhibited at the Academy in 1799. He commenced enamel-painting in 1833, was appointed enamel-painter to Queen Adelaide, and afterwards to her present Majesty and the Prince Consort; and in the course of fifty-six years he exhibited 210 miniatures and enamels. He died in London, October 21st, 1855. Bone's grandsons (W. Bone and C. K. Bone) are also enamelers.
Robert Trewick Bone, the third son, born September 24th, 1790, was a subject-painter of some ability. He died from the effects of a hurt, May 5th, 1840. One son, Thomas, a midshipman, was wrecked and drowned, in the Racehorse, sloop, off the Isle of Man. Another, Peter, a lieutenant in the 36th Regiment, was wounded at the battle of Toulouse, and died soon after his return to England; and another of Bone's sons was called to the bar.
Of Henry Bone's private character, it was truly said, by one who knew him well, that 'unaffected modesty, generosity, friendship, and undeviating integrity adorned his private life;' and as to his artistic merits, it is no exaggeration to say that he was 'unequalled in Europe for the perfect truth and enduring brilliancy of his productions.'
A voluminous list, prepared by the late Mr. J. Jope Rogers, of the works of art produced by the various members of the Bone family, will be found in the 'Journal of the Royal Institution of Cornwall,' No. XXII., for March, 1880. It shows a total of 1,063 recorded works by this gifted family, nearly half of which were painted by the principal subject of this brief memoir.
Chantrey executed a fine bust of Henry Bone, which has been well engraved by Thomson; and there is another portrait of him, as an elderly man, which was painted by Harlow, and engraved by F. C. Lewis in 1824.
FOOTNOTES:
[69] His 'H. B.' signature was similar to Doyle's ('H. B.') and most of his works are, fortunately for collectors, so signed.
[70] Bone's various residences in London were as follows, in chronological order: Spa Fields; 195, High Holborn; Little Russell Street; Hanover Street, Hanover Square; and in 1801, Berners Street; thence he moved to Clarendon Square, Somers Town.